What better way to mark April Fool’s Day than by commemorating one of the wittiest and most daring of practical jokes, one perpetrated by Aleister Crowley in those brilliant years before drugs and/or self-delusion fogged his mind. Decades before the pathetic “Peekaboo Crowley” of much renown Aleister was still churning out some very enjoyable poetry – some of it brilliant. The Sword of Song and Konx Om Pax are my favorite volumes of verse by “the Laird of Boleskine” … AFTER Clouds Without Water, that is.
Clouds Without Water was not Crowley’s only literary practical joke, of course, but the humor of it resonates to this very day, thanks mainly to the never-changing air of pious self-righteousness that afflicts most of the world’s clergy-members. And not just pious self-righteousness but a habit of condemning in the strongest language works of art which their self-limited minds clearly don’t understand.
**************** Crowley’s autobiography explained this photo in the poignant chapter titled “I Go Completely Nuts and Start Believing Anything and Everything”
THE JOKE: Clouds Without Water was published under one of Crowley’s pseudonyms – Reverend Charles Verey. It was circulated to various ministries and teaching colleges allegedly as a condemnation of “the type of atheism and socialism” that the young and the bohemian were embracing. Crowley – writing as Reverend Verey – wrote a foreward and a closing prayer for the volume of poetry as well as (when you know the full story) HILARIOUS footnotes expressing the kind of simplistic moral outrage that only the most narrow-minded of holy-rollers can spout.
Under another assumed identity Crowley ALSO wrote the sonnets being condemned by his Reverend Verey alter ego. On the surface the poems were written by a college professor scandalously celebrating an extramarital affair with one of his female students, a young woman named Lola. The sonnets reflect the supposed couple’s flouting of social and sexual conventions until the affair ends in tragedy for all concerned. Crowley’s fictional persona Reverend Verey was denouncing the poems and the lifestyle reflected in those poems in the strongest possible terms. Continue reading
CANTO ONE – The jungle and mountain god Tan Vien was accompanying the semi-divine Emperor Hung Vuong XVIII on a Royal Hunt. A turn of fate puts them in a position to save the imperiled son of Long Vuong, the chief sea god. CLICK 
Spring is the time of year that always puts me in mind of the many dead and resurrected deities who were featured in various seasonal myths around the world. This is a look at Baal, but if you want more dead and resurrected gods and goddesses click 
It’s the time of year when Balladeer’s Blog highlights comparative mythology, both in terms of other cultures’ dying and resurrected deities or in this case by showcasing alternate gospels that Christian authorities of long ago deemed to be non-canonical. 
Since these items have proven so popular here’s another of my neglected epic myths presented in chapter format. 
KIKOMIHCI – The god who created human beings and animal life after the supreme deity Ibofanaga was finished creating the Earth, the heavens and the underground world. Kikomihci animated people and other animals with their “ghosts” which could leave their bodies at night in dreams and wander around, returning to their host body by morning to avoid causing illness. 
Here’s another piece in the tradition of Balladeer’s Blog’s guides to my examinations of the epic myths about Nayanazgeni, the Navajo War God and Pele & Hi’iaka, the Hawaiian volcano goddess and her sister. 
NKUBA – The god of lightning. Nkuba was known and feared for his quick temper and his great power. Powerful Chiefs and shamans could call on Nkuba to kill their enemies with his deadly lightning bolts. 
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