Category Archives: Halloween Season

MINI-MUNSTERS (1973) HALLOWEEN SEASON CARTOON

mini munstersTHE MINI-MUNSTERS (1973) – This children’s cartoon version of The Munsters originally aired on October 27th, 1973 as one of the hour-long (including commercials) episodes of the second season of ABC’s Saturday Superstar Movie. That version was 44 minutes long without commercials. ABC later edited it down into a VERY incoherent 22-minute version that they proceeded to combine with commercials to make a half-hour Halloween cartoon which they would broadcast into the 1980s.

grandpa herman lucretia lily igorNot that the 44-minute version is a masterpiece, but it holds together much better than the edited version. You can judge for yourself because no less than THREE versions of The Mini-Munsters are available online: The original 44-minute version in color, the 22-minute version in color AND a black & white version of the 44-minute original.

Taking it from the top, this animated venture was directed by Gerard Baldwin of Bullwinkle & Rocky and Smurfs cartoons fame. The writers were veterans Don Nelson and Arthur Alsberg, who also co-wrote The Munsters’ Revenge in 1981.

THE PREMISE: Continue reading

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EIGHT NEGLECTED MONSTERS FOR HALLOWEEN SEASON

Halloween Month rolls along with another seasonal post from Balladeer’s Blog. This one covers eight supernatural figures from obscure 1800s tales in the horror counterparts to my Ancient Science Fiction posts.

Squaw Hollow SensationSETHOS

First Appearance: The Squaw Hollow Sensation (1879)

Cryptid Category: Aztec mummy

Lore: Around the year 800 AD an Aztec scholar named Sethos drank the Draught of the Everlasting Covenant and went into a state of suspended animation. In 1879 mining operations uncovered the tomb where he was hidden away.

A scientist of the era mastered the technique of reviving Sethos and successfully restored him to full life. Sethos’ body was hideously mummified but intact except for a gaping hole in his skull in the middle of his forehead from the experiment to revive him. Continue reading

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8 MARVEL HORROR HEROES FOR HALLOWEEN MONTH

masc graveyard smallerThis weekend’s light-hearted, escapist superhero post here at Balladeer’s Blog marks the start of Halloween Month with a retrospective on Marvel Comics’ 1970s horror figures like Ghost Rider, Satana the Devil’s Daughter, Werewolf by Night, Blade the Vampire Slayer, Son of Satan, Golem, the Living Mummy and the Simon Garth Zombie.

wwbn 1WEREWOLF BY NIGHT – Since Marvel has a Werewolf by Night production coming out soon, we’ll start with this character. Moon Knight made his very first appearance in Werewolf by Night #32 (August 1975) but beat the werewolf to the screen this year.

Picture the 1960s and 1970s Paul Naschy werewolf movies from Spain in comic book form and you’ve got Werewolf by Night. Just as Naschy’s tormented lycanthrope Waldemar Daninsky sought a cure for his condition while clashing with assorted monsters, Marvel’s Jack Russell aka Jack Russoff did the same.

Jack and his love interests, mostly the female mystic Topaz, also battled the Committee, a secretive organization of ruthless businessmen who sought to capture the werewolf and use him to kill off select enemies, preserving plausible deniability for the Committee’s members. Moon Knight, mercenary Marc Spector, was one of the agents that the Committee sent after Jack. Continue reading

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THE SECRET OF THE MUMMY (1982, 1983) – MOVIE REVIEW

o segredo da mumiaTHE SECRET OF THE MUMMY (1982, 1983) – This Brazilian horror film was released as O Segredo da Mumia in 1982 and with English subtitles as The Secret of the Mummy in 1983. It was directed by the one and only Ivan Cardoso aka Ivan the Terrible to fans.

That nickname was not an insult but was a sincere compliment to the cult horror film director, playing on the real-life Ivan the Terrible and his frightful reputation. Cardoso previously served as an Assistant Director to Brazil’s King of Horror – Coffin Joe himself! (For my look at eight Coffin Joe films click HERE.)

mummy 1982The Secret of the Mummy is a terrific starting point for Ivan’s movies, whether you’re interested in foreign cinema or looking for a change of pace in a mummy flick. It’s also a good introduction to his eccentric style – frequent changes between black & white footage and color footage, riffs on global cinema and periodic insertions of bizarre sex comedy. Continue reading

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GHOST WATCH (1992)

Ghostwatch 1992GHOSTWATCH (1992) – This was a British made for t.v. movie that aired on Halloween Night in 1992. Ghostwatch is a nice – albeit boring – little novelty item for the way it anticipated the paranormal “reality” (LMAO) shows of today.

masc graveyard smallerThe telefilm also can’t help but put viewers in mind of the Paranormal Activity series and countless other Found Footage horror movies. Ghostwatch involves much older technology of course but for once, since the make-believe t.v. crew is filming their investigation of a haunted house, it MAKES SENSE for people to be filming everything.  

The casting for this production was well-done in that it contains virtually NO recognizable faces. Usually when watching BBC items from back then viewers can’t help but play Spot the Doctor Who/ Sherlock Holmes/ British Murder Mysteries Actor. Continue reading

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CALL OF CTHULHU: THE SILENT MOVIE

call of cthulhuTHE CALL OF CTHULHU (2005) – The H.P. Lovecraft Historical Society produced this terrific – but decidedly niche – horror film based on Lovecraft’s tale The Call of Cthulhu from 1928.

The clever approach employed by the producers was to present this black and white film as if it was a Silent Movie made in the 1920s.

call of cthulhu picRegular readers of Balladeer’s Blog may remember that I’m a silent film geek so I fell in love with this movie immediately. The Lovecraft Historical Society players threw themselves into this labor of love, terrifically adapting the broad over-acting, dialogue boards and cinematic grammar of the Silent Age.

The running time of The Call of Cthulhu is just 47 minutes, so we get the actual story with no pointless filler or additions. You can count me among those who consider this unlikely project to be the purest film adaptation of an H.P. Lovecraft story. Continue reading

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THE MACHINE TO KILL (1924) – FROM THE AUTHOR OF PHANTOM OF THE OPERA

machine to killGaston Leroux’s The Machine to Kill was written in NINETEEN TWENTY-FOUR. Many book sites list it as 1935, but that was just the year it was finally translated into English. 

Personally I would use the title The Clockwork Dead Man or The Clockwork Killer because for modern readers The Machine to Kill sounds like a traditional science fiction tale about technology run amok. 

In reality this neglected Gaston Leroux novel is a horror/sci fi hybrid about an android/ cyborg mix whose mechanized body has been outfitted with the brain, eyes and nervous system of a guillotined murderer. The robotic man – called Gabriel – was created by Dr Jacques Cotentin, who needed an absolutely fresh brain, hence having to settle for a just-executed criminal. Continue reading

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IN THE MOUTH OF MADNESS (1994)

Some of Balladeer’s Blog’s readers have let me know that they feel I did not do as many blog posts about horror as I usually do during October. I’m all about you readers, so here’s a horror film review to help make up for it.

in the mouth of madnessIN THE MOUTH OF MADNESS (1994) – Directed by John Carpenter and written by Michael De Luca, this movie was an unabashed valentine to H.P. Lovecraft, Stephen King’s imitations of Lovecraft, and The King in Yellow by Robert W Chambers. The King in Yellow, of course, is the 1895 book previously reviewed here at Balladeer’s Blog, and which Lovecraft admitted was an influence on his own works.

The story is about the title “king”, or more precisely about a stage play about that monarch. Everyone who reads the play The King in Yellow goes insane, causing worldwide chaos. Some of the King’s minions enter into our dimension to do his evil bidding, but unlike Lovecraft’s tentacled, enormous Old Ones, the monstrous servitors of the King in Yellow are humanoid in size and form.

That out of the way, let’s take it from the top. My LEAST favorite element of this otherwise excellent movie is the way it opens up. We are shown a crazed John Trent (Sam Neill) being committed to an insane asylum. Dialogue makes it clear that he’s just one of many people going mad in a worldwide epidemic of violent insanity. Even some of the staff at the insane asylum seem like they’re not all there anymore.

in the mouth of madness picSoon, Trent is visited in his padded cell, where he has used a black crayon to cover his body and the padded walls with crucifixes for protection. His visitor is Dr Wrenn, played by David Warner, the panicked, crucifix-surrounded man from The Omen, now talking to the panicked, crucifix-surrounded Sam Neill in this film. (I admit that’s a sly touch in keeping with the style of the movie. It even has echoes of the victim in Equinox fixating on his protective crucifix.)   Continue reading

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THE GHOST PIRATES (1909): HAPPY HALLOWEEN!

ghost piratesTHE GHOST PIRATES (1909) – HAPPY HALLOWEEN! Balladeer’s Blog wraps up another Halloween Month with a look at this novella written by William Hope Hodgson. Just a few years ago my review of Hodgson’s 1908 The House on the Borderland closed out October here. That excellent novel was a forerunner of Lovecraftian cosmic horror combined with traditional haunted house elements.

The Ghost Pirates, published a year later, combined haunted ship tales with ghost stories and themes of the living dead emerging from the sea to swell their own ranks with more doomed men. In addition there is some nice theorizing about the veil between the worlds of the living and the dead.

The story begins in turn of the century San Francisco, as a seasoned sailor named Jessop signs onto an outgoing ship called the Mortzestus. When it had arrived in San Francisco all but one member of the officers and crew fled the vessel, refusing to return and even forsaking the pay they would have received for sailing the ship back to its home port in Great Britain.

ghost pirates picThat sole member of the original crew, Williams, tells Jessop and other new crew members about the ship being haunted and worse, but Jessop, like the other replacement hires, dismisses such claims. Williams seems a bit unnerved and maybe even unhinged by whatever happened on the original journey to San Francisco. He is bitterly obsessed with completing the round trip and collecting his pay despite horrific incidents that he is obviously hiding. Continue reading

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TWENTY-FOUR GREAT SILENT HORROR FILMS

Halloween month continues at Balladeer’s Blog with this look at two dozen of my favorite silent horror films.

The Crimson Stain MysteryTHE CRIMSON STAIN MYSTERY (1916) – This was a 16 chapter silent serial that contained multiple horrific elements. The fact that it is so little remembered these days makes it perfect for this list, given Balladeer’s Blog’s overall theme. A mad scientist calling himself the Crimson Stain experiments on human guinea pigs in an attempt to create an intellectually superior race. His experiments all fail, producing hideous, mutated monsters. The Crimson Stain organizes his misbegotten menagerie into a villainous organization and wages a campaign of terror on the world at large. A heroic detective leads the opposition against them and tries to learn the identity of the Crimson Stain. Chapters in this serial boasted wonderfully campy titles like The Brand of Satan, The Devil’s Symphony, Despoiling Brutes and The Human Tiger.  

THE MAN WITHOUT A SOUL (1916) – A man returns from the dead bereft of any trace of morality or humanity. He now views the people around him as victims and prey. 

THE GOLEM AND THE DANCER (1917) – In the very first known horror movie sequel Paul Wegener starred and directed himself once again as the clay monster called the Golem. In this enjoyably “meta” production decades before Scream or The Human Caterpillar II, Wegener played himself. Continue reading

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