Tag Archives: Halloween reading

THE MAGICIAN (1908): HALLOWEEN READING

magician-by-somerset-maughamTHE MAGICIAN – During Halloween Season a few years back Balladeer’s Blog reviewed the 1926 silent movie adaptation of The Magician. This time around I’ll review the original Somerset Maugham novel from 1908. It’s no secret at this late date that the malevolent sorceror of the title, Oliver Haddo, was based on the real-life Aleister Crowley. In fact, Crowley would accuse Maugham of plagiarism when he reviewed The Magician under the name Oliver Haddo, his fictional counterpart.

At any rate the 1926 film is an under-appreciated classic of the Silent Era and the novel is of an even higher quality. In Paris – where Maugham first met Crowley in real life – Dr Arthur Burdon, a prominent young British surgeon, has come to visit his fiancee, artist Margaret Dauncey.

Burdon also visits his elderly former mentor, Dr Porhoet, who has turned from medicine to the study of Magick and the occult arts. It is through Porhoet that Dr Burdon and Margaret – plus Margaret’s friend Susie Boyd – first encounter the elegant yet repellant Oliver Haddo. The cadre of friends make the mistake of ridiculing the boastful Haddo’s claims of being a sorceror in the young 20th Century. Continue reading

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HALLOWEEN MONTH BEGINS:THE SONGS OF MALDOROR CANTO II (1868)

Maldoror

Maldoror and his Smile, by Lord Orlando

HALLOWEEN MONTH IS HERE! As always here at Balladeer’s Blog I will spend the month sprinkling in obscure or forgotten horror stories, movies, and so on. All of that will be in addition to the usual topics I cover here. We’ll start today with something YOU the readers requested – a handy guide to my examination of the surreal horrors found in The Songs of Maldoror. For the First Canto click HERE

SECOND CANTO

Second Canto, Stanza 1: This was simply an address to the reader from the author, Isidore Ducasse, the self-styled Count de Lautreamont, before resuming the horrific adventures of the supernatural being Maldoror. Continue reading

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THE MAN WHO LAUGHS (1869): GOTHIC HORROR

If you love Gothic Horror be sure to check out my October 1st review of the obscure Gothic novella Isabella of Egypt (1812) 

THE MAN WHO LAUGHS

Man who laughs book coverI always commit the literary blasphemy of saying that I don’t consider Victor Hugo’s The Hunchback of Notre Dame to be very much of a horror story. I will forever maintain that Hugo’s overlooked novel The Man Who Laughs features all the virtues of Quasimodo’s tale AND presents them all in a superior fashion.

In addition The Man Who Laughs contains many more elements that lend themselves to pure horror than does The Hunchback of Notre Dame. In the past I’ve examined elements of the film adaptations of The Man Who Laughs (including the fact that the physical appearance of Batman’s foe the Joker was inspired by Conrad Veidt’s 1928 portrayal of the title figure.)

Here’s a breakdown of why I prefer TMWL, with Hugo’s tragic monster Gwynplaine to THOND, with his tragic hunchback Quasimodo: Continue reading

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HUGUES THE WEREWOLF (1838): GOTHIC HORROR

If you love Gothic Horror be sure to check out my October 1st review of the obscure Gothic novella Isabella of Egypt (1812)

HUGUES THE WEREWOLF (1838)

Hugues the WerewolfHugues the Wer-Wolf to give it its original spelling, is a very enjoyable 1800s horror story written by Sutherland Menzies. The Wulfric family are from old Norman stock and live between Ashford and Canterbury.

The Wulfrics are largely shunned because of the belief that for several generations lycanthropy has run through their family. Since this is a horror story we know it’s the truth and that the Wulfric werewolves are responsible for bloody deaths of livestock and human beings as well as the digging up of freshly buried corpses when other game is scarce.   Continue reading

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THE STRANGE ORMONDS (1833): GOTHIC HORROR

THE STRANGE ORMONDS (1833) – By Leitch Ritchie

Ormond HouseHalloween Month continues! The last neglected Gothic Horror tale I examined was Isabella of Egypt back on the first of October. Let’s dive back into them with this 1833 story set in England.  

The reader is informed right off the top that the Ormond family (no, not the same Ormonds who are beloved by all of us bad movie fans) lived in the north of England and were objects of mingled fear, suspicion, derision and horror. The story is narrated in the first person and the author pretends that he is concealing some info to protect the innocent. An unnamed doctor from an unnamed town was called in to attend the oldest living Ormond in his last days.

The doctor took his daughter with him to witness the death of one head of the Ormond family and the accession of another. The huge mansion of the Ormonds was as odd as the family itself. The building seemed to be composed mostly of additions added on during different decades – even centuries – and if not for the obvious wealth of the family would have been deemed ramshackle. Continue reading

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GOTHIC HORROR: ISABELLA OF EGYPT (1812)

Isabella of Egypt Alraune and the GolemHalloween Month begins! In addition to covering all of my usual topics I spend each October sprinkling in neglected horror movies, stories and novels.

Isabella of Egypt is a very obscure 1812 Gothic Horror novella by Ludwig Achim Von Arnim. Under the more evocative title Alraune and the Golem it was to be filmed as a silent movie in 1919 but unfortunately it was never completed or is one of the countless silent films that have not survived to the present day (sources vary). 

The story is set in the 16th Century and features the real-life Holy Roman Emperor Charles V, but in his teen years, right before he assumed the throne first of Spain and later of the H.R. Empire. The novella is not a horror classic per se, but is very eerie and features an odd variety of horrific supernatural figures in Monster Rally fashion.  Continue reading

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THE WEREWOLF (1896) AND THE OCTAVE OF CLAUDIUS (1897)

WerewolfTHE WEREWOLF (1896) – By Clemence Annie Housman. Halloween month continues at Balladeer’s Blog! Here are two more neglected works of Gothic Horror, this first one features a female author writing about a FEMALE WEREWOLF so that makes it a bit special right there.

The Werewolf is set in 1890’s Denmark. Amidst werewolf attacks plaguing the countryside a Danish family finds itself being charmed by a sultry, seductive woman who calls herself White Fell. The woman travels alone by night so is obviously the werewolf at large. Unfortunately her potent beauty allays suspicion and even pits brothers Sweyn and Christian against each other.   Continue reading

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GOTHIC HORROR: THREE MORE NEGLECTED TALES

Halloween month continues here at Balladeer’s Blog! Recently I examined three neglected Gothic horror stories. Here are three more that deserve more attention than they generally receive.

DON'T BELIEVE SOURCES THAT TRY TO PASS THIS OFF AS A TRUE STORY.

DON’T BELIEVE SOURCES THAT TRY TO PASS THIS OFF AS A TRUE STORY.

THE SQUAW HOLLOW SENSATION (1879) – Author unknown. This macabre tale from America should be as well-known as works like The House of the Seven Gables or The Legend of Sleepy Hollow. The Squaw Hollow Sensation deals with an Aztec mummy and was first published in serialized form in the California newspaper The Mountain Democrat in 1879.

The story was originally presented as if it actually happened but as it becomes more grisly and fantastic the reader realizes it’s fictional. When gold mining uncovers an Aztec tomb in California an obsessed scientist conducts macabre experiments to try to revive Sethos, one of the entombed mummies. Some things are better left alone, however as we learn in a tale that includes wandering Aztec ghosts, twisted experimentation on the bodies of Sethos’ fellow mummies and a catalogue of atrocities.   Continue reading

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THE GREAT GOD PAN (1890) : HALLOWEEN READING

The Great God Pan

The Great God Pan

Balladeer’s Blog’s month-long celebration of Halloween continues! Nearly a century before Rosemary’s Baby and The Omen trilogy and decades before H.P. Lovecraft’s Dunwich Horror and From Beyond there was Arthur Machen’s story The Great God Pan. Originally published in 1890 and then expanded in 1894 this gothic horror tale was so far ahead of its time that it scandalized readers and reviewers of the era. Even though it came along earlier than Bram Stoker’s novel Dracula Machen’s great work dealt with such a brand of horror and with such adult themes that movies – silent and then early talkies – wouldn’t dare adapting it for the screen. 

Thus denied the cinematic exposure that made names like Dracula, Frankenstein, Dr Jekyll and Mr Hyde household words The Great God Pan fell into undeserved obscurity, much like The King in Yellow by Robert W Chambers, a work reviewed previously here at Balladeer’s Blog.

Like so many of the best horror stories Machen’s tale begins with a mad scientist, in this case Dr Raymond, who invites his friend Mr Clarke to witness him perform an Continue reading

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HALLOWEEN READING: THE GREAT GOD PAN (1890)

The Great God Pan

The Great God Pan

Nearly a century before Rosemary’s Baby and The Omen trilogy and decades before H.P. Lovecraft’s Dunwich Horror and From Beyond there was Arthur Machen’s story The Great God Pan. Originally published in 1890 and then expanded by an anonymous author in 1894 this gothic horror tale was so far ahead of its time that it scandalized readers and reviewers of the era. Even though it came along earlier than Bram Stoker’s novel Dracula Machen’s great work dealt with such a brand of horror and with such adult themes that movies – silent and then early talkies – wouldn’t dare adapting it for the screen. 

Thus denied the cinematic exposure that made names like Dracula, Frankenstein, Dr Jekyll and Mr Hyde household words The Great God Pan fell into undeserved obscurity, much like The King in Yellow by Robert W Chambers, a work reviewed previously here at Balladeer’s Blog.

Like so many of the best horror stories Machen’s tale begins with a mad scientist, in this case Dr Raymond, who invites his friend Mr Clarke to witness him perform an operation that represents the culmination of ten years of work in what Dr Raymond calls Continue reading

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