Balladeer’s Blog presents another neglected epic myth from around the world. In this case, Liberia’s Woi Epic of the Kpelle people.
The Woi Epic is often studied for its use of music, dance, singing and audience participation to reflect the action in the story. Think of it as a combination opera, ballet, live drama and Rocky Horror Picture Show screening.
The order of the episodes in the epic is not set in stone and a performance may include only a few of the episodes, all of them or just one. The finish of each episode is marked by the performer(s) announcing “Dried millet, wese” to which the audience repeats simply “wese.”
ONE – Woi, a culture deity and master of ritual magic, and his wife Gelengol are the only living things that exist. After Woi impregnates his wife she eventually gives birth to human beings, chickens, goats, cows, sheep and, after all other life-forms, spiders. (Plenty of African myths feature a female deity giving birth to multiple living creatures and many feature the woman also giving birth to tools and weapons and utensils.)
TWO – Woi notes that the demonic figure Yele-Walo has stolen one of his bulls by sneaking up on it in the form of a rattan plant. Yele-Walo took the bull with him to his hideaway “behind the sky.” Woi prepares for battle and is aided by squirrel-monkeys, tsetse flies and horse-flies. Yele-Walo also steels himself for the upcoming fight. Continue reading
NKUBA – The god of lightning. Nkuba was known and feared for his quick temper and his great power. Powerful Chiefs and shamans could call on Nkuba to kill their enemies with his deadly lightning bolts. 
The lightning god Nkuba looked down from the sky and prepared to attack the semidivine hero Mwindo in order to avenge his (Nkuba’s) friend, the monster Kirimu. That seven- headed creature had been slain, cooked and served as a meal by Chief Mwindo for killing three of his devoted corps of Pygmies. 
In the restored village of Tubondo, with all the dead brought back to life by Mwindo it was at last time to pass judgment on the captured Shemwindo. In some versions of the Mwindo Epic the semidivine hero sits upon a throne made of spears as if deciding the fate of prisoners of war. Other versions claim Mwindo’s friend Nkuba the lightning god sent down copper chairs for Mwindo and his Aunt Iyangura to sit on while judging the former Chief Shemwindo. 
Still pursuing his evil father, Mwindo arrived at the subterranean realm of Sheburungu, home of the Nyanga creator deity Ongo. (Though Sheburungu was often used as an epithet for Ongo.) Ongo’s kingdom was inhabited by children who never aged. (Michael Jackson’s ideal world!)
Mwindo, the semidivine hero, stood at the entranceway to Munundu, the subterranean realm of the aardvark god Ntumba. (Munundu was also used as an epithet for Ntumba himself.) Mwindo had spotted his evil father Shemwindo hiding inside Munundu and talking with Ntumba himself. 
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