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JUST A DAMNED SOLDIER (1988) AND AFGHANISTAN – THE LAST WAR BUS (1989)

just a damned soldierJUST A DAMNED SOLDIER aka One Damned Soldier (1988) – Balladeer’s Blog concludes its look at all ten films of Italian cult action icon Mark Gregory, real name Marco De Gregorio. I know IMDb states that he also appeared in the made for tv movie Rainbow, but I watched that film and he’s not in it. The error seems to have been made by someone who saw the name MARY Gregory in the closing credits and, because the font for the credits is a bit stylish, mistook the y in Mary for a k.

Previously, I reviewed Mr. Gregory’s post-apocalypse movies 1990: The Bronx Warriors and Escape from the Bronx, plus his Thunder Warrior trilogy of Rambo imitations, his quasi-peplum Adam and Eve vs the Cannibals, and his pair of outings as an action villain in Delta Force Commando and Ten Zan: The Ultimate Mission.

mark in his j hatI’ll wrap up everything by examining Mark’s final two films before he walked away from the business at age 25 in 1989, with no explanation and after having just made his highest amount of money from a movie role.

The public fascination with Mark Gregory continues due to the mystery of his following years and the sometimes contradictory information about his life. Supposedly he raised horses for a time, then became a street artist in Rome, possibly spent all his film earnings or was conned out of them, and died in 2013 from an overdose. Some sources say it was a suicide, others an accidental overdose.

mark with dead meatJust a Damned Soldier features Mark in an ensemble cast as one member of a trio of badass international mercenaries who take on any dangerous, high-paying job that comes along. Our hero, whose character is also named Mark, serves alongside Cisco (Romano Kristoff) and their boss Bert Ernst (Peter Hooten).

Those three, plus their fourth, soon-to-die comrade that I’ll call Dead Meat for a Hot Shots joke, kick off the movie in style with a guns-blazing raid on an industrial compound in Cambodia. The quartet shoots and explodes their way to victory, overcoming dozens of armed soldiers in scenes that live up to the standard joke about 1980s action flicks – “Page One of the script says ‘The good guys open fire’ and Page Two says ‘The End.'”

Mark and his colleagues look typically badass while killing bad guys, stealing tons of gold from the facility, then escaping to a nearby hideout to have the booty flown out of the country. After high fives and similar gestures all around, our main characters escape in a ground vehicle. Continue reading →

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DELTA FORCE COMMANDO (1987) AND TEN ZAN: THE ULTIMATE MISSION (1988)

delta force commando mark in foregroundDELTA FORCE COMMANDO (1987) – Balladeer’s Blog’s salute to cult icon Mark Gregory continues, with two movies that proved he could be just as dynamic as the villain as he was playing the hero, like in his other action flicks. Previously, I’ve reviewed Mark’s two movies in which he played the post-apocalypse/ dystopian biker Trash in 1990: The Bronx Warriors and Escape from the Bronx, plus his Thunder Warrior trilogy of Rambo knockoffs, and even his quasi-peplum Adam and Eve vs the Cannibals in which, as Adam, he fought dinosaurs, cavemen and green-skinned cannibals.

mark g picBecause Italian filmmakers were always Enzo-on-the-spot with cash-in imitations of mainstream movie hits, it was inevitable that they would produce flicks coat-tailing on the popularity of Delta Force. Mark Gregory’s screen presence in Delta Force Commando reminded me of what a shame it is that he walked away from his acting career in 1989, just when he was at the peak of his game and his earnings. If only he’d signed up with Cannon films then.

I’ve long felt that if Mark had held on into the 90s, he might have turned up as either heroes or villains in movies made by Quentin Tarantino or Robert Rodriguez, and, in the 21st Century, as a player in one of the Expendables movies. Again, as either a good guy or a bad guy.

mark gregory in dfcHell, in Delta Force Commando, Mr. Gregory spices up the schlock as the main villain, even though his character is never even given a name! Hey, that’s Italian exploitation cinema for ya!

Villain X, as I’ll call Mark’s character (at right), has a much shorter haircut than usual and dresses like a Miami Vice or Scarface ’83 gangster in his first several scenes.

Villain X, who has scarring on the lower left side of his face, speaking of the Pacino movie, leads a covert mark aiming weaponteam of communist commandos from Nicaragua in a daring raid on a military base in Puerto Rico. Villain X and his team succeed in making off with a nuclear bomb despite a few firefights, one of which kills the pregnant wife of Delta Force member Lieutenant Tony Turner (Brett Baxter Clark). Continue reading →

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1990: THE BRONX WARRIORS AND ESCAPE FROM THE BRONX

1990 bronx warriors1990: THE BRONX WARRIORS (1982) – Spaghetti-pocalypse movies were to the 1980s what Spaghetti Westerns were to the 60s and 70s. Italian-made ripoffs of post-apocalypse and/or dystopian flicks like The Road Warrior and Escape From New York were everywhere back then.

Today, Balladeer’s Blog takes a look at two such movies that starred cult icon Mark Gregory, real name Marco De Gregorio. Years ago, I covered Mark as Adam in Adam and Eve vs the Cannibals. Last week I reviewed his Thunder Warrior trilogy of Rambo imitations, this week it’s the pair of films in which Mark played a dystopian man of action called … Trash.

Talk about making your hero’s name a joke right off the bat! He SHOULD have been called something like Vandal, which has much more panache and was more befitting of a character following in the footsteps of Mad Max and Snake Plissken.

1990 bronx warriors in italianThe story is set eight years in the future from its 1982 release and presented a crime-ridden New York City run by plutocratic corporations who have every politician in their pocket. So, just think of New York as it is right now.

Crime in the Bronx has become so out of control that the borough has been declared a No Man’s Land in which gangs and other criminals rule the streets and any law-abiding citizens are on their own. Most of the gangs have silly theme costumes like the gangs in The Warriors, so there’s some of that movie’s flavor in this, too. Continue reading →

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THUNDER WARRIOR: ALL THREE MOVIES

thunder warriorTHUNDER WARRIOR aka Thunder (1983) – Here at Balladeer’s Blog I’ve reviewed plenty of Spaghetti Westerns and Spaghetti-pocalypse movies, but in this item I examine what could be called Spaghetti Rambo flicks. Mark Gregory, famous as the post-apocalypse action hero Trash from 1990: The Bronx Warriors and Escape from the Bronx, stars as an Apache named Thunder.

This Italian schlock film takes Stallone’s First Blood and combines it with elements of the Billy Jack series of movies in which the title hero was a Native American fighting on behalf of his people against 1970s racists, corrupt politicians and plutocratic businessmen. However, Thunder Warrior ramps up the action to nearly superhuman levels and piles up a Spaghetti Western sized body count.

thunder warrior b and wThe story features Mark Gregory’s character Thunder as a modern-day (1980s) Apache who lives on a reservation in Arizona. Assorted corrupt cops and bigoted construction workers are verbally and physically abusing the men and women of Thunder’s tribe.

The cops are led by Bo Svenson as Sheriff Bill Cook and the hate-filled construction workers are led by Antonio Sabato as the Hispanic-American Tomas, no last name given. Your standard amoral businessmen are planning to construct roadways and assorted businesses on the Apaches’ land, so their wealth and influence provides cover for Svenson’s and Sabato’s men.
Continue reading →

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THE KEEP (1983)

keepTHE KEEP (1983) – During World War Two, Nazi forces occupy a sinister stone Keep, only to realize they have disturbed a malevolent ancient entity which begins preying upon them. The unleashed force manipulates a prisoner of the Nazis into freeing it from its ages-old prison.

With hindsight, The Keep seems like it should have been a massive hit. Directed by Michael Mann, who adapted the screenplay from the novel by F. Paul Wilson, the stars included Jurgen Prochnow, Ian McKellan, Scott Glenn, Gabriel Byrne and Alberta Watson. Plus, the success of Raiders of the Lost Ark a few years earlier had made Nazis cinema’s most popular villains since the actual World World Two era.

So, what went wrong? Well, for starters, Mann’s cut of the film was supposedly just over three hours long at a time when studios expected such length only in epics (Reds, Gandhi, etc), not horror films. The Keep was then butchered in the editing room to the point where Michael Mann TO THIS DAY flies off the handle if this film is even mentioned during media interviews with him. Continue reading →

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ANDROMEDA NEBULA (1967) FILM REVIEW

andromeda nebulaANDROMEDA NEBULA (1967) – This movie was adapted from the 1957 novel Andromeda: A Space Age Tale by Ivan Yefremov. Unusual for sci-fi writers in the Soviet Union under Stalin, Yefremov courageously defied some of the political limitations that the blood-soaked dictator and his regime placed on fiction. Ivan is credited for, among other things, breaking free of the Soviet policy that limited futuristic tales to just a few years in the future. He continued that trailblazing in his works after Stalin died.

andromeda nebula picAnd that brings us back to Andromeda Nebula. The story is set over a millenium in the future, when an Age of World Unification (under a Soviet system, of course) was followed by the establishment of the Ring aka the Great Circle. The Ring is a loosely affiliated assortment of planets who exchange scientific and cultural information and try to facilitate each other’s efforts to colonize space.

In the universe of Andromeda Nebula, faster than light travel does not yet exist, so communication between planets takes between decades and centuries. This imposes certain limits that similar fictional planetary alliances don’t have to deal with, and the movie focuses on the dramas that could unfold within those confines. Continue reading →

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NEW YEAR’S DAY (1989) DAVID DUCHOVNY AND MAGGIE WHEELER

new y dayNEW YEAR’S DAY (1989) – HAPPY NEW YEAR! Balladeer’s Blog welcomes in 2023 with this review of Henry Jaglom’s comedy-drama New Year’s Day, released on December 13th, 1989, and best known for the appearance of an all-nude David Duchovny. Jaglom wrote and directed this movie, as he had so many before it. Henry also plays a major role in New Year’s Day as Drew, a middle-aged writer/ director who recently got a divorce and has moved back to New York City from Los Angeles to start anew.

He had sublet his apartment while in L.A. and arrives in the wee hours of a very snowy New Year’s Day to discover that the subletters are still there, because their signed agreement gave them occupancy through January 1st. Drew thought that meant they would be gone by the 1st of the year, and after some initial arguing, the older man agrees to let the ladies stay that one last day. Continue reading →

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A CHRISTMAS CAROL (1997)

Christmas Carol-a-Thon 2022 continues here at Balladeer’s Blog with this look at the often-overlooked animated version from 1997.

christmas carol 1997A CHRISTMAS CAROL (1997) – This musical cartoon version of the Dickens classic was produced by DIC, the animators known for the early Real Ghostbusters and Sonic the Hedgehog cartoons. The animation quality is adequate but nothing outstanding. However, I will say I find this version’s animation superior to that in the 1982 Australian cartoon A Christmas Carol.

The songs range from bland and forgettable to annoying. I take back everything bad I ever said about a few of Leslie Bricusse’s songs in Scrooge. Every bit of his work towers over the “striving for competence” songs we get in many other Christmas Carol renditions. Santa’s Sooty Suit from this one sticks in your head but not necessarily in a good way.  

Tim Curry of all people voices Ebenezer Scrooge and shows how good he can really be. If you’re like me, you can’t see anything but Dr. Frank N. Furter from The Rocky Horror Picture Show whenever Curry appears as himself on screen. Because he gets to hide behind animation in this production it’s much easier to lose yourself in the character he plays, and he does an excellent job.  Continue reading →

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BLACKADDER’S CHRISTMAS CAROL (1988)

blackadder's christmas carolBLACKADDER’S CHRISTMAS CAROL – Balladeer’s Blog’s 13th Annual Christmas Carol-A-Thon continues! Long-time readers know what a big fan I am of Rowan Atkinson’s work – especially his Blackadder programs. Hell, I’m even an enormous fan of his more serious work in Full Throttle. And I never tire of telling anyone who will listen that I think he’d make a perfect Dikaiopolis in Aristophanes’ comedy The Acharnians. 

As to why it took me so long to finally get around to reviewing Blackadder’s Christmas Carol, it’s the same reason that applied to the George C Scott version: I wanted to handle some of the more obscure Carols before hitting the well-known ones.

This Christmas Special is set in Victorian England with Atkinson starring as Ebenezer Blackadder, owner of a moustache shop. Tony Robinson is on hand as yet another member of the Baldrick family line.

In typically perverse Blackadder fashion the storyline reverses the usual sequence of events. Ebenezer starts out as a kind-hearted and generous soul but soon the Christmas Spirit (Robbie Coltrane) shows him visions of Blackadders Past, Present and Yet-to-Come.     Continue reading →

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JUNGLE JIM ON SCREEN

jungle jim johnnyNews of the disastrous reaction to screenings of the unwanted and unneeded fifth Indiana Jones movie, starring a 136-year-old Harrison Ford, caused me to reflect on the 1980s flood of Indiana Jones imitators. Studios even revived the old H. Rider Haggard character Allan Quatermain by casting Richard Chamberlin as Quatermain in a few movies.

Conspicuously absent from that 1980s eruption was Jungle Jim, the former comic strip character who had been depicted in a film serial, several movies and a television series from the 1930s to 1950s. Obviously, the same attempts to update Allan Quatermain would have to be made in reviving Jungle Jim, but it certainly could have been pulled off.

After all, decades before Raiders of the Lost Ark, “Jungle Jim” Bradley, mercenary jungle guide and adventurer, was fighting Nazis and other menaces while finding lost cities & ancient artifacts, all while romancing lovely ladies. Throw in the occasional giant spider or huge, man-eating eel and enjoy!

A 1980s Jungle Jim series could have combined the best elements of Indiana Jones, Crocodile Dundee and Allan Quatermain.  

At any rate, all this led me to write this examination of the big and small screen escapades of Jungle Jim in all their fun, outdated, absurd and So Bad They’re Good glory. Johnny Weissmuller, the former Tarzan actor, actually had to speak in complete sentences as Jungle Jim, emphasizing his poor thespian skills.

jungle jim 1937JUNGLE JIM (1937) – This 12 episode serial from Universal starred Grant Withers as the title character in the pith helmet. The story involved Joan Redmond, a wealthy young heiress who disappeared in the African jungle with her parents years earlier.

Sightings of a white woman in command of a pride of lions have inspired media speculation that the now teenaged heiress was still alive. Two rival jungle expeditions set out to find her, one launched by the tale’s heroes and another launched by the tale’s villains. 

The good guys, guided by Jungle Jim, want to bring the young Lion Goddess back to her home country and her inheritance. The bad guys, led by the young lady’s villainous relative Bruce Redmond, want to kill Joan, thus allowing Bruce to claim the inheritance for himself. Further complicating things are two international criminals who have been stranded in the jungle with Joan for years and have been passing themselves off to her as if they are her parents. Continue reading →

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