MR NO LEGS (1978) – Ted Vollrath, a Korean War veteran who lost his legs due to injuries he suffered during the conflict, became a multiple black belt in martial arts disciplines and established Martial Arts for the Handicapable Incorporated in 1971. In addition to appearing in a documentary titled Let Me Live In Your World he starred as a scene-stealing badass in Mr No Legs, which was also released under titles like Killers Die Hard, Pushers Die Hard, Dope Runners Die Hard and the much less descriptive Gun Fighter.
Mr No Legs is nowhere near as outrageous as the Hong Kong kung fu movies Crippled Masters, Crippled Heroes and Crippled Avengers, nor is it as exploitative as those flicks. Vollrath plays Lou, the title character, whose wheelchair is equipped with built-in shotguns in the arm rests and Ninja stars connected to the wheels.
Lou himself is deadly in or out of his chair, as he is highly skilled with knives and handguns, but his most dangerous trait is the way he can use his muscular, toned body to kick the butts of all comers in unarmed combat. Lou’s status as the enforcer and hit man for a Tampa drug lord has earned him big money and a buxom blonde lady who sees to his various needs.
A real-life multiple amputee with a James Bond-gimmicked wheelchair and mastery of karate would be enough to ensure Mr No Legs a spot in Psychotronic movie Valhalla, but the film offers so much more.
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THE ARCTIC DEATH (1927) – Written by Wilford Allen, On A Far World, covered below, was a prequel to this same tale. The Arctic Death is set in the 1930s, which was “the near future” when the story was first published. 
CAPTAIN AMERICA & THE FALCON Vol 1 #160 (April 1973) 
For several years here at Balladeer’s Blog I have been trying to track down, watch and review all of the film versions of Hunterwali (Whip-wielding Woman), Bollywood Cinema’s butt-kicking masked female heroine. Often glibly dismissed as a female Zorro, there is much more cultural context to the Hunterwali figure – contextual significance that goes beyond the particular time period of each film version. 
Thus far I have been able to watch the 1935 original, which starred the actress billed as “Fearless Nadia” in India, and the 1988 Hunterwali. I have had no luck tracking down the 1959, 1972, 1977 and 2017 movie versions. Nor have I been able to buy the 1943 film, Hunterwali Ki Beti (Hunterwali’s Daughter), the very first sequel movie in Indian entertainment history. 
The basics of the Hunterwali story involve Princess Madhuri adopting a masked, whip-wielding and stunt-riding identity to combat the many injustices inflicted on the kingdom by her father’s evil Vazier Ranamal. That villain even imprisons the king and lusts after Madhuri, little realizing she is really the swashbuckling “protector of the poor and punisher of evildoers” called Hunterwali. 
Our story begins with the villainous Madame Lee (Mari Honjo), the Asian field boss of a criminal empire, observing a demonstration of her outfit’s new martial arts assassins in action. Ron Marchini IS White Death Machine, Michael Chong brings to life Asian Death Machine and Joshua Johnson wows as Black Death Machine. That’s exactly how our title trio are listed in the credits, by the way. 
PALADINS OF CHARLEMAGNE – The fictional setting of the legends surrounding the real-life Charlemagne, plus the introduction of several of his Paladins (knights). Click 
KID MONK BARONI (1952) – It’s not Rocky, it’s Spocky! Leonard Nimoy made his film debut in this half-assed, cliche-filled and trope-ridden mess of a movie. 
In lieu of prosthetic ears, Kid Monk Baroni finds Leonard sporting a prosthetic nose for a large part of the film, thus depicting the “ugliness” which drives his hostile urges. Paul Baroni has become a leader of sorts for his pack of juvenile delinquents called the Billy Goat Gang, an inferior imitation of Leo Gorcey and Huntz Hall’s Bowery Boys/ Dead End Kids/ Little Tough Guys and all the other names they used over the years. 
CAPTAIN AMERICA & THE FALCON Vol 1 #157 (January 1973) 
THE AURORAPHONE (1890) – Written by Cyrus Cole. This fun piece of vintage or “ancient” science fiction features the character Gaston Lesage, an eccentric genius who moves to the mountains of Colorado to continue his pet experiments. Lesage is obsessed with perfecting transmission and reception of radio signals, especially regarding potential contact with other planets. 
BRADAMANTE MEETS RUGGIERO – 
