FATHER’S DAY (2011) – Brace yourself for a gory time in this enjoyably outrageous cult classic.
Ahab, the eye-patch sporting hero of the Astron 6 horror film Father’s Day is in my opinion the one true successor to Bruce Campbell’s Ash Williams. And considering how unfair the ending of this movie is for Ahab and his two sidekicks a case could even be made for them replacing Ash as the most royally screwed character in the history of gore-soaked horror comedies.
It’s difficult to review this dark, grotesque gem without resorting to a series of catch phrases like “Goes where Dead Alive and similar movies failed to go” or “What Grindhouse hath wrought” or even “Twink and Walnut: They’re NOT Muppets!” Let me start with a more practical line: Do not watch this movie if you can not handle the most offensive violence, concepts, gore and deranged sexuality imaginable. Continue reading
Scream Factory has announced that on September 11th it will be releasing its edition of the 1990 cult movie Brain Dead, with Bill Pullman and Bill Paxton. 
CORPSE EATERS (1974) – No, not The Brain Eaters and not The Worm Eaters, both of which are real movies, but Corpse Eaters without any “the” in front. This 57 minute wonder actually manages to overstay its welcome, believe it or not, which is just as well because the similar low-budget film Children Shouldn’t Play With Dead Things did everything better than this film does. 
Ron Howard IS Johnny, a teenager who has come to town to discover who his birth parents are but who mostly just stands around staring at people and ESPECIALLY at houses. He seems completely taken aback that the townspeople find this somewhat creepy. Johnny is intrigued by the rash of missing persons plaguing the small town and feels they are connected to the secret of his past.
Midnight Marquee, the renowned magazine devoted to horror, sci fi and cult films, returns after a long hiatus. 
THE DEATHMASTER (1972) – In between his pair of movies as the vampire named Count Yorga the one and only Robert Quarry starred as a vampiric Charles Manson wannabe in this film. The Deathmaster starts out with a great bit that wouldn’t look out of place in a Jean Rollin horror flick from France: the huge, hulking Barbado (Le Sesne Hilton) plays eerie flute music, seemingly luring ashore a sea-tossed coffin. Naturally this casket holds our “Deathmaster” – a vampire called Khorda. 
FEVER LAKE (1997) – I like to think of this hilariously lame horror film as Twin Peaks 90210. I sometimes toy with I Was A Teenage Shining but that mock title only applies to isolated parts of Fever Lake. Overall, I think the creative team was trying for an imitation Twin Peaks vibe, especially given the time period in which it was made. 
I’ll elaborate on that point in a bit, but for right now I’ll point out the enjoyable kitsch-casting that elevates this turkey slightly above other such dismal efforts. Corey Haim, one-half of the Haim-Feldman Colony Creature, stars as college student Albert. Saved By The Bell‘s Mario Lopez co-stars as college student Steve. 
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