Tag Archives: Science fiction

THE WAR UNDER THE SEA (1892): ANCIENT SCIENCE FICTION

War Under the SeaTHE WAR UNDER THE SEA (1892) – Written by Georges Le Faure. This sci-fi work was intended as an escapist societal salve to a French public still smarting from their loss to Germanic forces during the Franco-Prussian War just over two decades earlier.  

One of the main characters in The War Under The Sea is Count Andre Petersen, a French military man who saw service in the Franco-Prussian War. The Count was appalled at France’s humiliation and since then has been running a secret intelligence organization to ensure that his homeland will be much better prepared the next time they must face Germans in war. And that’s not the only outrageous science fiction concept put forth in this novel. (I’m kidding.)

Unfortunately for Count Andre the Germans have been outmaneuvering his organization at the arts of spycraft and know the names of every member of his secret organization – even the Danish, Austrian and Alsation operatives. Unless the Count agrees to a political marriage to the daughter of a German Consul followed by the disbanding of his spy network the Germans will kill every one of his agents.

VindexInterestingly enough, despite this threat the Germans are not depicted as being any more bloodthirsty than the alleged “heroes” of this story as we will see. Though the Count and his allies prove equally callous about large-scale killing (and worse) their attitude is romanticized and approved of by the narrative since Andre and the others are fighting France’s traditional Continental foes the Germans. Instead of Film Noir think of this novel’s approach as callous enough to be called World Noir. Or at least Politics Noir.

The Count is rescued from his dilemma by Jacobus Delborg, a Dutch scientist who has created an incredibly advanced submarine and has been running an anti-German spy network of his own. Continue reading →

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KILLRAVEN TWENTY-SIX: COCOA BEACH BLUES

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

Killraven farewellKILLRAVEN GRAPHIC NOVEL (1983)

Chapter Two: Cocoa Beach Blues

SYNOPSIS: Killraven and his Freemen continue their guerilla war against Earth’s alien conquerors. It’s February 2020, or “37 years in the future” as it would have been to 1983 readers. As we ended Chapter One last time around, an older but not quite elderly woman with a plasma-ray rifle entered the camp from which the Freemen were planning their assault on the alien-updated Cape Canaveral. She identified herself as a surviving astronaut from the era before the alien invasion 19 years earlier.   Continue reading →

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A MODERN DAEDALUS (1887) – ANCIENT SCIENCE FICTION

A Modern DaedalusA MODERN DAEDALUS (1887) – By Tom Greer. No, the title’s not referring to James Joyce’s character Stephen Dedalus (sic) but this tale IS about Ireland. The main character is a young man named Jack O’Halloran, a recent college graduate who returns to his native Ireland.

Jack has dreamed about flying since he was a child and now he uses his genius to create a winged apparatus that can be worn by a single person to take to the skies. Our modern Daedalus flies around at speeds of up to 100 miles per hour with his new invention. Jack is thrilled but complications arise when he shares the news with his father.

Old Man O’Halloran wants to use his son’s winged apparatus to wage aerial warfare against the hated British and thereby win independence for Ireland. Continue reading →

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SPIDER OF GUYANA (1860): ANCIENT SCIENCE FICTION AND ANCIENT CREATURE FEATURE

Erckmann ChatrianTHE SPIDER OF GUYANA (1860) – Written by the team of Emile Erckmann and Alexandre Chatrian. Balladeer’s Blog’s previous looks at ancient works of science fiction have established how far back the “big bug” trope goes. Creature Feature movies were far from the first appearance of oversized insects and arachnids. And atomic radiation wasn’t needed to justify such outrageous mutations.

This story is set in Spinbronn, a resort town in the mountains of Germany. Sufferers of gout and other afflictions flock to Spinbronn to soak in its healing waters as prescribed by their physicians. Disappearances begin to plague the area. Continue reading →

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REBOOTING STAR WARS

masc chair and bottleBalladeer’s Blog is all about responding to reader questions and requests. Some of you have mentioned that you’d like to see me write about what revisions I’d have made to the Star Wars sequels in the same way I write about revisions I’d have made to old Killraven stories or how I’d have handled the unfinished Harry Flashman novels.

I have only ever been a casual (at most) Star Wars fan so it’s possible that lets me approach the subject with a certain detachment that many others lack. I have no favorite characters and I’m not really invested in the story or its universe outside of the original lightning-in-a-bottle 1977 film.

My take is that the sequel trilogy is too much of a mess and has nothing worth salvaging. However, since there is more and more talk about recasting the major roles like Luke, Han and Leia for a potential reboot or tv series I figured THAT’S what I’d look at.

Star WarsThe original 1977 Star Wars is about as close to perfection as you can get in terms of a movie succeeding at what it was intended to be: in this case a fun, uncomplicated valentine to the days of simpler storytelling as a nice antidote to the glut of self-consciously “deep” movies by that point in the 70s.

There’s nothing wrong with deep or introspective movies, of course, but by 1977 it seems that audiences were VERY hungry for a movie that didn’t wallow in unsolvable problems and was instead sheer feel-good spectacle. (I often speculate that if the Robert Shaw film Swashbuckler had come out after Star Wars instead of before it, it might have been received much more enthusiastically.)

My own take on potentially casting a new Luke, Han & Leia and starting over would be that the original Star Wars should remain untouched. Begin the reboot AFTER that film but eliminate the overrated twist in which Darth Vader turns out to be Luke’s father and Leia turns out to be his sister. Continue reading →

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KILLRAVEN TWENTY-FIVE: THE 1983 GRAPHIC NOVEL

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

Killraven in his glory daysKILLRAVEN: THE GRAPHIC NOVEL (1983) – Killraven and his Freemen continued their guerilla war against Earth’s alien conquerors. In the 7th of its official line of graphic novels, Marvel Comics let writer Don McGregor and artist Craig Russell wrap up some of the storylines left dangling by the cancellation of the 1973-1976 series of Killraven stories. In the previous post I detailed how McGregor had, in the meantime, transferred many of the Killraven story elements and time period to his independent 1978 graphic novel Sabre.

In the meantime Eclipse Comics had signed McGregor to write a regularly published Sabre comic book series. In late 1982 the original black & white graphic novel was colorized and reprinted in serialized form in the first few issues of the new Sabre series. Unfortunately for Killraven fans that immediately made our red-headed rebel leader into the proverbial red-headed step-child among McGregor’s works.  

Understandably – and fairly obviously – Don McGregor was already saving up his best ideas for his own Sabre title, reducing this last chance for closure on the Killraven saga to a rushed, mundane, unsatisfying mess devoid of much of what had made the original series worthwhile. Even the dialogue, despite a few flashes of the old KR style here and there, was lackluster and pedestrian.    

Killraven and his Freemen seemed like pale imitations being handled by a fill-in writer as Don McGregor virtually Rian Johnson’ed his own characters. I’ll examine that in detail as we move along, but first let’s look at some of the changes necessitated by real-world events in the years between 1976 and 1983.

Killraven 2*** First, through no fault of Don McGregor or the original Killraven artists, Darth Vader became a huge pop culture figure in 1977. KR’s main alien villain, the High Overlord (introduced in 1974), had worn full-body armor and a Japanese feudal helmet like the kind Darth Vader went on to wear in Star Wars. Obviously, Star Wars was so much better known than the canceled Killraven series that this 1983 graphic novel dropped the helmet for the High Overlord to avoid looking like their villain was a rip-off of Vader, despite the fact that the High Overlord predated Star Wars. 

              That alteration to the look of the High Overlord was far from fatal, but became another of the distracting elements undermining this continuation of the KR story. Those other elements: Continue reading →

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THE LOG OF THE FLYING FISH (1887): ANCIENT SCIENCE FICTION

Log of the Flying FishTHE LOG OF THE FLYING FISH: A STORY OF AERIAL AND SUBMARINE PERIL AND ADVENTURE (1887) – Written by Harry Collingwood (William J.C. Lancaster).

Professor Heinrich von Schalckenburg, a brilliant German scientist, is speaking at the Migrants’ Club, an organization of explorers and scientific pioneers. Von Schalckenburg dismisses lighter than air vessels and claims he will prove the success of heavier than air vessels with two of his most recent inventions.

One of those inventions is a crystal powder which can be used as an explosive and as a source of electricity and gas. The other is a new metal alloy that the professor has dubbed “aethereum”, a light but strong substance.

Von Schalckenburg says he is 100,000 British pounds short of being able to construct a craft capable of flying AND serving as a submarine. Mighty Jack, eat your heart out! Sir Reginald Elphinstone, a member of the Migrants’ Club, finances the professor’s project. Continue reading →

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KILLRAVEN TWENTY-THREE: THE MORNING AFTER MOURNING PREY

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below. 

Killraven mourning preyAMAZING ADVENTURES Vol 2 #39 (November 1976)

Title: The Morning After Mourning Prey

NOTE: I’m using the title that writer Don McGregor said would be used in the letters page of the previous issue, rather than the shortened title Mourning Prey that was actually used. The Morning After Mourning Prey has more of a Don McGregorish feel to it so I wish he and artist Craig Russell had stuck to it.

Killraven farewellIt is now January 2020, but we can just call it “44 years from now” as it would have been to 1976 readers. The setting is the Okefenokee Swamp, an unknown number of days after the previous issue’s New Year’s Eve celebration between Killraven and his Freemen and Brother Axe and his military-uniformed rebel colony.  

Synopsis: Our heroes continue their guerilla uprising against Earth’s alien conquerors. Killraven, M’Shulla, Old Skull, Carmilla Frost (and her father Deathlok in my revisions) are being guided through the swamp toward “an enchanted village” which is obviously intended to be Disney World as surely as the Golden Arch several issues back was intended to be from a futuristic McDonald’s. Continue reading →

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2020 TEXAS GLADIATORS (1982): MOVIE REVIEW

2020 texas gladiators 22020 TEXAS GLADIATORS (1982) – HAPPY NEW YEAR! Balladeer’s Blog’s Weirdness at the End of the World welcomes in the year 2020 with a look at what Texas will be like in a few months. There are changes coming your way, Texans!

Actually, it’s not really Texas and there are NO gladiators in this film but at least it is now officially 2020!

When reviewing other post-apocalypse movies I’ve often made references to 2020 Texas Gladiators. The fact that I call it my favorite bad post-apocalypse movie has often prompted readers of Balladeer’s Blog to ask why I hadn’t reviewed it yet. The answer was always that I was saving it up for New Year’s Day of 2020.

Just because this is my favorite bad post-apocalypse film does NOT mean I consider it to be the worst one. That designation would be reserved for unwatchable trash like Empire of Ash III and the like.

2020 Texas Gladiators is my favorite bad entry in the genre because of how it defeats itself at every turn, because of its lame attempts to pretend it’s being filmed in America instead of Italy and because of how joyously tasteless it is. Tell the Hekawi tribe from F-Troop to move over! They’ve been replaced as the fakest-looking Native Americans in entertainment history by the post-apocalypse Indians in this flick, portrayed by obvious Italian extras!

Mascot sword and pistolTheir black wigs with built-in headbands are one thing, their less than authentic vests are another thing, their Tonto way of speaking still another, but the POST-APOCALYPSE TEEPEES they live in will bring a smile to the lips of any true fan of really bad exploitation movies. 

Taking things from the top, Al D’Amato directed 2020 Texas Gladiators under one of his countless aliases. For all I know he may have even directed a film using MY name. The following year Warrior of the Lost World, another Italian ripoff of Mad Max, would reuse this movie’s Nazi-esque uniforms and riot shields for the bad guys and many of this flick’s supporting cast. Hell, the largest vehicle in 2020TG even shows up as Mega-Weapon in that same movie.    Continue reading →

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KILLRAVEN TWENTY-TWO: ARENA KILL

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

Killraven Arena KillAMAZING ADVENTURES Vol 2 #37 (July 1976)

Title: Arena Kill  

Synopsis: NEW YEAR’S EVE, 2019 into 2020, which is why I held off the extra day or two to post this review, since I wanted it to actually appear on the REAL December 31st, 2019.

Northern Florida, in the Okefenokee National Wildlife Refuge along the Suwanee River. Killraven and his Freemen continue their guerilla uprising against Earth’s alien conquerors. They have encountered another of the pitifully few bands of humans who also defy the aliens.  

We jump right into the middle of some action, as Killraven is pitting his sword against the two battle axes wielded by Brother Axe, the leader of this rebel colony. Brother Axe’s dozens of followers and Killraven’s own Freemen stand in a large circle around the combatants, watching the battle.

Killraven 2The cause of the conflict soon becomes clear – Brother Axe is skeptical that Killraven really is THE Killraven, the world-famous scourge of Earth’s alien conquerors. He suspects KR and his band may be fakers trying to bamboozle him or – even worse – undercover human quislings trying to pinpoint the location of Brother Axe’s rebel band so they can betray the band to their alien masters.     Continue reading →

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