Tag Archives: horror

THE DUST CLOUD (1912) A GHOST STORY

Amedee BolleeTHE DUST CLOUD (1912) – Halloween Month continues here at Balladeer’s Blog with a look at this tale written by British author E.F. Benson. The story deals with a ghostly automobile and for me the 1912 setting and several macabre touches give it a certain charm that makes it irresistible.

Our unnamed narrator is a well-to-do Brit visiting with his much wealthier friend Harry Combe-Martin near Suffolk. The pair are the stereotypical Gearheads of Old, passionate about driving and discussing every type of automobile model that comes along. Given the time period their goggles and long coats when driving are a given. 

masc graveyard smallerAfter-dinner conversation about the finer points of assorted automobiles turns to Harry’s late friend Guy Elphinstone, another car enthusiast. Elphinstone was a singularly unpleasant man and often spitefully drove over chickens and rabbits who got in his way as he flew along the roadways.

One day a few months earlier, Guy Elphinstone’s impatience caused an accident in which he ran over and killed a little girl and crashed into his own manor’s closed park gates, thus killing himself, too. His car – a twenty-five horsepower Amedee Bollee – was totaled in the wreck. Continue reading

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HALLOWEEN WITH AMBROSE BIERCE

ambrose-bierce

Ambrose Bierce

Halloween Month continues with Balladeer’s Blog’s look at some seasonal stories by the one and only Ambrose Bierce. I think we’re all sick of Owl Creek Bridge so here are a few lesser-known tales from “Bitter Bierce.”

THE SPOOK HOUSE (1889) – In pre-Civil War Kentucky a pair of traveling politicians take shelter in a notoriously haunted house which was once the site of a bloody massacre. The eerie abandoned house features a room from which an unearthly green glow emanates … a room in which lie all the corpses of the missing massacre victims and of all those foolish enough to stay in the house ever since.  Continue reading

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THE DISCOVERY OF THE DEAD (1910)

Discovery of the DeadTHE DISCOVERY OF THE DEAD (1910) – Halloween Month continues with this look at a work written by Allen Upward.

This eerie tale is told in the form of a series of scientific reports about the experiments of a Russian scientist named Karl Luecke. While researching beyond the visible light spectrum he discovers necrolites, a way of making visible what remains of human beings after death.

These entities, which he dubs “necromorphs,” look like glowing brains, spinal columns and nervous systems (see the cover illustration). Necromorphs cannot stand sunlight and dwell underground by day. Continue reading

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THE MOST HALLOWEENISH WEREWOLF BY NIGHT COVERS

Balladeer’s Blog’s month-long celebration of Halloween continues with this look at pop culture mammoth Marvel Comics’ long(ish) running horror series Werewolf by Night.

Werewolf 1WEREWOLF BY NIGHT Vol 1 #1 (September 1972)

Title: Eye of the Beholder

Villains: Marlene Blackgar, whose horrible gaze turns people to stone, and her monstrous creation Strug

Comment: After a few issue tryout in Marvel Spotlight, 18 year old Jack Russell (really Russoff), the titular character, got his own title. He was the son of a European nobleman and the latest inheritor of the family’s curse of lycanthropy. A curse he sought a cure for.

His adventures were often like a comic book version of Paul Naschy’s Waldemar Daninsky werewolf movies from Spain. Continue reading

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MALDOROR 3:2 – VICTIMS BOTH LIVING AND DEAD

As Halloween Month continues what could be more appropriate than to resume Balladeer’s Blog’s examination of the macabre 1868 French language work The Songs of Maldoror.

WARNING: THIS IS ANOTHER OF THE MOST TWISTED, DISTURBING AND HORRIFIC STANZAS IN THE ENTIRE BOOK. 

VICTIMS BOTH LIVING AND DEAD

Maldoror 2The malevolent supernatural being Maldoror commits one of his most horrific acts of violence ever in this stanza. For those horror fans who prefer to see our vile main character perpetrating genuine atrocities this is the tale for you.  

This stanza begins with Maldoror contemplating an elderly, poverty-stricken madwoman who roams the roads of France. She wears tattered clothing and her aged face is withered like a mummy’s while what little hair she has left falls like long spider-legs over her head and neck. Continue reading

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SIX RARE HALLOWEEN MONSTERS

Halloween Month continues here at Balladeer’s Blog! Here’s a look at some of the neglected monsters I’ve covered over the years. These horrific figures deserve as much love as the better known characters like Dracula, Frankenstein, the Crying Woman and many others.

Squaw Hollow SensationSETHOS

First Appearance: The Squaw Hollow Sensation (1879)

Cryptid Category: Aztec mummy

Lore: Around the year 800 AD an Aztec scholar named Sethos drank the Draught of the Everlasting Covenant and went into a state of suspended animation. In 1879 mining operations uncovered the tomb where he was hidden away.

A scientist of the era mastered the technique of reviving Sethos and successfully restored him to full life. Sethos’ body was hideously mummified but intact except for a gaping hole in his skull in the middle of his forehead from the experiment to revive him. Continue reading

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THE MONKS OF MONK HALL (1844-1845)

As Halloween Month continues, Balladeer’s Blog looks at a neglected work of American horror.

Monks of Monk Hall

THE MONKS OF MONK HALL aka THE QUAKER CITY (1844-1845) – Written by George Lippard, this strange and macabre story was originally serialized from 1844-1845 before being published in novel form. This bloody, horrific work was America’s best-selling novel before Uncle Tom’s Cabin

I always refer to this book as “Twin Peaks Goes To The 1840s.” On one level The Monks of Monk Hall deals with crime, corruption, drugs and sex-trafficking among many supposedly “respectable” citizens of Philadelphia the way Twin Peaks did with residents of the title town.

On another level the novel deals with supernatural horrors that lurk behind the Quaker City’s murders, vices and sexual perversions, again like the David Lynch series. The center of the darkness is Monk Hall, an old, sprawling mansion with an unsavory history and reputation. Many have disappeared into the bowels of the building, never to be seen again. The power players and criminals who mingle at the Hall in bizarre orgies, secret murders and drunken debauches are known as “Monks” – Monk Hall’s exclusive membership.

Monks of Monk Hall 4

Think of Monk Hall as a combination of Twin Peaks establishments like the Black Lodge, One-Eyed Jacks and the Great Northern all rolled into one. The vast, multi-roomed Hall is honey-combed with secret passageways and trap doors. Beneath the mansion are a subterranean river plus several levels of labyrinthine catacombs filled with rats, refuse and the skeletal remains of the Monks’ many victims from the past century and a half.   

The sinister staff of Monk Hall are happy to provide their members with all the sex, opium and other diversions that they hunger for behind their public veil of respectability. Throw in the occult practices of the members and there’s a sort of “American version of Sir Francis Dashwood’s Hellfire Club” feel to it. Among the novel’s more horrific characters:

Monks of Monk Hall 2

DEVIL-BUG – The deformed, depraved and deranged bastard offspring of one of Monk Hall’s members and one of the many prostitutes who are literally enslaved there. Devil-Bug has spent his entire life in the Hall and has no other name. He is squat, incredibly strong and grotesquely ugly with one large gaping eye and one small, withered, empty socket on his face.

This monstrosity works as Monk Hall’s combination door-man, bouncer and executioner, gleefully murdering on demand and secreting the corpses away in the sub-basements beneath the mansion. Just to make him even more unwholesome, Devil-Bug sleeps next to the corpse of one of his victims and uses occupied coffins as furniture in his creepy rooms.

Monks of Monk Hall 3

RAVONI – Interchangeably referred to as a sorcerer, mad doctor, astrologer and anatomist, this handsome but sinister man pulls the strings behind the supernatural evils of Philadelphia and vicinity.

Master of an occult method of eternal youth, Ravoni has been alive for over two hundred years. (The novel repeatedly says just two hundred years, but the villain refers to having been present at the Saint Bartholomew’s Day Massacre, which happened in 1572, so it has to be longer)

Ravoni has powers of mesmerism, prognostication and can even raise the dead. He was the original owner of Monk Hall under another name long ago. Readers eventually learn the kind of dark rituals the man performed at the Hall but don’t learn the full extent of his evil plans until the climax of the novel.         

Continue reading

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TALES OF HOFFMANN: A HALLOWEEN OPERA

Halloween month is here! As usual the next 31 days will be filled with my usual topics PLUS neglected horror films, novels, operas, etc.

Tales of Hoffmann

Tales of Hoffmann

TALES OF HOFFMANN (1881) – Yes, as if I wasn’t boring enough already I’m also into opera! Now, I know traditionally “the” Halloween Opera has always been Don Giovanni , but I’ve never bought into that notion since there’s really only one scene in the whole opera that qualifies as spooky and supernatural.

At this time of year I prefer Offenbach’s Tales Of Hoffmann. Not only is it full of appropriately eerie and menacing elements, but it’s also the perfect opera for you to share with someone who’s seeing their very first opera.

One of the reasons for that is that it’s in short segments, surrounded by a wraparound opening and finale. Offenbach adapts short stories written by E.T.A. Hoffmann, who in real life was a pre-Edgar Alan Poe author of eerie short stories in his native Austria during the 1800s. At any rate since this opera’s in short segments novices to the artform won’t have time to get bored.

Another reason is that, though the climax of these tales no doubt seemed shocking to the people of Hoffmann’s (or for that matter, Offenbach’s) time period, modern audiences are so used to anthology series’ like The Twilight Zone and Tales From The Crypt, etc that today’s viewers will spot the “twist” endings coming from a mile away. This combats another common complaint of opera novices: that they have trouble following the story. Continue reading

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MALDOROR 2:4 – THE MIDNIGHT OMNIBUS

Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror.

THE MIDNIGHT OMNIBUS

Midnight strikes in Paris. An eerie double-decker horse-drawn omnibus bursts forth from the ground and begins making its way through the nearly empty, night-darkened streets.

A few late night wayfarers regard the unusual omnibus with a shudder as it goes by. The vehicle carries the full passenger load of twenty-four but all of the travelers on the upper deck appear to be lifeless corpses leaned against each other.

The top-hatted driver looks like another corpse, and the whip he uses to urge on his horses seems more alive than he is. That whip appears to be what animates the arm of the otherwise lifeless driver, not the other way around. Even the passengers on the inner deck remain mute and still and are likewise as pale as ghosts.   Continue reading

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MALDOROR THIRTEEN: THE GREAT TOAD ANGEL

Balladeer’s Blog resumes its examination of the macabre 1868 French language work The Songs of Maldoror.

THE GREAT TOAD-ANGEL 

Maldoror 13This stanza opens up with the supernatural being Maldoror contemplating the worms he pulls from the swollen belly of a dead dog. Slicing the worms into small bits he philosophizes on how human beings should learn a lesson about their own mortality from the state of such dead, worm-riddled bodies. 

Night is falling. In the distance he spies a horse-sized toad with white wings flying down from the sky and landing on the road he is traveling. As the two draw nearer to each other Maldoror senses something familiar about the creature and reflects that its face is “as beautiful as suicide”. He resents the being over how beautiful it looks even in its massive ugliness and the halo over the toad’s head tells him it has come from Heaven and his archrival God.  Continue reading

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