FRONTIERADO IS COMING UP ON FRIDAY, AUGUST 3rd! As always the Frontierado holiday (now celebrated on 6 continents) is about the myth of the Wild West, not the grinding reality. It’s just like the way medieval festivals celebrate the era’s romantic aspects, not “the violence inherent in the system” (for my fellow Monty Python fans).
MAVERICK (1994) – Richard Donner directed and Mel Gibson starred in this excellent tribute to the 1950s and 1980s Maverick television series. The original series starred James Garner as slick-talking gambler/ gunslinger Bret Maverick AND, in old-age makeup, as “Pappy” Beauregard Maverick, the gambler and con-man patriarch of that family of rogues. (No relation to the real-life Maverick family of Texas, for whom “maverick” cattle were named.)
Maverick was just as often comedic as dramatic and nicely anticipated the many deconstructions of Old West mythology that were to come in the decades ahead. Sometimes the program was daringly farcical as in episodes like Gun-Shy, a spoof of Gunsmoke, and Three Queens Full, a Bonanza parody set on the Sub-Rosa Ranch (as opposed to Bonanza‘s PONDErosa). The storyline featured Maverick encountering a Ben Cartwright-styled rancher and his three less-than-straight sons, hence the episode’s title.
The original series centered on Garner’s Bret Maverick (and later other Maverick family members) vying in cardplaying and con-games with assorted rival gamblers, gunslingers and con-men. Efrem Zimbalist Jr – in his pre-FBI years – played Dandy Jim, one of the recurring members of Maverick’s Rogue’s Gallery of foes.
Elaborate schemes and multiple double-crosses often kept viewers guessing who would come out on top til the very end, since Bret sometimes ended up on the losing side.
The constant betrayals and double-crosses were part of the charm of the television series and were perfectly captured by the 1994 big-screen adaptation of Maverick. This thoroughly enjoyable film is often dismissed as just another of the pointless movie adaptations of tv shows that began to flood theaters back then, but that is far from the truth.
Mel Gibson portrays Bret Maverick since by 1994 James Garner was too old for the role. Jodie Foster co-stars as rival gambler Annabelle Bransford and the iconic James Garner provides memorable support as a lawman.
NECESSARY SPOILER: Many people that I’ve discussed this movie with said they avoided it or stopped watching it once they realized Garner was not portraying a member of the Maverick family. In reality – as we learn near the very end – he IS. He may have been too old to play Bret this time around but he reprised his role of Pappy Beauregard from the original series. Pappy is just POSING as a lawman and his son Bret obligingly plays along without blowing his Pappy’s cover. Continue reading
It may be my fondness for mythology that makes me love to watch particular movies around particular holidays. I say that because many of the well- known myths were recited on ancient holidays when their subject matter was relevant to those holidays. The stories helped accentuate the meaning of the special events and that’s the way I use various movies. 
HAMMETT (1982) – Directed by Wim Wenders and produced by Francis Ford Coppola’s Zoetrope Studios, Hammett is a criminally neglected valentine to Hard-Boiled Detective Stories and Film Noir. The flick is based on the novel by Joe Gores. 
Booze and coughing fits figure prominently in the movie, as you would expect given a protagonist who was an alcoholic with tuberculosis. For the sake of convenience the story that Hammett just finished before blacking out was one featuring his character the Continental Op (as in an operative for the fictional Continental Detective Agency). 
CORPSE EATERS (1974) – No, not The Brain Eaters and not The Worm Eaters, both of which are real movies, but Corpse Eaters without any “the” in front. This 57 minute wonder actually manages to overstay its welcome, believe it or not, which is just as well because the similar low-budget film Children Shouldn’t Play With Dead Things did everything better than this film does. 
POPE FRANCIS: A MAN OF HIS WORD (2018) – The DC Comics movies just keep getting worse and worse. Some looser named Francis gets superpowers from washing the feet of poor people and little boys (creeper) and gets his own kind of Batcave called Vatican City. 
Ron Howard IS Johnny, a teenager who has come to town to discover who his birth parents are but who mostly just stands around staring at people and ESPECIALLY at houses. He seems completely taken aback that the townspeople find this somewhat creepy. Johnny is intrigued by the rash of missing persons plaguing the small town and feels they are connected to the secret of his past.
Episode Title: THE CHIMES OF BIG BEN. In the ongoing debate about the exact numbering of the 17 episodes of The Prisoner I place this as the 3rd in the series. Any comments that I have regarding the Alternate Chimes of Big Ben will be made in this same post. 
Leo McKern’s character’s verbal fencing with Patrick McGoohan is as much fun to watch as Columbo’s cat and mouse games with the murderers on his show. (And yes, I know McGoohan was no stranger to Columbo, both the 1970s series and the later revival.) 
Leo makes it clear that the Village represents the model for the Earth of the future as pursued by highly-placed elements from both sides of the Cold War. He paints a picture of inevitability for the Prisoner in hopes that he can make McGoohan cave in while retaining his sense of personal honor. If a Global “Village” is inevitable there’s no shame in surrendering to it. 
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