MANDY (2018) – For anyone who was alive back then, 1983 was apparently different than you remember. Panos Cosmatos directed and co-wrote this blood-soaked, trippy combination of Hellraiser, Father’s Day, Werewolves on Wheels and Thou Shalt Not Kill … Except.
Balladeer’s Blog readers who remember how much I enjoyed Cosmatos’ previous film Beyond the Black Rainbow will not be surprised to find that I love this prime example of a “love it or hate it” movie. Despite the story’s 1983 setting, Mandy is not quite as slavish a faux-80s piece as Beyond the Black Rainbow. This psychedelic work mixes in plenty of stylistic touches that are beyond anything a 1980s flick would have served up.
The soundtrack by the late Johann Johannsson is so effective it practically deserves a co-director credit. Meanwhile, serving as something of a humanoid special effect is madman-in-residence Nicolas Cage, who stars as Red Miller.
Red is a lumberjack, and he’s okay (Had to be said). He lives in a cabin in the idyllic forests of the Shadow Mountains with his true love, Mandy. The title character is played by Andrea Riseborough, who gives off a kind of creepy Sissy Spaceck/ Shelley Duvall vibe. Continue reading