IT’S A BIRD … IT’S A PLANE … IT’S SUPERMAN! (1975) – It’s the bomb that asks the musical question “How many Lembecks can you handle?” Even the most die-hard Superman fans would have a hard time forcing themselves to watch all of this made for tv movie version of the 1966 stage musical.
The needlessly awkward title is a viewer’s first hint that this cringe-inducing production will fail to live up to its potential. The second hint comes in the form of the distractingly cheap illustrated backdrops in every scene. Even Donny and Marie would have nixed those sets.
Despite music by Charles Strouse, lyrics by Lee Adams and script by David Newman & Robert Benton this Superman musical was Broadway’s biggest flop in history as of the 1960s. It’s no great shakes in its televised form, either.
An early song, titled We Need Him, is actually pretty catchy and had me hoping for something halfway decent. Unfortunately most of the other songs are weak at best and annoying at worst. You’ve Got Possibilities and Ooh, Do You Love You are the only other standouts.
Some of the comedy bits are reminiscent of the intentional camp of the 1960s Batman tv series, except for very seldom being actually funny. Only a few of the jokes land, but the failings of the songs and comedy bits are not the fault of the cast members, who try very hard and who have proven themselves in many other productions. Continue reading
CAPTAIN AMERICA & THE FALCON Vol 1 #165 (September 1973)
Nick Fury, who arrived recently with several armed S.H.I.E.L.D. agents in helicopters, is still explaining to Cap and Falc that Nightshade was being financed by the Yellow Claw. Fury and his agents arrived hoping to capture the Claw but that villain had already escaped.
ONE: While searching for the missing Aunt May, Spider-Man gets caught up in the ongoing gang war between Dr Octopus and Hammerhead to see who will succeed the arrested Kingpin as crime boss of New York. Click
CAPTAIN AMERICA & THE FALCON Vol 1 #163 (July 1973) 
CAPTAIN AMERICA & THE FALCON Vol 1 #160 (April 1973) 
For several years here at Balladeer’s Blog I have been trying to track down, watch and review all of the film versions of Hunterwali (Whip-wielding Woman), Bollywood Cinema’s butt-kicking masked female heroine. Often glibly dismissed as a female Zorro, there is much more cultural context to the Hunterwali figure – contextual significance that goes beyond the particular time period of each film version.
Thus far I have been able to watch the 1935 original, which starred the actress billed as “Fearless Nadia” in India, and the 1988 Hunterwali. I have had no luck tracking down the 1959, 1972, 1977 and 2017 movie versions. Nor have I been able to buy the 1943 film, Hunterwali Ki Beti (Hunterwali’s Daughter), the very first sequel movie in Indian entertainment history.
The basics of the Hunterwali story involve Princess Madhuri adopting a masked, whip-wielding and stunt-riding identity to combat the many injustices inflicted on the kingdom by her father’s evil Vazier Ranamal. That villain even imprisons the king and lusts after Madhuri, little realizing she is really the swashbuckling “protector of the poor and punisher of evildoers” called Hunterwali.
CAPTAIN AMERICA & THE FALCON Vol 1 #157 (January 1973)
CAPTAIN AMERICA & THE FALCON Vol 1 #153 (September 1972)
Because December 21st is the shortest day of the year, Balladeer’s Blog always runs articles about short films, short presidential administrations (Yes, William Henry Harrison) and similar topics. This year I’m pandering to the insatiable superhero audience with this look at a Marvel Comics title that was INTENTIONALLY published as a one-shot item, making it the shortest series run imaginable.
Previous articles here have dealt with the way that, for part of the 1960s, Marvel was limiting how many titles it had hitting newsstands. That meant publishing some of their heroes in one monthly publication, with each character getting a story covering half the issue. Iron Man and Captain America shared Tales of Suspense, Sub-Mariner and the Hulk shared Tales to Astonish.
The trouble was, both Iron Man and Sub-Mariner had one more half-issue length story left and ready to be printed, but there were no more split comic book titles to accommodate them. So, Marvel Comics published one lone issue of a comic book titled Iron Man and Sub-Mariner.
SPIDER-MAN Vol 1 #149 (October 1975)
At last revealing why he has always been undetectable by Spider-Man’s spider sense, the villain removed his mask to reveal that he is really Professor Miles Warren, Peter Parker’s fatherly mentor and academic advisor for years at Empire State University. (Professor Warren had been a supporting character in Spider-Man stories since 1965.)