Tag Archives: political satire

MOVIE REVIEW: THE WORLD’S A STAGE (2014)

Would ALEC BALDWIN find the plot of this movie a little too close to reality?

Would ALEC BALDWIN find the plot of this movie a little too close to reality?

The World’s A Stage (2014 – Glitternight productions) – This independent film, though set here in the 21st Century, is reminiscent of ancient Greek political satires like the ones penned by Aristophanes, Eupolis and Cratinus as well as the parathespian comedies of Strattis. A traveling troupe of actors visit an unnamed town and are a huge hit in a play dramatizing the heroics of a group of honest politicians. The citizens are bowled over by their performances and elect the men and women of the theatre troupe to actually govern their town.

Naturally the shallow and vain thespians are in way over their heads when it comes to dealing with real-world responsibilities and problems. Their egotistical need for applause and approval also makes them unfit for office, especially when it comes to Continue reading

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ANCIENT GREEK COMEDY: DEMOI (C 417 BCE)

FOR BACKGROUND INFORMATION IF YOU MISSED MY FIRST POST ON ANCIENT GREEK COMEDIES CLICK HERE: https://glitternight.com/2011/09/22/at-long-last-my-ancient-greek-comedy-posts-begin/

As promised this time around I’ll depart from the works of Aristophanes to examine the fragmentary remains of a work by another genius of Ancient Greek Comedy, in this case Eupolis. Eupolis was part of the Big Three of Ancient Greek Comedy (henceforth AGC) along with Aristophanes and Cratinus. Some people confuse Eupolis with the later Greek comedian Eubulus but manage to lead fairly normal lives just the same. (rimshot)

THE PREMISE

Demoi is considered to be Eupolis’ greatest political satire. The premise is simplicity itself. An Athenian named Pyronides, like many of his fellow citizens, is disgusted with the pettiness, corruption and incompetence of the current crop of political and military leaders in the great city-state. Thus motivated, Pyronides retrieves four of the greatest figures of Athens’ storied past from the Netherworld and brings them back with him so they may set things right.

THE PLAY

In my introductory post about AGC (see above) I illustrated the similar problems faced by the Athenians’ ancient experiment in popular rule and our own often teetering enterprise. Corruption, partisanship and a tendency to subordinate the general good in the name of personal gain  were as rampant then as now.

As all Continue reading

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AT LONG LAST – MY ANCIENT GREEK COMEDY POSTS BEGIN!

After months of feeling outrightly overwhelmed by how much information I want to share on this subject, I figured I’d better just get started and let the posts flow naturally. I could be organizing my thoughts on this topic from now until December 21st of next year (rimshot) and still not have an overall idea of the most efficient way of laying it all out.

If readers of my blog think I have a ton of books covering obscure global mythology brace yourselves for the sheer dorkgasmic level of material I have on Ancient Greek Comedy. (Henceforth AGC) I’ve been into this topic since I was 17 years old and not only do I have multiple translations of each of Aristophanes’ surviving comedies but I also have multiple books  covering those comedies of his that have survived only in fragmentary form.

And, since I immerse myself in this topic with the same semi-psychotic attention to detail that I bring to  mythology I also have multiple books (in addition to copies of much-sought-after academic papers delivered at AGC seminars) that cover the fragmentary remains of THE OTHER ANCIENT GREEK  COMIC PLAYWRIGHTS!  Yes, you read that right, and my fellow AGC geeks know how hard that info is to come by, so even hard-core fans of Aristophanic comedy will be treated to what I hope is a fresh perspective on the topic. Thank whoever for the internet, where virtually ANYTHING can be tracked down if you try hard enough.

BY DEFAULT, IT ALWAYS COMES DOWN TO ARISTOPHANES

Aristophanes is considered the greatest political satirist of ancient Athens, the cultural center of a large part of the world at the time. During the low 400’s BCE and high 300’s BCE he wrote approximately 40 comedies, of which only 11 have survived in “complete” form. His contemporaries, and there were dozens, were not so lucky. None of their works have survived in their entirety. Period. Today we have only fragments of the work of the other ancient Greek comedians, including the other 2 members of AGC’s Big 3 – the 2 joining Aristophanes in that trio being Cratinus and Eupolis. Of Susarion, credited with pioneering comedy in the 6th Century BCE, only his name has come down to us. Not even fragments of his plays survive.

The reason for the odd survival rate of Aristophanes’ works compared to the ancient Greek comedians who came before and during his period of activity is easy to explain. Aristophanes was Continue reading

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