Covering the myths and deities of the various peoples of Madagascar is a pretty sizeable job to undertake. I decided to use the same approach I’m using with the Americas and take things on a tribe-by-tribe basis.
First off I’ll be tackling the Merina people. Let me emphasize that for my fellow mythology geeks – this list will be JUST about Merina gods and myths. There are a variety of cultural groups from Madagascar, each with their own pantheon of deities, but plenty of mythological reference books do them the disservice of lumping everything into one big category labeled “Madagascar” or “Malagasy Mythology”.
This causes confusion because it would be like lumping gods from Celtic, Norse, Greco-Roman, Slavic, Etruscan and Hittite mythology in one big puddle called “European Gods” with no attempt to break them into their separate pantheons. So if the following gods either are not in whatever reference books you personally use or if your books list a different figure as “Madagascar’s” patron deity of a certain concept there is no need to jump in with objections. I will eventually hit all the cultural groups.
ITRIMOBE – The primordial sea-beast who lived on the Earth when it was nothing but endless ocean. For untold years Itrimobe enjoyed its solitary subaquatic existence. Eventually it grew bored and set out to examine the parameters of the world it lived in. It swam down all the way to the bottom of the sea, then swam upward as far as it could go and at last poked its head out into the air and sunlight.
Itrimobe swam east, north, west and south but found no land and no way out of the endless ocean. Curious, the entity dug three holes in the center of the Earth and one hole at each end, allowing much of the water to drain. This drainage caused the formation of the continents, which the now-amphibious Itrimobe explored. Unfortunately the blazing sun overhead eventually dried Itrimobe out to a dangerous degree and blinded it. The remaining ocean water was nowhere near deep enough for the gigantic creature to submerge itself ever again, causing its body to die. Continue reading
Balladeer’s Blog presents another neglected epic myth from around the world. In this case, Liberia’s Woi Epic of the Kpelle people. 

The previous installments of Fool Killer lore have seen the neglected 1800s folk figure in a variety of roles:
In honor of the Halloween season this post will look at the Fool Killer as a 1980s slasher.
THE FOOL KILLER – As we all know, Anthony Perkins starred in the eerie 1965 movie The Fool Killer as an amnesiac Civil War veteran who came to believe he was really the legendary title figure. A 1980s slasher version of the Fool Killer could feature a deranged killer who has similarly come to regard himself as the “real” one.
CANTO ONE – The jungle and mountain god Tan Vien was accompanying the semi-divine Emperor Hung Vuong XVIII on a Royal Hunt. A turn of fate puts them in a position to save the imperiled son of Long Vuong, the chief sea god. CLICK
Happy Labor Day! And yes, I know it’s traditionally the Labors of Hercules, but last week’s blog post about
In the style of Balladeer’s Blog’s separate examinations of Hawaiian and Samoan myths as a subset of Polynesian Mythology comes this look at the deities worshipped on the Polynesian outliers Bellona Island and Rennell Island. Despite its much smaller size Bellona had a larger population for much of their history.
MAHUIKE – The earthquake god of Bellona and Rennell Islands (henceforth Bel-Ren). Like his counterparts in Hawaii and Samoa, Mahuike lived far underground and caused earthquakes by pushing at the earth with both of his arms.
In the past Balladeer’s Blog has examined epic myths from around the world and from many belief systems. Examples include
AUGUST 1919 RETURN – From January of 1910 to July of 1917, James Larkin Pearson’s monthly Fool-Killer had been published, with his revival of the violent folk figure doing his ages-old job of bashing political and societal fools. In April 1917 America entered World War One and by July Pearson felt that a unified front for wartime was appropriate.
In August of 1919, nine months after the end of the war, Pearson changed the name back to The Fool-Killer and resumed the hard-hitting political satire. That month’s targeted fools included: