Olivia Newton-John has passed away. In memoriam here is my 2020 review of her 1970 film Toomorrow, which went unreleased for several years due to legal battles.
TOOMORROW (1970) – What is one part Monkees episode, one part Frankie & Annette Beach Movie, one part Help!, one part Donny & Marie in Goin’ Coconuts, one part KISS Meets The Phantom of the Park and one part Beyond the Valley of the Dolls? The answer is Toomorrow, the infamous Don Kirshner/ Val Guest cult movie with a then-unknown Olivia Newton-John in a starring role.
The aim was to launch a new pre-fab pop band like the Monkees, but this time consisting of an Aussie (Newton-John of course), a Brit (Vic Cooper), an African-American (Karl Chambers) and a white American (Benny Thomas).
Olivia sings and also dances around the guys while they play, Benny plays the guitar, Karl is the drummer and Vic plays the keyboard AND his special invention called a Tonalizer. The band is called Toomorrow because, as Karl observes, they are “Too much! Too-Morrow!”
We’re told that Vic’s Tonalizer is what gives Toomorrow its special “sound.” How special is that sound? So special that its unique vibrations can revive the stagnant culture of an alien race that’s facing decay and collapse. It seems the aliens’ own musical output has grown stale because they have long since progressed beyond the troublesome “emotions” and “heart” that Toomorrow’s members pour into their songs.
Buy this movie for the Sandbaggers or Dalgleish fan in your life, because Roy “Neil Burnside” Marsden co-stars as Alpha, the captain of the aliens’ spaceship. His forever-terse voice is unmistakable despite the – admittedly competent – makeup and prosthetic effects for the ET’s (above right). Continue reading
MURDERCYCLE (1999) – Okay, I want a Ghost Rider vs Murdercycle film! ESPECIALLY with Nicolas Cage as Ghost Rider. Anyway, despite the title, this movie is a nice throwback to the days before so many low-budget filmmakers were trying to be intentionally over-the-top and campy with their productions and titles in hopes of garnering sales from a reputation for being so-bad-it’s-good. 
Let’s take this from the top – an object from space lands near a Top Secret government facility concealed within a seeming shack in the middle of nowhere. It’s not a meteor but an alien weapon and when a man on a dirt bike draws near the fallen object he falls victim to its jack-in-the-box/ face-hugger tech. 
A MAN CALLED SLEDGE (1970) – Garner’s lone Spaghetti Western was a fascinating departure from his usual depictions of a roguish but not ruthless rascal. This time around he plays Luther Sledge, a grim, pitiless bandit leader who becomes obsessed with robbing a fortune in gold from its temporary storage place in a combination fortress and prison for hardened criminals.
It may be my fondness for mythology that makes me love to watch particular movies around particular holidays. I say that because many of the well- known myths were recited on ancient holidays when their subject matter was relevant to those festivities. The stories helped accentuate the meaning of the special events and that’s the reason I love holiday-themed movies. 
RAIDERS OF ATLANTIS (aka ATLANTIS INTERCEPTORS) – This 1983 Italian film is my guiltiest of guilty pleasures. Even though it’s directed by horror legend Ruggero Deodato, Raiders of Atlantis combines science fiction and horror with testosterone-fueled action in a Pulp Magazine premise that makes for fun, mindless escapism. 
Christopher Connelly stars as mercenary Mike Ross, a Vietnam War veteran who does any dangerous and dirty job for the right amount of money. Tony King is his black fellow mercenary who used to go by Washington but has recently converted to Islam and now calls himself Mohammed. 
THANK YOU once again to all of you readers for making Balladeer’s Blog so enjoyable to write. As I always say the unusual and controversial items I sometimes churn out here mean that readers have to be open-minded and very secure in their own beliefs not to just take offense and leave.
PRIME CUT (1972): Gangster movie review 
ONCE (1973) – Written and directed by Morton Heilig, Once is a 100 minute experimental film with no dialogue, just pantomime performances by the lone three actors. Chris Mitchum of all people portrays Creation, Jim Malinda plays Destruction and Marta Kristen co-stars as Humanity. Some may describe the movie as a Biblical parable but actually it reflects concepts from Zoroastrianism, Iroquois myths and other belief systems in addition to Christianity and Judaism. 
THE DEADLY SPAWN (1983) – This film is also known as The Alien’s Deadly Spawn. If you’re into less appreciated splatter flicks this is the movie for you! Diminutive creatures (ignore the poster) from outer space terrorize a neighborhood while literally chewing their way through anything in their way, including human bodies. The gore effects are graphic but not extreme, the acting ranges from awful to average and the creature designs may be cheap but the overall package makes this a cult classic. And watch out for that final stinger! 
IF FOOTMEN TIRE YOU, WHAT WILL HORSES DO? (1971) – Category: A neglected bad movie classic that deserves a Plan 9-sized cult following. 
Pirkle serves as the narrator of this quirky little mess, ranting on and on in his over-the-top way about how the USA has turned away from the Bible and will suffer the consequences. He’s like a combination of Criswell in Plan 9 From Outer Space and the sermonizing narrator from Blood Freak (qv).
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