Blood Beach
In the middle 1980s/ Way down on Level 31 …
Balladeer’s Blog continues its examination of this neglected cult show from the 1980s by way of my research through VERY old newspapers, my interviews with series co-star and co-creator Randy Clower and emails from my fellow fans of this program.
EPISODE ORIGINALLY BROADCAST: Saturday February 22nd, 1986 from 10:30pm to 1:00am.
*** NOTE: I’ve now received a different account saying that this episode really aired earlier in February and was accompanied by the final chapter of the serial Flash Gordon Conquers the Universe. Any clarification would help us.
SERIAL: Before showing and mocking the movie machine-gun toting Randy Clower and Richard Malmos, as members of the fictional Film Vault Corps (“the few, the proud, the sarcastic”) showed and mocked Chapter Two of the Republic Serial Radar Men from the Moon (1952).
FILM VAULT LORE: Our Film Vault Technicians First Class would pull the usual Movie Host duties like providing background info on the films and serials, and would also do comedy sketches centered around their fictional Film Vault Corps before and after commercials. They protected their duty station from menaces like giant rats, cellumites and other threats.
That duty station – Level 31 Core 27 of the Film Vault System was accessed via an industrial park behind KDFI Channel 27’s headquarters off Highway 183 near Dallas. The show was directed by Karl Newman, who often good-naturedly bemoaned Randy and Richard’s tendency to ad-lib. Sometimes in print interviews Newman would joke that if they used a script they would need far too many takes for Clower and Malmos to read their lines right, hence the ad-libbing.
THE MOVIE: Blood Beach (1980) was one of the least effective horror films of the 1980s. It had a half-decent premise – a monster beneath the sand at a California beach sucking victims down into its hellish maw – but squandered that premise with incredibly slow pacing. The inane dialogue spouted by the annoying characters didn’t help matters. Continue reading
The Hypnotic Eye is one of the most beloved bad movies of the 1960s. Its hilariously campy trailer, its sinister Eurotrash villain and its Ed Wood-level police work all make it a true anti-classic. 
THE FOOD OF THE GODS was very loosely based on part of H.G. Wells’ novel of the same name. It was directed by Bert I Gordon, “Mr B.I.G.” himself. Gordon’s Village of the Giants, about a gang of giant-sized teenagers, was likewise loosely based on an often-forgotten section of that novel. 
ALIEN: COVENANT (2017) – Balladeer’s Blog’s sources in the industry – and by the industry I mean the business – have assured me that when the very first public showing of Alien: Covenant was over Ridley Scott stood up, faced the preview audience and defiantly said “Now you tell me that’s not funny!”
Director Scott even takes a not-so-subtle poke at the whole “Newt and Hicks die right off the bat in Alien 3″ debacle. He has reasonably famous actor James Franco play the ship’s captain and – get this – Franco’s character dies after about a minute and a half when his cryo-sleep coffin catches fire! Too funny! (But I feel the merchandising tie-in with James Franco Briquettes is a little tasteless!) 
THE COMIC (1985) – Virtually every film buff today knows the tale of Sam Raimi, Bruce Campbell and Robert Tapert raising money from doctors, grocers and dentists in Michigan to finance their subsequent horror hit The Evil Dead. 
The Comic takes place “in another place and another time” according to one of the female characters. From appearances it’s a near-future police state in which fairly ambiguous laws are enforced by goose-stepping goons who wear their hair in ponytails. This film seems to be reaching for the heights achieved in cult films like Eraserhead and Café Flesh but falls so far short that it’s more like The Jar. 
THE CLONES OF BRUCE LEE (1979) – Category: Brucesploitation with an enjoyably absurd twist. 
PSYCHO GOTHIC LOLITA (2010) – Also available under the title Gothic & Lolita Psycho, this ultra-violent and blood-soaked movie was Japanese filmmaker Go Ohara’s follow-up to Geisha Assassin from 2008. 
Umbrellas are essential to Goth women to block out the sun and keep their skin pale, so Yuki makes a virtue out of fashion necessity by wielding high-tech bumbershoots that have razor-sharp points, shoot bullets like a machine-gun, are bullet-proof themselves and are stronger than steel. Burgess Meredith, eat your heart out!
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