Director Shinya Tsukamoto hails from Japan and is noted for his surreal, nightmarish excursions into the darker side of transformative industrial technology … especially any technology that impacts the human anatomy.
Tsukamoto’s noteworthy films include:
Tetsuo: The Iron Man (1989) – From the early shots of a man removing one of his own bones and replacing it with a piece of metal viewers knew this was a work of true genius. Tetsuo becomes more and more relevant by the year, especially with the advent of nanotechnology and its potentially invasive effect on the human mind and body.
The anatomies of the film’s characters become distorted and mutate into metal figures that challenge preconceived notions of beauty, ugliness, gender and even what constitutes life. Continue reading
DARK INTRUDER (1965) – This thoroughly enjoyable piece of Forgotten Television was a failed pilot for a series. Supposedly the network passed on it because they thought it was too scary and gruesome for tv viewers of the time. Instead they released this 59-minute black & white gem to theaters as the second title for double features. 
Brett Kingsford maintains a quasi-secret identity. On the surface he’s known in San Francisco as a bon vivant and ladies’ man and when the police want to consult him over something supernatural he dons various disguises to rendezvous with them. That way nobody in his usual social circles is made aware of his connections with the cops. 
WAVELENGTH (1983) – Robert Carradine, Cherrie Currie and Keenan Wynn play a reclusive rock singer, his new girlfriend and his eccentric neighbor who get caught up in a government coverup about extraterrestrial life. 
SCORPION THUNDERBOLT (1983) – From Balladeer’s Blog’s old friend Godfrey Ho comes this horror film that has absolutely NOTHING to do with either scorpions OR thunderbolts. 
TALES OF THE THIRD DIMENSION (1984) was yet another of the six 3D movies released in the 1980s by Balladeer’s Blog’s old friend Earl Owensby. Earl was known as “The Dixie DeMille” since he and his film company operated almost exclusively out of North Carolina. To me he’s always seemed more like Roger Corman, however, since Owensby’s flicks were mostly just unpretentious B Movies made with so little money they were guaranteed to turn a profit. 
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