DYLAN DOG: DEAD OF NIGHT (2010) Halloween Month continues with a look at the luckless Brandon Routh’s turn as this film’s title character, Tiziano Sclavi’s horror hero from Italian comic books. Sclavi launched Dylan Dog’s series in October of 1986 and under various creative teams the series is still running.
(Years ago I reviewed the film version of Tiziano Sclavi’s Dellamorte Dellamore from 1994.)
Dylan Dog, an investigator of vampires, werewolves and other monsters, is an international cult hero beloved by comics fans around the world … which, of course, meant that any deviation from what the fan-boys wanted would cause them to hamstring the movie adaptation at the box office. The internet giveth and the internet taketh away.
In my opinion Dylan Dog: Dead of Night does not deserve its bad reputation. Compared to the many, many other films and television programs about heroic battlers of the paranormal this was certainly a top shelf production. The fact that this cinematic adaptation came along decades later than it should have is the main problem.
Let’s go by the numbers, knowing full well that budget and projected box office returns limited many of the creative decisions:
I. The Dylan Dog comic book was set in London (?). This movie was set in New Orleans, a change of locale that I actually like, given London’s overuse in horror films. Needless to say, this put the worst type of fan-boys in a VERY bad mood right off the bat.
II. The creative team behind Dylan Dog: Dead of Night kept the mood light. I agree with that choice given the inherent campiness and absurdity of an investigator who encounters werewolves, vampires, zombies, etc in horrific settings that are often reminiscent of Film Noir detective stories. The worst type of fan-boys bemoaned the “lack of the sad and serious tone of the comic books.”
III. In the comic book Dylan Dog’s sidekick in his investigations was Groucho, a Groucho Marx impersonator whose built-in craziness caused him to BE Groucho 24/7. For obvious legal and monetary reasons an American film version could not use Groucho as Dylan’s sidekick. The worst type of fan-boys were even more disenchanted.
IV. The cinematic sidekick for Dylan was a new creation – Marcus, played by Sam Huntington, who had previously appeared with star Brandon Routh in the ill-fated Superman Returns (2006).
(Poor Routh. If only he had also starred in Frank Miller’s 2008 movie The Spirit he could have notched an all-time Hat Trick for starring in unfortunate comic book adaptations. Talk about not even being able to win for losing.) Continue reading
CAPTAIN WIZARD 
Halloween Month continues here at Balladeer’s Blog with a look at the 1970s Ghost Rider. I will say again, from my research the very late 1960s and most of the 1970s were the best period for Marvel Comics. They were to that period what Pulps were to earlier decades. 
At any rate, the Ghost Rider (Johnny Blaze) made his first appearance in August of 1972 and it’s a shame that the movie version in 2007 didn’t stick closer to the action and horror combo of the comic books. 
Balladeer’s Blog spent part of this past summer on a light-hearted, escapist bit of fun by examining the very first Mantis storylines at Marvel Comics. Mantis was brought into the Marvel Cinematic Universe this year in the second Guardians of the Galaxy movie but I reviewed her ORIGINAL appearance and the 1973-1975 Celestial Madonna epic she starred in. 
II. MANTIS 2: NIGHT OF THE SWORDSMAN – Mantis and her romantic partner the Swordsman show up at Avengers Mansion and wind up helping the superteam against one of their old foes. CLICK 
Balladeer’s Blog’s summer-long exploration of Marvel Comics’ Celestial Madonna Saga of 1973-1975 wrapped up last Saturday. For a light-hearted “dessert” after that 31-part examination here’s a look at a ONE-ISSUE tie-in from 1977 that Steve Englehart, the writer of much of the Celestial Madonna Saga, wrote for the Justice League of America (as it was then called) at his NEW employers: rival comic book company DC. 
His way of doing that is often pretty cutesy, like having his Mantis stand-in get interrupted at key moments when she’s about to answer very specific questions about herself and her background. 
In a coincidental bit of prescience regarding future depictions of Mantis when Marvel Comics finally brought her back (left), Willow has GREEN skin. She also has what appear to be antennae peeping out from under her pile of hair as a nod to Mantis’ pronounced antennae (again, at left).
GIANT-SIZE AVENGERS Volume 1, Number 4 (May, 1975) … Let All Men Bring Together 
We join the Vision where we left him: in the center of the Earth in a mystical cave created as an artificial “womb” for the re-birthing Dormammu. As Uatu the Watcher told the Avengers and Defenders when Dormammu was seemingly destroyed by the Evil Eye of Avalon, Dormammu is a god. 
THE AVENGERS Volume 1, Number 135 ( May 1975) The Torch Is Passed 
The laboratory where the “dead” android Human Torch of the World War 2 era is lying on a slab was just broken into by the Avengers’ archenemy Ultron. Back then he was still numbering his iterations so he was technically going by Ultron-5 when he crafted the Vision. 
THE AVENGERS Volume 1, Number 134 ( April 1975) The Times That Bind 
The Synchro-Staff now shows its passengers the Kree home planet of Hala in the Kree Year 476 (last time around we learned that Kree Year Zero was the year of First Contact with the Skrulls). Here in 476 those Kree dissidents who want nothing to do with the “all-conquest, all the time” nature of their race’s Empire have drawn together in their own sub-culture. 
THE AVENGERS Volume 1, Number 133 ( March 1975) Yesterday and Beyond 
Focusing all her concentration, she manages to get a SPECIFIC, CONTROLLED result from her hex-sphere instead of just unleashing random chaos and destruction. That result: animating a nearby chair and causing it to come to life and begin walking around. 
Immortus says that the Vision must travel alone since his secrets are far too recent. Mantis, Thor, Iron Man and Hawkeye can travel together with a Synchro-Staff of their own because the secrets of the Celestial Madonna began several millennia ago. 
GIANT-SIZE AVENGERS Volume 1, Number 3 ( February 1975) What Time Hath Put Asunder … 
WHAT TIME HATH PUT ASUNDER … 
