OGROFF aka The Mad Mutilator (1983) – This thoroughly bizarre French movie whose maker somehow conned horror icon Howard Vernon into appearing is easily one of the worst films ever made. Norbert G. Moutier owned a video store in France and published a horror fanzine.
Moutier decided to make his own movie on Super-8 and despite having virtually no money he succeeded. While most films like Ogroff go absolutely nowhere, Moutier rented out his labor of love to customers of his video store.
Like a film version of a garage band miraculously making it big, word of mouth spread regarding the graphic (yet fake looking) blood and gore in the movie. Howard Vernon’s name gave it the extra push it needed to become a cult item in Continental Europe and then the world.
WARNING: Ogroff is not for everyone. If you don’t like bad horror films which are so poorly made that the ineptitude makes them more disturbing than many polished projects, don’t click on “Continue reading.” Continue reading
THE TELEVISION GHOST (1931-1933) – As astonishing at it may seem, there were actually some regularly televised programs on pioneering channels like W2XAB beginning in 1931. Comparatively few people actually had the mechanical television sets of that period when the whole enterprise was highly experimental. Newspaper listings offer most of what little information survives about the broadcasts.
The Television Ghost ran 15 minutes and starred George Kelting as the Ghost with Bill Schudt as an announcer and narrator. The show’s Halloween Episode of 1931 was nicely hyped with a reference to some primitive television special effects magic. 
Balladeer’s Blog’s love of quality horror ARGs (Alternate Reality Games) has been well established. In the past I’ve examined productions like Local 58, Claridryl and Jack Torrance (NOT the character from The Shining.) 
The eerie storyline revolves around the disappearance of a beautiful young Polish woman named Ania Slowinska and the dark, seemingly supernatural forces behind it. As the tale unfolds it becomes apparent other women have fallen victim to the same forces, with one having had all her teeth removed after being murdered. 
HAPPY HALLOWEEN FROM BALLADEER’S BLOG! This year for my October 31st horror post I’m looking at my favorite stories from H.P. Lovecraft’s earliest works by year of publication. 
THE ALCHEMIST – Count Antoine de C- is the last of his family line. Hundreds of years earlier one of his ancestors caused the death of the sorcerer Michel Mauvais. Michel’s sorcerer son Charles cursed the Count’s family so that all male descendants would die shortly after turning 32 years of age. 
I WAS A TEENAGE FRANKENSTEIN (1957) – Herbert Strock’s follow-up to I Was a Teenage Werewolf always calls to mind the Movie Host shows of the past and the way they would often pair up those two Teen Monster flicks as a Double Feature the nearest Saturday night to Halloween. 
FROM BENEATH THE RUE MORGUE (2004) – This Dark Horse comic book companion to the Van Helsing film is set in between scenes in the movie. After the death of Mr. Hyde in Paris, we see that Van Helsing winds up arrested for murder. 
That lab is the lair of THE Dr. Moreau in his younger years. The mad scientist has created a number of beastly man-monsters that are barely controllable, unlike his later experimental creations. 
CROSS OF THE SEVEN JEWELS (1987) – This Bad Movie Classic may be my favorite non-
THE MONKS OF MONK HALL aka THE QUAKER CITY (1844-1845) – Written by George Lippard, this strange and macabre story was originally serialized from 1844-1845 before being published in novel form. This bloody, horrific work was America’s best-selling novel before Uncle Tom’s Cabin. 
Think of Monk Hall as a combination of Twin Peaks establishments like the Black Lodge, One-Eyed Jacks and the Great Northern all rolled into one. The vast, multi-roomed Hall is honey-combed with secret passageways and trap doors. Beneath the mansion are a subterranean river plus several levels of labyrinthine catacombs filled with rats, refuse and the skeletal remains of the Monks’ many victims from the past century and a half. 
A BLACK MASS (1966) – This short horror/ mythological play was written by LeRoi Jones aka Amiri Baraka and has nothing to do with Satanism. The writer played on words, meaning “black” as in his skin color, not as in the Satanic masses enacted by larping geeks trying to be edgy. (Longtime readers may remember my contempt for the fools who call themselves Satanists.)
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