PSYCHO GOTHIC LOLITA (2010) – Also available under the title Gothic & Lolita Psycho, this ultra-violent and blood-soaked movie was Japanese filmmaker Go Ohara’s follow-up to Geisha Assassin from 2008.
Rina Akiyama stars as Yuki, the black-clad title character whose fashion sense combines two Japanese fetish looks in one. The film begins with Yuki already enacting her revenge quest against a bizarre quintet of villainous supernatural figures. Disjointed flashbacks provide background details as the story unfolds, with the most crucial secret being withheld for last.
In fact, I’ll give you my personal guarantee: if you aren’t as blown away as I was by this movie’s climactic revelation … I don’t know what you can do about it. (Just a little something for my fellow Marx Brothers fans out there.)
At any rate lovers of J-Horror know the type of surreal, over-the-top bloodletting and gory violence that awaits in Psycho Gothic Lolita. Yuki’s weapons of choice are umbrellas that are souped-up like the guitars in Once Upon A Time In Mexico and in many Spaghetti Westerns. If you don’t see the logic of her using modified umbrellas just remember it goes with her “look.”
Umbrellas are essential to Goth women to block out the sun and keep their skin pale, so Yuki makes a virtue out of fashion necessity by wielding high-tech bumbershoots that have razor-sharp points, shoot bullets like a machine-gun, are bullet-proof themselves and are stronger than steel. Burgess Meredith, eat your heart out!
Our main character expertly employs these weapons to impale, disembowel and shred her opponents to bloody, fleshy ribbons. Yuki’s most blood-spattered move is to run a foe through with a closed umbrella, then open it while the victim is still clinging to life so they can feel the agony of their torso being torn apart by the opening of the umbrella. Look, you’re either committed to movies like this or you just aren’t. Continue reading