Alice Guy-Blache (1873-1968) was a French film pioneer and was also the first woman to direct movies. Alice worked for the Gaumont Film Company and from 1896 to 1906 was Gaumont’s Head of Production.
Some sources say she was the only woman in the world directing movies during that period.
Among her films:
THE FAIRY OF THE CABBAGES (1896) – A light-hearted short that ran less than 2 minutes, this movie depicted a costumed woman as the title fairy. The premise was the old folk notion that children were found under cabbages in a cabbage patch. It was a lesser-known variation of the stork tale. The short was remade in 1900 and 1902.
PIERRETTE’S ESCAPADES (1900) – A woman changes from a pink dress to a green dancing outfit. She proceeds to dance alone and soon finds the stock clown character Pierrot dancing with her. The clown tries kissing her but is rebuffed. Next, the stock character Harlequin dances with her, impresses her and the two share a kiss as the 2-minute production comes to a close. Some frames were hand-tinted.
ESMERALDA (1905) – The oldest known movie version of The Hunchback of Notre Dame. Alice had been shepherding Gaumont’s movies away from mere visual spectacle and on to narrative filmmaking.
This 10-minute production is, like so many silent films, lost to us. Denise Becker starred as the title character and Henry Vorins played Quasimodo. Continue reading
SCREAMBOOK (1984) – Ever see a feature length horror film written, produced and directed by a 13-year-old? And with nearly all the roles – of all ages – played by fellow teenagers? Obviously, I’ll be grading this flick on a curve in this review. 
CAPTAIN MORS IMPRISONED – Far above the ocean, Kapitan Mors commands his Luftschiff (Air Ship) on its latest voyage along with its part European and part Indian crew. A carrier pigeon brings our masked hero a distress call from Miss Else Martens. She is in the clutches of a tinpot dictator who wants to force her into a marriage. 
BRACKEN’S WORLD (1969-1970) – This one-hour drama has the dubious distinction of being the series that replaced Star Trek on NBC’s Fall Schedule for the 1969 into 1970 season. The program was set at fictional Century Studios in Hollywood and presented dramas about life in the film industry. Dorothy Kingsley created and produced the show and wrote several episodes. 
The episodes were sometimes self-contained with assorted guest stars at the center of each week’s backstabbing and maneuvering, but most revolved around a regular cast portraying figures who worked at or were under contract to Century Studios. 
101. FADE IN – Brandoesque Tom Hudson tries to make his mark as an actor, Paulette Douglas is reluctant to do a nude scene in her first film, but her ambitious show-business mother (Jeanne Cooper) insists she do it. Producer Kevin Grant’s marriage is in trouble over his use of the casting couch. Tony Curtis, Omar Sharif and Raquel Welch make brief appearances as themselves to sell the supposed “star power” of Century Studios. 
THE STRUGGLE FOR EMPIRE: A STORY OF THE YEAR 2236 (1900) – Written by Robert W Cole. I left out the first half of the title for the headline, since The Struggle For Empire sounds like a mundane history book. In reality this novel was a very, very early example of the Space Opera sub-genre. 
Initially the Earth colonized and inhabited the planets and certain moons of our own solar system all the way out to Neptune. (Pluto was not discovered until 1930.) In a quaint quasi-Steam-Punk way, all of those planets and moons have Earth-like atmospheres and conditions. 
GOLDEN GIRL 
THE DEATHMASTER (1972) – In between his pair of movies as the vampire named Count Yorga the one and only Robert Quarry starred as a vampiric Charles Manson wannabe in this film. The Deathmaster starts out with a great bit that wouldn’t look out of place in a Jean Rollin horror flick from France: the huge, hulking Barbado (Le Sesne Hilton) plays eerie flute music, seemingly luring ashore a sea-tossed coffin. This casket holds our “Deathmaster” – a vampire called Khorda. 
EMPIRE (1962-1963) – Ryan O’Neal, Charles Bronson, Richard Egan and Terry Moore starred in this modern-day (1960s) drama about a family ranch in New Mexico. 
RICHARD EGAN starred as Jim Redigo, the brawny ranch manager with an MBA. That was an intriguing idea, and this character helped capture the new complexities of operating a ranch in the modern era while retaining the raw machismo that 1960s viewers would have expected from a ranch manager. 
RYAN O’NEAL played Tal Garret, Lucia’s son who was being groomed to take over the family ranch one day. His relationship with Redigo went from being like an uncle and nephew to more like a father and son but Tal struggled for the respect that he felt the older man was not giving him. Neither as a young man nor a rancher. 
For Balladeer’s Blog’s overview of the entire Kapitan Mors der Luftpirat series click 
THE AIRSHIP IN A WHIRLWIND – As the early pulp adventures of Kapitan Mors continue, his Luftschiff (Air Ship) is still incredibly damaged in the aftermath of his first clash with Ned Gully, his archenemy. That battle happened in the previous installment. 
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