Category Archives: Mythology

CHINESE MYTHOLOGY: YI, THE DIVINE ARCHER

 I.WHAT’S UP WITH YI?  – Yi the Divine Archer from Chinese mythology deserves to be remembered in one breath with some of the other great heroes and monster slayers from belief systems around the world. Most people are only familiar with his feat of shooting down multiple suns that appeared in the sky one day, but this article will provide a light- hearted look at all of his fantastic adventures.

NOTE: Some readers may find my inserted jokes to be of an adult nature. Continue reading

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CHARLEMAGNE: ROLAND BATTLES MANDRICARDO

These are the legends about Charlemagne and his Paladins, not the actual history, so there will be dragons, monsters and magic. 

FOR MY FIRST CHAPTER ON CHARLEMAGNE’S PALADINS CLICK HERE.

ROLAND BATTLES MANDRICARDO – In our previous installment Charlemagne’s Paladin named Roland saved Princess Isabella of Galicia from the Moroccan corsairs who were holding her for ransom.

Now, Roland and Isabella were riding northward to link up with Emperor Charlemagne’s main army as they fought the ongoing Saracen invasion. As always, the Paladin wielded his sword Durindana.

At length they approached a town where there was much consternation. Several soldiers were making their way through the streets but at this distance Roland could not make out if they were friend or foe.

Our hero had Isabella slip down from their horse and hide behind a tree while Roland met with the approaching soldiers to determine their intentions. He saw that they were conducting a prisoner, bound hand and foot.

Finally, Roland could make out the ensigns of the troops – they were men of the Count Anselm, head of the treacherous House Maganza. That House was ever ready to secretly ally themselves with every foe of Emperor Charlemagne. Continue reading

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CHARLEMAGNE: ROLAND BATTLES MOROCCAN CORSAIRS

These are the legends about Charlemagne and his Paladins, not the actual history, so there will be dragons, monsters and magic. 

FOR MY FIRST CHAPTER ON CHARLEMAGNE’S PALADINS CLICK HERE.

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ROLAND BATTLES MOROCCAN CORSAIRS – The Paladins recently freed by Astolpho from the prison of the sorcerer Atlantes all hastened to rejoin Emperor Charlemagne’s army. The war against the Muslim invaders from colonized Spain and North Africa was still raging. 

Roland, the greatest of those Paladins, was so anxious to link up with the forces of his uncle the Emperor that he tried riding his horse up a mountainside as a shortcut. Part way up, Roland spotted light emerging from the entrance of a cave.

Our hero investigated and found a young woman being held against her will by a toothless hag who threatened and abused her repeatedly. Roland entered the furnished cave and asked the captive about her plight. Continue reading

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CHARLEMAGNE: ASTOLPHO REUNITES BRADAMANTE AND RUGGIERO

These are the legends about Charlemagne and his Paladins, not the actual history, so there will be dragons, monsters and magic. 

FOR MY FIRST CHAPTER ON CHARLEMAGNE’S PALADINS CLICK HERE.

ASTOLPHO REUNITES BRADAMANTE AND RUGGIERO – The last Paladin to depart the island realm of the good Queen Logestilla was Astolpho, as he and the queen savored each other’s company. Finally, Astolpho announced his departure, knowing his duty was to return to the war raging on the Continent between Emperor Charlemagne’s forces and the Muslim invaders from North Africa and colonized Spain.

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Queen Logestilla provided her swiftest ship and best crew to transport Astolpho from her island west of Ireland back to Charlemagne’s Empire. The good fairy queen gave the Paladin a mystic tome which included instructions on how to overcome all manner of enchantments. 

Her final gift to Astolpho was a magic horn which, when blown, could drive off supernatural creatures and/or shatter the strongest of spells. The ship carried the Paladin to the port city he requested and, astride his horse Rabican, he was soon on his way to rejoining the bulk of Charlemagne’s army.

Along his way our hero clashed with groups of brigands who were taking advantage of the unsettled state of the Empire due to the ongoing war by acting as bandits. Astolpho also overcame a wolfpack and then a giant serpent, which he drove off with a blast from the horn given to him by Queen Logestilla. Continue reading

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CHARLEMAGNE: ATLANTES VS RUGGIERO AND BRADAMANTE

These are the legends about Charlemagne and his Paladins, not the actual history, so there will be dragons, monsters and magic. 

FOR MY FIRST CHAPTER ON CHARLEMAGNE’S PALADINS CLICK HERE.

ATLANTES VS RUGGIERO AND BRADAMANTE – We left off with Ruggiero and Princess Angelica resting in Brittany from their long flight on the hippogriff after Ruggiero had saved Angelica from the Orc sea-serpent near the enchanted islands west of Ireland.

Overnight, the selfish Princess Angelica surreptitiously searched among Ruggiero’s belongings and found the mystic ring which the clever dwarf Brunello had stolen from her several installments ago. She put the ring back on her own finger, turning invisible as she did so, then fled eastward.

As soon as Ruggiero noticed that Angelica had vanished, he began searching for her before ultimately giving up. By now far away, the scheming princess used her invisibility to steal food and a horse from a poor shepherd and rode hard toward her father’s distant kingdom in Cathay.  Continue reading

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TALES OF CHARLEMAGNE: RUGGIERO AND PRINCESS ANGELICA MEET

These are the legends about Charlemagne and his Paladins, not the actual history, so there will be dragons, monsters and magic. 

FOR MY FIRST CHAPTER ON CHARLEMAGNE’S PALADINS CLICK HERE.

During the post-Christmas period through at least Twelfth Night in January Balladeer’s Blog covers tales of Charlemagne and his Paladins.

RUGGIERO MEETS PRINCESS ANGELICA – When we last saw Bradamante, the Paladin in White Armor, she was continuing her quest to find her beloved Ruggiero. He was a Muslim warrior who was allied with the Saracens who had invaded the realm of Emperor Charlemagne from colonized Spain. 

Muslim sorcerers had been throwing menaces in their way to keep them separated because of the prophecy that said Ruggiero would convert to Christianity over his love of a woman. That woman was obviously the skilled and courageous Bradamante of the White Armor. 

After having freed many noble fighters held captive by the Sorceress Alcina in our last installment, Ruggiero mounted his winged hippogriff and flew off eastward toward Continental Europe from the island realm of the good Queen Logestilla. Continue reading

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MERINA GODS IN MADAGASCAR

mgnewzz.gif (320×350) Covering the myths and deities of the various peoples of Madagascar is a pretty sizeable job to undertake. I decided to use the same approach I’m using with the Americas and take things on a tribe-by-tribe basis.

First off I’ll be tackling the Merina people. Let me emphasize that for my fellow mythology geeks – this list will be JUST about Merina gods and myths. There are a variety of cultural groups from Madagascar, each with their own pantheon of deities, but plenty of mythological reference books do them the disservice of lumping everything into one big category labeled “Madagascar” or “Malagasy Mythology”.

This causes confusion because it would be like lumping gods from Celtic, Norse, Greco-Roman, Slavic, Etruscan and Hittite mythology in one big puddle called “European Gods” with no attempt to break them into their separate pantheons. So if the following gods either are not in whatever reference books you personally use or if your books list a different figure as “Madagascar’s” patron deity of a certain concept there is no need to jump in with objections. I will eventually hit all the cultural groups. 

ITRIMOBE – The primordial sea-beast who lived on the Earth when it was nothing but endless ocean. For untold years Itrimobe enjoyed its solitary subaquatic existence. Eventually it grew bored and set out to examine the parameters of the world it lived in. It swam down all the way to the bottom of the sea, then swam upward as far as it could go and at last poked its head out into the air and sunlight.

Itrimobe swam east, north, west and south but found no land and no way out of the endless ocean. Curious, the entity dug three holes in the center of the Earth and one hole at each end, allowing much of the water to drain. This drainage caused the formation of the continents, which the now-amphibious Itrimobe explored. Unfortunately the blazing sun overhead eventually dried Itrimobe out to a dangerous degree and blinded it.  The remaining ocean water was nowhere near deep enough for the gigantic creature to submerge itself ever again, causing its body to die. Continue reading

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WOI: EPIC HERO OF LIBERIA

LiberiaBalladeer’s Blog presents another neglected epic myth from around the world. In this case, Liberia’s Woi Epic of the Kpelle people.

The Woi Epic is often studied for its use of music, dance, singing and audience participation to reflect the action in the story. Think of it as a combination opera, ballet, live drama and Rocky Horror Picture Show screening.

The order of the episodes in the epic is not set in stone and a performance may include only a few of the episodes, all of them or just one. The finish of each episode is marked by the performer(s) announcing “Dried millet, wese” to which the audience repeats simply “wese.”  

ONE – Woi, a culture deity and master of ritual magic, and his wife Gelengol are the only living things that exist. After Woi impregnates his wife she eventually gives birth to human beings, chickens, goats, cows, sheep and, after all other life-forms, spiders. (Plenty of African myths feature a female deity giving birth to multiple living creatures and many feature the woman also giving birth to tools and weapons and utensils.)    

TWO – Woi notes that the demonic figure Yele-Walo has stolen one of his bulls by sneaking up on it in the form of a rattan plant. Yele-Walo took the bull with him to his hideaway “behind the sky.” Woi prepares for battle and is aided by squirrel-monkeys, tsetse flies and horse-flies. Yele-Walo also steels himself for the upcoming fight. Continue reading

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AFRICAN MYTHOLOGY: THE EPIC OF AIWEL LONGAR

Balladeer’s Blog takes another look at a neglected epic myth, this one from Africa.

Aiwel LongarThe mythic tale of Aiwel Longar comes from the Dinka pantheon. Nhialic is the supreme deity to the Dinka and the first man and woman he created were Garang and Abuk. The Dinka people live in the Upper Nile in Sudan, as they have for centuries.

AIWEL LONGAR

I often cover the way in which cultures which come into contact borrow mythic material from each other to embellish their own respective belief systems. The story of Aiwel Longar clearly influenced (and vice versa) Egyptian, Jewish, Christian and Muslim myths. It also bears striking similarities to the Gnostic Hymn of the Pearl.

PART ONE – Born as simply Aiwel, this figure was a gift from the god of the Nile River to Aiwel’s widowed and childless mother. The infant already had a full set of teeth when his mother picked him up out of the Nile River, where the river god had set him adrift.

Like many mythic figures Aiwel could talk and function like an adult at a very young age. While still a toddler he often stole and drank entire gourds full of milk. After one such binge Aiwel’s mother caught him and the young demigod warned her not to tell anyone or else she would die.  Continue reading

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THE TOP FIFTEEN GODS FROM PEGANA MYTHOLOGY

Gods of Pegana

Gods of Pegana

Lord Dunsany’s 1905 book The Gods of Pegana and its 1906 followup, Time and the Gods, are forgotten masterpieces of comparative mythology which introduced the author’s pantheon of fictional deities. Though neglected today Dunsany’s work inspired authors from H.P. Lovecraft to J.R.R. Tolkein to C.S. Lewis. (But oddly, NOT e.e. cummings or A.A. Milne. Go figure.)

Like many of my fellow mythology geeks I spent a lot of time during childhood inventing my own pantheons of gods and breaking down their powers, cultural relevance and relations to their fellow divinities. We can all appreciate the fun Lord Dunsany had with the concept and the ingenious way in which he fused elements of Hindu, Christian, Jewish, Muslim and Chinese mythology with his own ideas.  

Dunsany didn’t just dwell on surface details of the gods he created, he used their tales to reflect the philosophy, customs and taboos of the fictional land of Pegana, just like real-world belief sytems represent those aspects of the cultures that spawn them.

An additional benefit of Dunsany’s work is that it provides us with a consistent vision since it was all composed in the same time period. Real-world ancient myths often evolved or were “retconned” over the ages due to political or social reasons we have no written record of and we are therefore forced to speculate. Continue reading

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