Balladeer’s Blog presents another neglected epic myth from around the world. In this case, Liberia’s Woi Epic of the Kpelle people.
The Woi Epic is often studied for its use of music, dance, singing and audience participation to reflect the action in the story. Think of it as a combination opera, ballet, live drama and Rocky Horror Picture Show screening.
The order of the episodes in the epic is not set in stone and a performance may include only a few of the episodes, all of them or just one. The finish of each episode is marked by the performer(s) announcing “Dried millet, wese” to which the audience repeats simply “wese.”
ONE – Woi, a culture deity and master of ritual magic, and his wife Gelengol are the only living things that exist. After Woi impregnates his wife she eventually gives birth to human beings, chickens, goats, cows, sheep and, after all other life-forms, spiders. (Plenty of African myths feature a female deity giving birth to multiple living creatures and many feature the woman also giving birth to tools and weapons and utensils.)
TWO – Woi notes that the demonic figure Yele-Walo has stolen one of his bulls by sneaking up on it in the form of a rattan plant. Yele-Walo took the bull with him to his hideaway “behind the sky.” Woi prepares for battle and is aided by squirrel-monkeys, tsetse flies and horse-flies. Yele-Walo also steels himself for the upcoming fight. Continue reading
The previous installments of Fool Killer lore have seen the neglected 1800s folk figure in a variety of roles: 
In honor of the Halloween season this post will look at the Fool Killer as a 1980s slasher. 
THE FOOL KILLER – As we all know, Anthony Perkins starred in the eerie 1965 movie The Fool Killer as an amnesiac Civil War veteran who came to believe he was really the legendary title figure. A 1980s slasher version of the Fool Killer could feature a deranged killer who has similarly come to regard himself as the “real” one.
CANTO ONE – The jungle and mountain god Tan Vien was accompanying the semi-divine Emperor Hung Vuong XVIII on a Royal Hunt. A turn of fate puts them in a position to save the imperiled son of Long Vuong, the chief sea god. CLICK 
Happy Labor Day! And yes, I know it’s traditionally the Labors of Hercules, but last week’s blog post about 
In the style of Balladeer’s Blog’s separate examinations of Hawaiian and Samoan myths as a subset of Polynesian Mythology comes this look at the deities worshipped on the Polynesian outliers Bellona Island and Rennell Island. Despite its much smaller size Bellona had a larger population for much of their history.
MAHUIKE – The earthquake god of Bellona and Rennell Islands (henceforth Bel-Ren). Like his counterparts in Hawaii and Samoa, Mahuike lived far underground and caused earthquakes by pushing at the earth with both of his arms.
In the past Balladeer’s Blog has examined epic myths from around the world and from many belief systems. Examples include 
AUGUST 1919 RETURN – From January of 1910 to July of 1917, James Larkin Pearson’s monthly Fool-Killer had been published, with his revival of the violent folk figure doing his ages-old job of bashing political and societal fools. In April 1917 America entered World War One and by July Pearson felt that a unified front for wartime was appropriate. 
In August of 1919, nine months after the end of the war, Pearson changed the name back to The Fool-Killer and resumed the hard-hitting political satire. That month’s targeted fools included: 
PART FIVE – Horn recounted an incredible event he attended in Angola, which was not yet the name of the country, just a populated region. He and his subordinate Trade Agents were guests at a conjo – a performance of traveling entertainers called the Akowas.
Balladeer's Blog 