Casey James, the Official Movie Hostess of Balladeer’s Blog
THE FRONTIERADO HOLIDAY IS FRIDAY AUGUST FIRST! We’ve all got our painted rocks on various bits of furniture around the house, we’ve all got our potted cacti with the toy gun-belts slung over them and for those old enough to drink there are Cactus Jacks and Deuces Wilds to be slammed down. In some homes families and friends will be gathering around to watch the official Frontierado Western, Silverado.
In the buildup to this major holiday I periodically reviewed my favorite weird westerns so to give us all a few more chuckles here’s one more, presented by the legendary Casey James, Balladeer’s Blog’s Official Movie Hostess.
JESSE JAMES’ KID (1966) – In my review of The Price of Power earlier this Frontierado season I mentioned how fond I am of those Spaghetti Westerns that distort the facts of the American west more outrageously than even our own home- grown westerns do. Jesse James’ Kid makes The Price of Power look like the writings of Herodotus.
In this deranged western which used to populate the 3am to 5am movie slot on television stations across the country we get the old-school bad movie fun of dubbing that never comes close to matching the movements of the performers’ lips. And that’s just the start. This film tells us that Billy the Kid was Jesse James’ son … yes, Jesse James’ son. And not only that but young Billy witnesses his “father’s” fatal shooting, which in this movie is not done by Robert Ford, but by Bat Freaking Masterson!!! Continue reading
Casey James, Balladeer’s Blog’s Official Movie Hostess
Casey James is as lethal as she is lovely and she is kind enough to be Balladeer’s Blog’s Official Movie Hostess. This time around the voluptuous love goddess is presenting the latest in a series of my reviews of the more obscure Spaghetti Westerns – the ones not well known to viewers who are only familiar with Sergio Leone’s films.
JOHN THE BASTARD (1967) – Don’t believe websites or reviews that call this a western adaptation of the story of Casanova. Instead, it is clearly a western adaptation of Don Juan, right down to a death by statue finale.
Our hero John Donald (Don Juan, John Donald … get it?) is a slick-talking gunslinger who seduces the ladies and outshoots their men as he roams the west with his manservant (not an African American) who often abets his boss’s trysts like Don Juan’s servant in the classic tale. Think of the scurvy adventures of the British antihero Harry Flashman and you’ll know what to expect from this movie. Continue reading
Balladeer’s Blog’s Official Movie Hostess, the legendary Casey James
Casey James is as lethal as she is lovely and among her many roles in life she is kind enough to be Balladeer’s Blog’s Official Movie Hostess. This time around this voluptuous embodiment of men’s and many women’s desires is presenting the first in a series of my reviews of the more obscure Spaghetti Westerns – the ones not well known to viewers who are only familiar with Sergio Leone’s films.
THE PRICE OF POWER (1969) – There were literally more than 550 Spaghetti Westerns made in the 60’s and 70’s since when the Italians do something they do it in a big, big way. Those hundreds of films vary in quality from pretty good to hilariously awful and the creative talents behind them often tried to outdo each other in terms of colorful heroes and oddball plots. My favorites include those movies where the Italians took more liberties with Western history than American filmmakers ever dreamed of.
That brings us to The Price Of Power which was also released under the title Texas. The point of this film is … well, it’s hard to say really. Even after repeated viewings. It’s difficult to determine if the filmmakers were trying to make a statement about the alleged conspiracy behind the assassination of President John F Kennedy or about the civil rights movement, or about capitalism’s impact on the political process in a free society or what. Whatever they were trying to do the end result is like a history lesson taught by Ed Wood himself. Let’s compare the historical record to the plotline of this very odd movie. Continue reading
I have been getting emails asking me to comment on the Quentin Tarantino reboot of Django in his new movie Django Unchained. I already did, months ago. Below is the link for the interested parties now that there is so much discussion of Jamie Foxx’s comments going on.
My view on the Django phenomenon also included a look at ALL the 1960’s, 1970’s and 1980’s Django flicks plus my tongue-in-cheek biography of Django.
It all started, however, with the review where I examined the original Django and two blaxploitation westerns about a former slave blowing away former Confederates in the Wild West.
FOR THAT REVIEW CLICK HERE: https://glitternight.com/2012/08/08/the-original-django-and-two-blaxploitation-westerns-a-primer-for-django-unchained/
FOR PART ONE OF THIS TONGUE IN CHEEK BIOGRAPHY OF DJANGO CLICK HERE: https://glitternight.com/2012/09/18/django-the-definitive-biography/
With Quentin Tarantino’s Django Unchained coming out soon Balladeer’s Blog has been taking plenty of looks at the original Django movies as well as presenting this fictional biography of the gunslinger.
After Django’s 1862 adventure with the Gatling Gun and Belle Boyd he returned to his unit, the 7th Kansas Cavalry AKA “Jennison’s Jayhawkers”. He arrived shortly before the 7th’s participation in the Battle of Iuka on September 19th. It was a busy autumn for Django and his comrades, as their unit also fought in the Battle of Corinth on October 3rd and 4th, with their pursuit of the retreating Confederates going on until the 12th of the month.
As of October 31st the 7th was formally under General Ulysses S Grant as part of his Continue reading
With Halloween approaching Balladeer’s Blog will be doing its usual holiday-themed posts. This time around I’ll give a brief synopsis of western-flavored horror flicks. In keeping with my blog’s theme of covering out of the way topics I won’t be examining movies that are too well known, like Billy the Kid vs Dracula, Jesse James Meets Frankenstein’s Daughter or The Terror of Tiny Town. Ditto for more recent movies like Sundown and Billy The Kid In Hell. As for West World and Welcome to Blood City, those are more science fiction than horror, so they aren’t included either.
BLACK NOON (1971) – Roy Thinnes stars as an old west preacher who falls in with a coven of witches in the town of Melas (Salem spelled backwards of course). The witches tempt Thinnes into thinking he’s a prophet and healer, then use his vanity against him and his wife during their dark ritual of the Black Noon, which takes place during a mid-day eclipse.
CURSE OF THE HEADLESS HORSEMAN (1974) – A medical student and his hippy friends try to renovate a dude ranch haunted by the Headless Horseman. No, it’s not the figure from the Washington Irving tale, but an old-west gunslinger who was unjustly hanged, losing his head in the process. The Horseman now roams the dude ranch by night looking for victims to frighten. SPOILER: The Continue reading