Halloween Month is flying by! Here’s another seasonal post.
A BLACK MASS (1966) – This short horror/ mythological play was written by LeRoi Jones aka Amiri Baraka and has nothing to do with Satanism. The writer played on words, meaning “black” as in his skin color, not as in the Satanic masses enacted by larping geeks trying to be edgy. (Longtime readers may remember my contempt for the fools who call themselves Satanists.)
Whenever I review works by film director Jean Rollin I always point out that his creations run the gamut from brilliant to So Bad They’re Good. In the same spirit, I’m pointing out that Jones/ Baraka’s writings have been called racist, antisemitic, misogynistic ravings as well as artistic expositions on black thinking and culture.
In A Black Mass Baraka fused elements of the Frankenstein story and zombie lore with the Nation of Islam’s myth about the black mad scientist/ evil magician Yakub. Continue reading
THE RESURRECTED MONSTER (1953) – Directed and co-written by the trailblazing Chano Urueta, this film is regarded as Mexico’s first sci-fi/ horror blend. A plastic surgeon named Dr. Hermann Ling (Jose Maria Linares-Rivas) has been driven mad by a lifetime of scorn over his grotesque, misshapen (yet hilarious) appearance. He has spent years working in isolation at a remote castle. 
DETECTIVE COMICS Vol 1 #400 (June 1970)
The anguished Langstrom realizes he must go into seclusion until he can devise a cure for his condition. That night he happens by as Batman interrupts the Blackout Gang’s attempt to rob a Gotham museum. 
As Halloween Month continues, here’s a look at my favorite Jean Rollin vampire films. Note that these are not my all-time favorite movies about vampires, just my favorites by Rollin. 
Toss in his eerie, haunting and beautiful movie 
THE SHIVER OF THE VAMPIRES (1970) – In my view this is the first real example of a Rollin vampire film. His Rape of the Vampire definitely showed how inexperienced he was at horror, while The Nude Vampire had those undertones of sci-fi that I mentioned above. 
THE WERWOLVES (1898) – Written by Honore Beaugrand, this story features fairly unique werewolf lore. The tale is not structured in a traditional way but instead expands upon accounts of lycanthropy in campfire tales as if they really, truly happened. 
FRANKENSTEIN (1910) – This first ever cinematic depiction of the classic horror story was produced by Edison Studios, as in Thomas Edison. Luckily Frankenstein has survived, and existing copies run from 11 minutes to 16 minutes. 
Edison Studios efforts were known for their slipshod, seat of their pants nature, and Frankenstein serves up my all-time favorite back-to-back dialogue boards. “Frankenstein leaves for college.” followed by “Two years later Frankenstein has discovered the mystery of life.” (… And Frankenstein Created Cram School) 
PENITENTE (Penitent) 
To redeem himself in the eyes of Heaven, the Penitente had to save seventy times seven the number of innocent victims he had killed while alive. As part of this purgative servitude he would also be periodically pitted against dark forces which had escaped from Hell. 
Comment: Our hero rose from his grave and masked his decaying, scarred face behind a red cloth like those worn during Brazil’s Procession of the Penitents. 
The previous installments of Fool Killer lore have seen the neglected 1800s folk figure in a variety of roles: 
In honor of the Halloween season this post will look at the Fool Killer as a 1980s slasher. 
THE FOOL KILLER – As we all know, Anthony Perkins starred in the eerie 1965 movie The Fool Killer as an amnesiac Civil War veteran who came to believe he was really the legendary title figure. A 1980s slasher version of the Fool Killer could feature a deranged killer who has similarly come to regard himself as the “real” one.
EZRA PEDEN – This was Allan Cunningham’s tale about the deeds of Scottish Presbyterian Minister Ezra Peden and his encounters with the forces of the supernatural in Scotland from the late 1600s to around 1706. It makes for nice Halloween Season reading and practically makes you feel the chilliness of Scotland in late October as Cunningham depicts the brave, if humorless, Ezra adventuring in the moonlight. 
