Tag Archives: movie reviews

THE GOSPEL ACCORDING TO SCROOGE (1983)

Gospel According to Scrooge 2This entry for Balladeer’s Blog’s Christmas Carol-A-Thon 2016 is a true oddity. It’s not so much a “love it or hate it” version of the Dickens classic so much as it’s a “like it or ridicule it” version, due entirely to the forced religious slant.

The Gospel According to Scrooge is a musical adaptation of A Christmas Carol – one which continues to be performed to this very day at various Christian venues around the country. This very first performance was televised in December of 1983 on the Trinity (as in Holy Trinity) Broadcasting Network.

Gospel According to Scrooge 3I have a hard time forcing myself to be as rough on Christianity as I used to be, given the atrocities committed by Muslim fanatics on a daily basis and the way in which the world grovels for those same Muslims, all the while that same world pretends to be “daring” and “iconoclastic” by relentlessly bashing Christians and Jews. Uh. Yeah. Gutless hypocrites.

At any rate since I’m a non-believer in all the world’s religions I laugh my ass off whenever I watch The Gospel According to Scrooge, but committed Christians will probably like this Carol for all the same reasons that someone like me laughs at it.   Continue reading

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THE CHRISTMAS KID (1967)

Christmas Kid

Jeffrey Hunter as The Christmas Kid

I always think of this bizarrely-themed Spaghetti Western as The Gospel According to Sam Colt or Paul’s Letter to Smith & Wesson. Our title gunslinger is played by Jeffrey “Captain Pike on Star Trek” Hunter. As Jesus in the movie King of Kings, Hunter’s youthful appearance brought on ridicule from wags who called the film I Was a Teenage Jesus.  

Once again Jeffrey plays a character who is born in a manger at Christmas and gets visited by three wise (well … no) men. The Christmas Kid‘s half-assed Jesus parallels continue from there in sporadic fashion. The little babe – called Christmas Joe at first – grows up to be a philosophical boy who practices pacifism. 

Christmas Kid 2When our hero’s home hamlet of Jaspen, Arizona becomes a Boom Town after copper is discovered, the place turns into a proverbial web of sin and vale of tears. Michael Culligan (Louis Hayward), the greedy town boss, builds an empire for himself out of crime and greed as the copper rush continues.     

This being a western, the day comes when Christmas Joe must strap on a gun and pin on a badge for a three-year mission – I mean term in office – to fight the forces of evil in Arizona Territory. Now called the Christmas Kid our hero spreads the Good News of Gunplay as he blows away various bad men who leave him with no other choice.  Continue reading

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JEWISH GAUCHOS (1975)

j-gauchosJEWISH GAUCHOS (1975) – It’s no secret that I love cinematic oddities. For this go-round I’ll examine the movie Jewish Gauchos based on the 1910 novel by Alberto Gerchunoff. The film deals with the musical adventures of a group of Jewish immigrants from Russia working as gauchos (Argentine cowboys) in Argentina in the very early 1900s.

This film plus a few westerns filmed in Israel but set in the American frontier make up the very, very unusual subgenre called Matzoh Westerns (as I’m sure you’ve guessed, those are the Jewish version of the Italian Spaghetti Westerns).

Outside of the bizarre subgenre of amputee kung fu movies from Hong Kong, Matzoh Westerns are my favorite cul de sac in the weirdass movie neighborhood. Continue reading

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EBENEZER (1998)

EbenezerBalladeer’s Blog’s Christmas Carol-A-Thon 2016 continues with the 1998 telefilm Ebenezer, the only version of the Dickens classic to feature a whorehouse! Well, as long as you don’t count whatever underhanded business Scrooge and Marley are running in the Alastair Sim version. (I’m kidding!)

Previously Balladeer’s Blog has reviewed The Trail to Christmas, a version of A Christmas Carol adapted to the American West of the 1800s. Ebenezer adapted the Dickens novel to the wild west of Canada in the 1800s, which adds an extra layer of novelty to this production. Casting Jack Palance as Ebenezer Scrooge was the real strength of this adaptation!  

Palance’s Scrooge is a miserly and crooked saloon owner while Bob Cratchit (Albert Schultz) is his much-abused bartender. Rick Schroder (yes, Rick Schroder) portrays gun-slinging Sam Benson, a character unique to this version and Tiny Tim is played by Joshua Silberg. Continue reading

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A CHRISTMAS CAROL (1984): KENT STATE VERSION

PBSBalladeer’s Blog continues its annual orgy of versions of the Dickens classic as Christmas Carol-A-Thon 2016 resumes!  

A CHRISTMAS CAROL (1984) – Don’t be misled by the 1984 date, this is neither the George C Scott version NOR the French TV version which I first reviewed years ago. This is a taped stage performance that aired on Ohio Public Television station WNEO on December 22nd, 1984.  

Just to give you an idea of the psychotically obsessive lengths I sometimes go to to track down these obscure versions of the Carol: Years ago when I bought this it was one of the many productions not available on video. Nor was it to be found on E-bay or Amazon or any of the usual outlets.

By emailing various staff members at Kent State University (whose theatre department mounted this version) I eventually reached a kind individual. He stated that, though the university did not have copies of the production for sale he would ask around on the KSU faculty’s exclusive chat boards to see if anyone had a copy they may have taped off television back in 1984. Continue reading

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CHRISTMAS CAROL-A-THON 2016 BEGINS: FRENCH TV VERSION (1984)

TF1 logo

TF1 in France

Yes, regular readers know that the Friday after Thanksgiving every year kicks off this tradition! Balladeer’s Blog’s 7th annual Christmas Carol-A- Thon begins with one of the most visually enticing versions ever made. Unfortunately, it’s also virtually impossible to obtain for people who lack my nearly psychotic drive to track these things down.

TF1 Television in France first aired this version of A Christmas Carol, which could be described as a Carol for the arthouse crowd. Not a put-down OR a compliment, just an observation.

The performances are even more low-key than in the George C Scott version and the direction, by Pierre Boutron, is very inventive, bordering on a surrealist approach .The overall effect is like A Very Jean Cocteau Christmas or something. 

As with the Spanish Leyenda de Navidad this French production keeps the story in 1843 London and stars Michel Bouquet as Scrooge and Pierre Olaf as Bob Cratchit.

This 90 minute version of the Carol is one of the tiny handful that depict Scrooge at Marley’s funeral, like the 1969 Australian cartoon version. Marley’s Ghost has the look of a bearded badass, but delivers his warning to Scrooge with a cold and calculating air that is almost more chilling than Continue reading

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LEFTOVERS: NEGLECTED BAD MOVIES

The day after Thanksgiving means two things: college football and leftovers.

WavelengthWAVELENGTH (1983) – Robert Carradine, Cherrie Currie and Keenan Wynn play a reclusive rock singer, his new girlfriend and his eccentric neighbor who get caught up in a government coverup about extraterrestrial life.

Captured aliens telepathically contact Cherrie Currie’s character and plead to be rescued from the government facility where they are being held. Our heroic trio attempt to save them only to discover the aliens may have brought a world-destroying disease with them. CLICK HERE 

Scorpion Thunderbolt 2SCORPION THUNDERBOLT (1983) – From Balladeer’s Blog’s old friend Godfrey Ho comes this horror film that has absolutely NOTHING to do with either scorpions OR thunderbolts.

As always Godfrey Ho edits some of his newly-shot footage of fading action star Richard Harrison into an odd and bloody Asian movie. Get ready for snake-monsters who walk on two legs, a High Priestess with claws like Freddy Krueger’s razored glove, a blind night watchman (seriously) and kung-fu fights for no good reason. CLICK HERE
Continue reading

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TALES OF THE THIRD DIMENSION (1984)

tales-of-the-3rd-dimensionTALES OF THE THIRD DIMENSION (1984) was yet another of the six 3D movies released in the 1980s by Balladeer’s Blog’s old friend Earl Owensby. Earl was known as “The Dixie DeMille” since he and his film company operated almost exclusively out of North Carolina. To me he’s always seemed more like Roger Corman, however, since Owensby’s flicks were mostly just unpretentious B Movies made with so little money they were guaranteed to turn a profit. 

Many of Earl’s film ventures are okay time-wasters but horror was definitely not his forte. Previously I reviewed three of Owensby’s other gems of Bad Movie Goodness: Wolfman, A Day of Judgment and Dogs of Hell. Recently I finally got a chance to watch his horror anthology Tales of the Third Dimension.  

Let’s start with the title. Since we live in a 3-dimensional universe there is nothing eerie or macabre about anything from “the third dimension.” Usually movies reference the fourth or fifth dimension. And that brings us to the film’s biggest problem: it seems to be an attempt at horror-comedy, like some of the elements in the Creepshow movies. That being said I guess it’s possible that the title was supposed to be a joke … kind of.  Continue reading

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THE VISITOR (1979)

The Visitor

THE VISITOR (1979) – This Italian-made movie deserves a Plan 9-sized cult following so I’m surprised that it’s still com-paratively unknown. The film is directed by “Michael J Paradise” (Giulio Paradisi) and features appearances by such name stars as Franco Nero, Glenn Ford, Lance Henriksen, Shelley Winters, John Huston, Sam Peckinpah, Kareem Abdul Jabbar and Mel Ferrer.

Paradisi directs this film in such a way that the actual point of most scenes is lost because virtually every shot includes extraneous footage completely irrelevant to the storyline. The extra footage just distracts from what otherwise might have been a halfway passable sci-fi thriller.  

Never before has anyone used the words “This movie could have used more Kareem Abdul- Jabbar” but they apply to this flick.

All that being said I want to point out that I disagree with the general consensus that The Visitor makes no sense. Sure, it has plotholes, inconsistent behavior from the characters, poorly chosen reaction shots and villains who over-complicate things for themselves, but the basic story DOES make sense. In fact I bet X-Files fans would like it and would immediately understand what’s going on.

The Visitor 4Part of the confusion can be attributed to the edited version that omits so much footage that it’s difficult to understand what is going on. It’s not always easy to understand what’s going on in the complete 108 minute version, either, but at least it retains all the relevant footage. Since so many people seem lost when they first watch this movie I’ll provide a handy synopsis of the film. It’s not quite right to say there are spoilers ahead since most people apparently don’t understand what is going on when they watch the film anyway. Continue reading

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SEVEN ZOMBIE FILMS THAT ARE UNIQUE

dead-pit

The living dead emerging from The Dead Pit (1989)

HAPPY HALLOWEEN! If you’re like me you’re bored with zombies and pseudo-zombies. The 21st Century is as mired in tiresome, cookie-cutter zombie flicks as the 1980s were in tiresome, cookie-cutter slasher flicks.

Here is a look at seven films which, while technically classified as zombie movies at least adopt unique perspectives and don’t follow established formulas.

dead-pit-2THE DEAD PIT (1989) – This horror film was the directorial debut of the very prolific director Brett Leonard. While not a four-star movie The Dead Pit is enjoyable enough for the Halloween Season and should certainly appeal to anyone into 1980s horror flicks. This movie’s hybrid of zombie elements and slasher elements is both its charm AND the reason behind its love-it-or-hate-it status.

Don’t expect non-stop Resident Evil-level action but DO expect to see some in-your-face gore very early in the flick for lovers of guts and decomposition. A physician (Dr Swan) at a mental hospital discovers the secret sub-basement where a rival MD (Dr Ramzi) is subjecting hopeless patients to horrific experiments involving a combination of science and the supernatural.   Continue reading

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