THOMASINE & BUSHROD (1974) – The Frontierado Holiday is Friday, August 4th this year, so here is another seasonal post – a review of the black western Thomasine & Bushrod. This tale of a pair of outlaw lovers is a nice change of pace since it is set in the fading Wild West of 1911-1915. Automobiles are beginning to show up here and there, making Thomasine & Bushrod a fascinating fusion of “Robin Hood Outlaw” tales bridging both the old west and the later Pretty Boy Floyd era.
The film opens up in 1911 Texas by treating us viewers to a few scenes of the female bounty hunter Thomasine – played by THE Vonetta McGee – by turns using her tracking skills, marksmanship and feminine allure in order to bring in a few of her targets for the rewards on their heads.
While collecting the money from her most recent success, Thomasine sees a fresh Wanted poster for her old boyfriend J.P. Bushrod, a gunslinging bank robber and rustler portrayed by Max Julien from the previous year’s blaxploitation hit The Mack.
Bushrod has been lying low as a horse trainer for ranchers and we are introduced to him stopping an act of animal cruelty by one of the other ranch hands, then slugging him. Knowing the ripples from this violent incident will result in his cover being blown and the law coming down on him again, J.P. returns to life on the run. Continue reading
THE CLONES (1973) – This neglected sci-fi item from the 70s was directed by Lamar Card & Paul Hunt, based on Hunt’s story. The Clones falls into that category of films that I always refer to as “X-Movies” because of the way they put one in mind of the paranoid and conspiratorial air of the best X-Files episodes. 
Gregory Sierra, best known to trivia buffs as “And Gregory Sierra” for the number of times he was credited like that in various television shows and movies, plays Nemo, a government agent tasked to keep the clone project a secret and bring in the escapee. 
THE MAN FROM PAINTED POST (1917) – Here is another Douglas Fairbanks movie from the years before he became the film world’s premier swashbuckler. Unlike the pure comedy of Fairbanks’ 
THE MYSTERY OF THE LEAPING FISH (1916) – Regular readers of Balladeer’s Blog may remember that I’m a geek for Silent Movies. Last week’s look at 
The short’s comedic approach to cocaine, opium and more demonstrates the “anything goes” attitude before film codes were implemented to ban certain content from the big screen. In the pre-internet years, The Mystery of the Leaping Fish was a film that people refused to believe existed until you had them sit down and watch it with you.
THE MARK OF ZORRO (1920) – Douglas Fairbanks digs into his comedic AND acrobatic skills in this first screen adaptation of Johnston McCully’s masked hero of 1820s California (The Curse of Capistrano had just been published the year before and Fairbanks bought the film rights for United Artists.) 
Excellent fight choreography, heroic opposition to tyranny and the rousing, marathon chase and fight scene near the film’s finale make The Mark of Zorro an absolute must-see for anyone curious about silent movies. Nearly every frame of the film is a portrait.
STRAIGHT TO HELL (1987) – For a glib, one sentence review of this movie, how about “Quentin Tarantino minus Quentin Tarantino equals Straight to Hell?” Though this flick came out years before Tarantino’s films it clearly influenced him and to this day it feels like a lost, inferior effort by Quentin. 
Alex threw in some of his stable of regulars from his two earlier films, slapped together a script in three days (co-written by Dick Rude) and used a mere few weeks to make this oddball genre-bender in Spain. 
AMPHIBIAN MAN (1962) – This “mad scientist creates a man capable of living underwater” movie was made in the Soviet Union but frequently appeared in dubbed English on American television decades ago. 
Many online reviewers accuse the makers of The Shape of Water of ripping off this 1962 movie that is based on a 1928 novel. Arguments can be made for that, but it’s important to remember that all sci-fi stories draw from the same general inheritance of tropes. 
ICHTYANDR SALVATOR (Vladimir Korenev) – A young Argentinean man whose scientist father prevented him from dying of a lung disease in childhood by grafting shark gills on to his body. Ichtyandr has been raised and educated in isolation and his father even designed a comical looking underwater suit for our hero to wear, complete with a shark fin. 
PRAY FOR THE WILDCATS (1974) – That’s Wildcats as in the Baja Wildcats, the name given by the villainous Andy Griffith to himself and his fellow over the hill dirt bikers – William Shatner, Marjoe Gortner and Robert Reed! 
ADAM AND EVE VS THE CANNIBALS (1983) – Way back in 2014 I reviewed this quasi-peplum flick starring Mark Gregory, real name Marco De Gregorio. Instead of portraying Hercules or Maciste or Samson taking on monsters and human opponents, Mark played Adam taking on monsters and human opponents. 
THE CASSANDRA CROSSING (1976) – The Andromeda Strain meets the later Supertrain in this railroad version of the Airport movies. I’m sure we all know the formula of Disaster Movies, be they about natural disasters striking cities or manmade disasters striking mass transportation like airplanes, ships and trains. 
In general, the storyline involves a genetically engineered plague covertly developed by government functionaries (think of Anthony Fauci and his ilk) despite international agreements not to conduct such research. Terrorists who want to steal the plague for their own use botch a raid on the International Health Organization (a pastiche of the World Health Organization), which results in a shootout and in two of the terrorists being exposed to the plague. 
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