DYLAN DOG: DEAD OF NIGHT (2010) Halloween Month continues with a look at the luckless Brandon Routh’s turn as this film’s title character, Tiziano Sclavi’s horror hero from Italian comic books. Sclavi launched Dylan Dog’s series in October of 1986 and under various creative teams the series is still running.
(Years ago I reviewed the film version of Tiziano Sclavi’s Dellamorte Dellamore from 1994.)
Dylan Dog, an investigator of vampires, werewolves and other monsters, is an international cult hero beloved by comics fans around the world … which, of course, meant that any deviation from what the fan-boys wanted would cause them to hamstring the movie adaptation at the box office. The internet giveth and the internet taketh away.
In my opinion Dylan Dog: Dead of Night does not deserve its bad reputation. Compared to the many, many other films and television programs about heroic battlers of the paranormal this was certainly a top shelf production. The fact that this cinematic adaptation came along decades later than it should have is the main problem.
Let’s go by the numbers, knowing full well that budget and projected box office returns limited many of the creative decisions:
I. The Dylan Dog comic book was set in London (?). This movie was set in New Orleans, a change of locale that I actually like, given London’s overuse in horror films. Needless to say, this put the worst type of fan-boys in a VERY bad mood right off the bat.
II. The creative team behind Dylan Dog: Dead of Night kept the mood light. I agree with that choice given the inherent campiness and absurdity of an investigator who encounters werewolves, vampires, zombies, etc in horrific settings that are often reminiscent of Film Noir detective stories. The worst type of fan-boys bemoaned the “lack of the sad and serious tone of the comic books.”
III. In the comic book Dylan Dog’s sidekick in his investigations was Groucho, a Groucho Marx impersonator whose built-in craziness caused him to BE Groucho 24/7. For obvious legal and monetary reasons an American film version could not use Groucho as Dylan’s sidekick. The worst type of fan-boys were even more disenchanted.
IV. The cinematic sidekick for Dylan was a new creation – Marcus, played by Sam Huntington, who had previously appeared with star Brandon Routh in the ill-fated Superman Returns (2006).
(Poor Routh. If only he had also starred in Frank Miller’s 2008 movie The Spirit he could have notched an all-time Hat Trick for starring in unfortunate comic book adaptations. Talk about not even being able to win for losing.) Continue reading
Halloween is celebrated for all 31 days of October here at Balladeer’s Blog. Here’s another neglected gem. As Johnny Carson would have said “That izh some weird, wild shtuff.” 
THE BLACK REAPER (1899) – By Bernard Capes. Balladeer’s Blog’s month-long celebration of Halloween continues with this neglected horror tale. The story takes place in 1665 in a secluded British farming town called Anathoth. 
Halloween Month moved another notch today, leaving us with just 20 days left. Balladeer’s Blog continues its month-long celebration with a look at another neglected gem of horror fiction.
Goetzi turns out to be a vampire who lures Cornelia and Ned deeper and deeper into a trap. Back in England, Ann Ward deduces all this from odd letters that she receives from her friends and from horrific premonitions which come to her in nightmares. 
ROCKTOBER BLOOD (1984) -This example of the Heavy Metal Horror films of the 1980s was produced, directed and written by Beverly and Ferd Sebastian, a well-known pair to all of us Bad Movie Geeks. The premise of this hilariously bad movie is that Heavy Metal star Billy Eye programs something sinister into his latest album by way of backward-masking. (Like “I buried Paul” and others) 
Balladeer's Blog 