Tag Archives: movie reviews

RIN TIN TIN: HIS SILENT FILMS

rin tin tin at typewriterRIN TIN TIN (1918-1932) – Here at Balladeer’s Blog, I’m even fonder of dogs than I am of silent movies, so this post will combine the two topics. Sadly, most silent films have become so little remembered that few people even realize that there actually WAS a real Rin Tin Tin, adopted by American soldiers during World War One.

Amid battles in September of 1918, Corporal Lee Duncan of the 135th Aero Squadron was doing recon work on a bombed-out area near Flirey, France. One of the buildings had been a breeding kennel for German Shepherds trained for Kaiser Wilhelm’s troops. The only animals still alive were a starving mother with five nursing puppies who were so young their eyes had not even opened yet.   

Duncan adopted the six German Shepherds and took them back to his unit. His superiors permitted the mother to be given to an officer, one each of the puppies to three enlisted men and the final two – a boy and a girl – were adopted by Lee Duncan himself and named Rin Tin Tin and Nanette. Continue reading

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SILENT FILMS ABOUT THE AMERICAN REVOLUTION

Tomorrow is the big day – July 4th! Balladeer’s Blog is squeezing in another seasonal post before then.

the spy 1914THE SPY (1914) – This four-reel movie was based on the 1821 novel of the same name by THE James Fenimore Cooper. The story is set largely at a home in Scarsdale, New York as American Rebel families share feuds, intrigues and romances with British Loyalists. 

Everybody is keeping a secret or two and which characters are spies and which are really what they say they are remains uncertain until the very end. Cooper based the man who emerges as the central American spy on the real-life Enoch Crosby, a friend of John Jay.

Even in this June of 1914 release, George Washington’s reputation for running his own spy networks was well and truly in force in popular culture and the wily general even shows up in disguise a few times. Things work out well for the Americans, but the deep-cover double agent hero doesn’t get credit until after his tragic death. 

A large battle set-piece at a bridge was impressive for 1914 and was praised by Moving Picture World and Variety that year. Herbert Rawlinson and Edna Maison starred. Continue reading

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TELEVISION SPY (1939) BAD MOVIE REVIEW

television spyTELEVISION SPY (1939) – I’ve been reminiscing recently, what with Balladeer’s Blog’s 14th Anniversary just having passed a few days ago. I was reflecting on my long-ago review of the hilariously bad 1935 movie Murder by Television, which starred Bela Lugosi in a dual role.

That flick presented the concept of television as if it would usher in miracles unrealistic enough to make the radar fetishism of the film Radar Secret Service seem low-key and logical. At any rate, I realized I had never gotten around to reviewing two other 1930s movies that looked at the still-developing television concept in melodramatic ways – Television Spy and Trapped by Television (1936).

That 1936 production starring Mary Astor and Lyle Talbot will need to wait, because today is about Television Spy. Part of this film’s charm comes from the inclusion of two up-and-coming players – Anthony F*cking Quinn, (who later dropped that troublesome middle name and became a major star) and Richard Denning himself! Continue reading

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BAD MOVIE REVIEW: THE MANCHU EAGLE MURDER CAPER MYSTERY (1973, 1975)

manchu eagle murder caper mysteryTHE MANCHU EAGLE MURDER CAPER MYSTERY (1973, 1975) – This film was made in 1973 but not released until 1975. Where to begin with this bizarre detective “comedy” that starred Gabriel Dell long after his days with the Dead-End Kids/ Bowery Boys/ Little Tough Guys. For starters, fans of that series of films that ran from the 1930s onward will enjoy the fact that Dell gets to share a few scenes with his fellow veteran of those movies – Huntz Hall.

Sadly for such fans, Leo Gorcey and the rest are nowhere to be found in this flick. Making up for their absence is a cornucopia of cult stars and fringe figures that will simplify all your future games of Six Degrees of Kevin Bacon.

The Manchu Eagle Murder Caper Mystery was directed and co-written (with Dell) by Dean Hargrove, producer and director of countless television detective shows like Columbo, Perry Mason, Matlock, Jane Doe, McBride, Real McCoy, and many, many others. In fact, Columbo’s basset hound is said to be the dog playing Winston in this flick! Continue reading

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R.I.P. ROGER CORMAN: FILM LEGEND

roger corman youngerROGER CORMAN (April 5th, 1926 – May 9th, 2024) – Many words have already been said about the passing of this film industry legend and I’m sure many, many more are yet to be said. From the 1950s to the current year – and with projects still in production – Roger William Corman was a Hollywood fixture.

I’m in no way qualified to give a comprehensive overview of the impact of this entrepreneur or his influence on some of the biggest directors, producers and actors in American cinema. Most people at first think you’re exaggerating when you mention the exhaustive list of people who figuratively learned at the knee of this Grand Old Man or who were given their first shot via a Corman Production. Often in one of his B movies! 

roger cormanRoger was never known as someone who lacked talent, he was just in it for the money most of the time, and therefore kept his budgets tight and his schedules tighter. From 50s monster movies to Raging Youth films to whatever horror trends were ascendant to big-screen soap operas that could be more explicit with their content, Roger Corman was there, raking in bucks and working with future giants of the industry.

Francis Ford Coppola, John Carpenter, James Cameron, John Sayles, Martin Scorsese, Ron Howard, Joe Dante and countless others got some of their earliest directing experiences on Corman productions. Screenwriters like Robert Towne got early “real industry work”, as did actors like Jack Nicholson, Sally Kirkland, Bruce Dern, Sylvester Stallone, Pam Grier, Peter Fonda, etc.  When you watch just about any theatrical release from America made over the last several decades the chances are at least one of the professionals involved got their start working on a Corman picture.  Continue reading

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L’INFERNO (1911) SILENT MOVIE

infernoL’INFERNO (1911) – This 71-minute movie was an adaptation of Dante’s epic poem Inferno, one-third of his Divine Comedy along with Purgatorio and Paradiso. It was also Italy’s first feature-length film, beating Cabiria to theaters by three years.   

Three directors collaborated on this production – Francesco Bertolini, Giuseppe de Liguoro and Adolfo Padovan. Obviously, L’Inferno is a very condensed version of Dante’s work but the special effects are impressive for the time period.

Even if I wasn’t a silent film geek aspects of this movie would have stood out to me. First, it was made in Italy toward the end of the Belle Epoch, lending it a certain poignance as the global conflict was approaching an oblivious world. 

dante and virgilSecond, L’Inferno has a certain grandeur from being filmed in Italy itself, the home of Dante Alighieri and his guide through Hell, Virgil. And third, nearly all of the footage set in the realm of the damned was filmed amid extinct and semi-extinct volcanoes in Italy, adding immeasurably to the infernal atmosphere.  Continue reading

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SARAH BERNHARDT: HER SILENT FILMS

Here are the silent films of the iconic and world-famous actress Sarah Bernhardt. This revered stage thespian was born in 1844 and died in 1923. She was practically royalty when she deigned to appear in a few silent films.   

duel in hamletLE DUEL D’HAMLET (1900) – In this roughly 2-minute short, the 56-year-old Bernhardt gave cinema a gender-flipped Hamlet as she fenced with Pierre Magnier as Laertes in the climactic duel.

“The Divine Sarah” as she came to be called, was spryer and more athletic than women half her age. This brief moment of history was the first time ANY scene from Hamlet had been presented on film. 

sarah in toscaTOSCA (1908, 1912) – Bernhardt portrayed Floria Tosca in this adaptation of the Puccini opera. (Yes, it’s a silent movie version of an opera.) The entire story was condensed into just 40 minutes and Sarah was so appalled with the production that she insisted that it not be released and, in fact, wanted it destroyed!

Luckily for cinema history, it was merely shelved for 4 years and wound up getting released to cash in on the success that Sarah’s silent movie about Queen Elizabeth the First was enjoying in 1912. Continue reading

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NEIL BREEN: HIS FIRST FIVE BAD MOVIES

Neil Breen making a faceHere at Balladeer’s Blog my love of enjoyably bad movies has been well established. You can count me as one of the many “Human Breens” as fans of filmmaker Neil Breen are called.  

Neil Breen (PBUH) started out as an architect and realtor with minor show-biz dabblings as a dancer in Madonna’s Vogue video and as a cop in Scream. Years later Breen surfaced once again in the entertainment world, this time as an independent filmmaker.

Neil Breen realtorAs with the best of the bad auteurs Neil churns out productions that are uniquely his own. There is no mistaking a Neil Breen film with a film made by anyone else. Picture The Room’s Tommy Wiseau trying to make a David Lynch movie. But with a LOT more needless violence against laptop computers.

Read on for a look at the first five examples of Breen Cinema.

Double DownDOUBLE DOWN (2005) – Neil Breen starred, wrote and directed this movie – and quite obviously he or an associate even wrote the IMDb description of the plot. That description calls Double Down “an edgy action thriller,” which would certainly come as a surprise to anyone who has actually SEEN the film. 

Double Down set the pattern for all things Breen, which is to say it redefines Vanity Projects AND Mary Sue-ing. He casts himself as (insert some sort of human or superhuman paragon here) who (engages in some sort of activity) while looking down on everyone else with a judgmental air of disapproval and ennui. And needless to say, he’s the BEST at looking down on everyone else with a judgmental air of disapproval and ennui. (Sure, but can he climb anything?). Continue reading

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LOOK WHAT’S HAPPENED TO ROSEMARY’S BABY (1976) FORGOTTEN TELEVISION

look whats happened to rosemarys babyLOOK WHAT’S HAPPENED TO ROSEMARY’S BABY (1976) – With The First Omen currently in theaters, its creative team’s obvious desire to make their Omen prequel seem more like Rosemary’s Baby made me decide to review the often forgotten made-for-television sequel to that horror classic. 

Let’s be clear that this telefilm has nothing to do with Ira Levin or his later sequel novel Son of Rosemary. Levin’s genius was sorely missed in Look What’s Happened to Rosemary’s Baby, an aggressively “meh” little nothing. After all, in addition to his novel Rosemary’s Baby, Ira Levin wrote the books The Stepford Wives, A Kiss Before Dying, The Boys from Brazil and Sliver

Look What’s Happened to Rosemary’s Baby (henceforth LWHTRB) featured Ruth Gordon as the only returning cast member from the 1968 movie, reprising her role of Minnie Castevet. Ray Milland played her husband Roman Castevet and George Maharis portrayed Rosemary’s actor husband Guy Woodhouse.
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MORE SILENT FILMS ABOUT THE CRUCIFIXION OF JESUS

jesus speakingHAPPY EASTER, LADIES AND GENTLEMEN! The good response to my blog post about one of the silent films depicting Jesus Christ and the Crucifixion has prompted me to provide the following list of more such silent movies – both shorts and feature films.

Here they are in no particular order:   

ChristusCHRISTUS (1916) – Directed by Giulio Cesare Antamoro, this is a fascinating look at Jesus, from the Angel visiting Mary through his Resurrection and subsequent visit with his Apostles. Christus runs 88 minutes and features some inventive variations on Biblical tableaux. The Star of Bethlehem is depicted as a comet; when Mary finds young Jesus preaching to his teachers His shadow appears as a cross; and Judas gets three visions of the Devil – first urging him on to betray Jesus, then taunting him when he regrets that betrayal, and finally welcoming him into Hell, which opens up under Judas’ swinging corpse.  Continue reading

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