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KILLRAVEN TWO: THE SIRENS OF SEVENTH AVENUE

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

Killraven Sirens of 7th AveAMAZING ADVENTURES Vol 2 #19 (July 1973)

Title: THE SIRENS OF SEVENTH AVENUE

Synopsis: Killraven, wielder of a mysterious force called The Power, continues to lead his Freemen/ Rebel Alliance against Earth’s alien conquerors, led by the armored badass the High Overlord. (1973 means this was BEFORE Star Wars, so don’t leave comments claiming this ripped off that film series)

We pick up where we left off – Killraven, still reeling from some of the shocking information that the late Keeper Whitman just relayed to him about Earth’s alien conquerors, has just realized that his escape rout from Whitman’s underground lab has been blocked by three beautiful Sirens.

Those Sirens are Earth women scientifically modified to be irresistible to men through their physical perfection and presumably through pheromone enhancements. We learned last time around that these Sirens have been very successful at flushing out for capture many of the rebel bands scattered throughout post-apocalypse New York and New Jersey. Now they plan to bring in Killraven, leader of the most successful group of Freemen. Continue reading →

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THE COMIC (1985): MOVIE REVIEW

The Comic bigTHE COMIC (1985) – Virtually every film buff today knows the tale of Sam Raimi, Bruce Campbell and Robert Tapert raising money from doctors, grocers and dentists in Michigan to finance their subsequent horror hit The Evil Dead. 

Over in the U.K. Richard Driscoll raised money from Welsh miners and doctors to finance his very odd movie The Comic. Raimi and company went on to lucrative careers in the entertainment industry. Driscoll’s story did not have the same type of fairy-tale ending. Not even with an established figure like John Eyres helping out financially when Richard’s original funds ran out.  

The Comic 2The Comic takes place “in another place and another time” according to one of the female characters. From appearances it’s a near-future police state in which fairly ambiguous laws are enforced by goose-stepping goons who wear their hair in ponytails. This film seems to be reaching for the heights achieved in cult films like Eraserhead and Café Flesh but falls so far short that it’s more like The Jar.

Writer/ director Driscoll also peppers in elements of MacBeth, Hamlet and King Lear but only succeeds in embodying the worst clichés of arthouse cinema. If this had been a latter-day student film or direct to video affair it would not deserve all the insults that reviewers throw its way. But if you’re cheeky enough to dump something like this on the theater-going public you’re just asking for a critical onslaught. Continue reading →

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GO GO’s: WE GOT THE BEAT

Give Them A Shoutout Before They’re Dead strikes again with the Go Go’s and We Got The Beat:

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COLLEGE POLO CHAMPIONS FOR 2019

Balladeer’s Blog’s coverage of the world’s OLDEST team sport continues. Here are the men’s and women’s college Polo champions for this year.

Texas A&M logoMEN

National Champions – TEXAS A&M AGGIES  

Runners-Up – University of Virginia Cavaliers

Score – The Aggies defeated the Cavaliers 21-18.

2018 Champions – Texas A&M Aggies Continue reading →

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FOOL KILLER PART TWENTY-FIVE: KLARENC WADE MAK

Balladeer’s Blog continues its examination of the many facets of Fool Killer lore.

FOR PART ONE, INCLUDING THE HISTORICAL CONTEXT, CLICK HERE

PART TWENTY-FIVE: The 1918 one-shot publication called The Fool Killer was written by Dr Klarenc Wade Mak, poet, author and socialist political candidate for mayoral office in Kansas City, MO around 1918. Mak had also written Ekkoes (sic) from the Hart (sic) and Mental Dinamite (sic).

Mak’s 1918 work is sometimes confused with James Larkin Pearson’s 1910-1917 and 1919-1929 publication called The Fool-Killer. Both Mak and Pearson wrote poetry, both published works using the Fool Killer name and both were open about their sympathy with socialist politics of the time period.

Fool Killer condensedPer the surviving correspondence of Eugene V Debs, Dr Mak once invited Debs to speak in Kansas City, MO at an event where Mak and other socialist candidates would be appearing.

Despite the “socialist” label, Klarenc Mak’s Fool Killer had that quality I have appreciated about nearly all the Fool Killer items I’ve come across: Attitudes which would outrage BOTH the political left AND right here in the 21st Century. Even the socialist label as Mak’s writings define it refers to workers, NOT “people who want something for nothing” as he calls them. (He also calls them parasites.) So even that brand of “socialism” would offend both right-wingers and left-wingers of today. For different reasons, of course. 

Mak’s Fool Killer expressed disapproval of capitalism AND disapproval of abortion, so again we see that both the Left and the Right of today would be hard pressed to force a quick and easy label on this Fool Killer. Pretty refreshing!

Before returning to Pearson’s monthly publication I wanted to post some examples of Mak’s incarnation of the Fool Killer expressing sentiments tweaking both ends of the political spectrum by today’s standards:   

Fool Killer by Klarenc Wade Mak“When a man has lived long enough to have tried all the bad things in this world he generally wants to hang on a little longer just to see if the Republicans and Democrats won’t invent some NEW evils.”

“The highest part of an education is finding out how much of it isn’t so.” (In the distant past this would have applied to right-wing domination of the educational system, but for decades now it has applied to left-wing domination of the educational system.)

“Wrong ideas are not an education, they are mental weeds, the base materials that prejudice is made out of.”

“If your religion can’t stand being criticized it is in the same class with the gold ring that’s afraid of acids. Such a ring is not gold at all – only a base pretender; and the same with the religion that can’t stand the acid test of criticism – it’s just as spurious and should be rejected.” (Left-wing zealots try to censor all criticism of Islam, right-wing zealots try to censor all criticism of Christianity and Judaism. At present, however, the left-wing book-burners have the help of the Silicon Valley Robber Barons/ Techno Fascists to help them in their censorship jihad.)

“The misdeeds of Democrats are about as plentiful as the drops of water in all the oceans, while the crimes of Republicans are as numerous as the seconds in Eternity.” Continue reading →

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WOMEN’S COLLEGE SOFTBALL CHAMPIONS FOR 2019

Here is one last round of congratulations for the ladies who won the 2019 national championship in softball in the nine divisions covered here at Balladeer’s Blog.

Southern Oregon University Raiders squareNAIA (National Association of Intercollegiate Athletics)

National Champions – SOUTHERN OREGON UNIVERSITY RAIDERS

Runners-Up – Oklahoma City University Stars

2018 Champions – University of Science & Arts of Oklahoma Drovers

Erskine Flying FleetNCCAA (National Christian College Athletic Association)

National Champions – ERSKINE COLLEGE FLYING FLEET

Runners-Up – Biola (CA) University Eagles

2018 Champions – Central Baptist College Mustangs

STMARYOWOODSPOMEROYSUSCAA (United States Collegiate Athletic Association)

National Champions – SAINT MARY OF THE WOODS COLLEGE POMEROYS

Runners-Up – Cleary University Prowling Cougars

2018 Champions – Cleary University Prowling Cougars  Continue reading →

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GLADIATOR: AN OPERA VERSION OF PHILIP WYLIE’S NOVEL

GladiatorEven though there are signs here and there that audiences are getting fatigued with the oversaturation of superhero adaptations for the big and small screens, there still doesn’t seem to be any end in sight.

What better time for an OPERA version of Philip Wylie’s science fiction novel Gladiator, from 1930? Wylie’s work is often credited with inspiring the creation of Superman and every other superhero that followed.

Long before the overrated and overpraised Alan Moore wrote The Watchmen, this very first look at a superhero presented the figure struggling with the moral issues regarding the use of his superior abilities.

Gladiator 2The central character uses his powers in World War One but afterward must cope with the limits of “super-powers” when it comes to dealing with political corruption and other problems that can’t be solved with violence. Or in which flexing his super-muscles would be counter-productive, maybe even ushering in a dictatorship.

In other words, the same type of stories which today are praised as “innovative” for “deconstructing the superhero mythos” WERE ALREADY EXPLORED IN THIS NOVEL EIGHTY-NINE YEARS AGO! 

As a break from movie and television superhero tales I think an Opera format would be an intriguing and unexpected way of adapting Gladiator. Let’s face it – if it was done for television or movies today it would be criticized as “derivative” (irony of ironies) and “talky.”

Gladiator 4 Man God

Marvel Comics’ 1976 adaptation

That talkyness would slide nicely into a staged opera since, as I often point out in my examinations of 1970s Marvel stories, operas – like many comic books – are filled with lengthy expository monologues, but in song form. (There are countless “senses-shattering” origin stories and villain rants that are sung in operas.) 

Think of this piece as a way of using the familiar superhero formula to encourage more people to “give opera a chance.” I love sharing my enthusiasms and I was very happy with the reception of those blog posts where I wrote about Ancient Greek Comedies to make them seem relevant. I want to try doing the same with operas.

Many people may disagree, but operas and superheroics are made for each other. Look at all the operas adapted from tales of ancient gods or other mythical supernatural figures. When you get right down to it, every larger-than life hero or heroine in any given story can be interpreted from a superhero angle. Continue reading →

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COLLEGE BASEBALL CHAMPIONS FOR 2019

One last round of congratulations to the 2019 college baseball champions from the nine divisions covered here at Balladeer’s Blog.

tennessee wesleyan collegeNAIA (National Association of Intercollegiate Athletics)

National Champions – TENNESSEE WESLEYAN COLLEGE BULLDOGS

Runners-Up – Saint Thomas University Bobcats

2018 Champions – Southeastern University Fire

Concordia Michigan Cardinals LOGONCCAA (National Christian College Athletic Association)

National Champions – CONCORDIA (MI) UNIVERSITY CARDINALS

Runners-Up – Warner University Royals

2018 Champions – Campbellsville University Tigers Continue reading →

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FINAL COLLEGE BASEBALL CHAMPIONS OF 2019 CROWNED

NCAA DIVISION TWO

Tampa SpartansCHAMPIONSHIP GAME: The 2 seeds – the UNIVERSITY OF TAMPA SPARTANS – were trying for their 8th National Championship, this time against the top seeded COLORADO MESA UNIVERSITY MAVERICKS.

The first 5 Innings of this game were a Pitcher’s Duel with neither team scoring. Continue reading →

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KILLRAVEN ONE: WAR OF THE WORLDS

masc graveyard newIn the realm of pop culture it continues to be Marvel Comics’ world! Over the past few years Balladeer’s Blog has been reviewing some old, old, OLD Marvel stories from decades ago. From the research I’ve done, I feel the late 1960s through mid-1970s were Marvel’s creative height, with only the Uncanny X-Men title retaining consistent art and story-telling quality beyond that time period.

I’ve covered The Celestial Madonna Saga (1973-1975), which also contained The Avengers/ Defenders War and the original Thanos War within its own storyline. I’ve examined the 13-part Black Panther story titled Panther’s Rage (1973-1975), the original Kree-Skrull War (1970-1971) and, most recently, the 7-part Adam Warlock tale The Magus (1975-1976). 

Readers requested more Marvel, so, since these are fun and light time-passers, here comes Killraven, the Warrior of the Worlds.  

KillravenWAR OF THE WORLDS/ WARRIOR OF THE WORLDS/ KILLRAVEN: In the early 1970s Marvel was experimenting with hybrid titles combining the old and the new by fusing licensed properties with unique Marvel twists.

The most famous and longest-lasting example was Shang Chi, Master of Kung Fu. In 1973 Marvel licensed the use of Sax Rohmer’s Fu Manchu plus other characters from the Fu Manchu tales. Rather than just churn out a Fu Manchu comic book series “the House of Ideas” instead combined it with the Kung Fu craze of the time and created Shang Chi, the son of Fu Manchu.

Shang Chi, as a surrogate Bruce Lee, and Sir Denis Nayland-Smith, as a surrogate Braithwaite from Enter: The Dragon, were the core of the new series. Shang Chi started out as an operative of his evil father Fu Manchu, but realized the error of his ways and threw in with Sir Denis and his team to battle his father’s malevolent schemes.

In 1976 Marvel licensed the rights to do a comic book tie-in series with 2001: A Space Odyssey and ultimately incorporated their most popular character from that series – Mister Machine aka Machine Man – into the mainstream Marvel Universe.  

The same year as Shang Chi – 1973 (so BEFORE Star Wars) – Marvel had worked similar “synergy” by taking their license to do a comic book series based on H.G. Wells’ War of the Worlds and combining it with sci-fi post-apocalypse action. The main character was Jonathan Raven, aka Killraven, a charismatic rebel leading an uprising against Earth’s 21st Century Martian conquerors.

Killraven sword and gunKillraven’s use of a sword AND futuristic firearms in action set against a post-apocalyptic backdrop also brought a little John Carter of Mars appeal into the series. By 1976 the promising saga was canceled due to poor sales but gained a cult following in the decades since then.

Killraven’s influence could be seen in the original 1980s mini-series V, especially the element of humans being used as food by our alien overlords and the sentimental “heroic freedom fighters versus evil tyrants” appeal. Killraven writer Don McGregor incorporated similarly themed stories and characters into Sabre, his other post-apocalypse comic book series. 

Even Star Wars reflected some aspects of Killraven’s tales: the Rebel Alliance against the bad guys, the armored badass (The High Overlord in Killraven’s case) and, of course, the way Killraven wielded enigmatic, more than human abilities called simply “the Power” in K.R.’s series. (PLEASE NOTE: Killraven’s use of The Power came years before Star Wars and The Force.) The young sword-wielding hero was slowly mastering the Power as the series went along, but cancellation cut short his development of his paranormal gifts.

Killraven stampAnd yes, I know that both Killraven and Star Wars drew on the same vast inheritance of sci-fi tropes but the close proximity of K.R. (1973-1976) to Luke Skywalker (1977 onward) makes the comparisons inevitable. 

About fifteen years back, Tom Cruise was set to star as Killraven but eventually all K.R. elements were dropped from the project and Cruise starred in simply another remake of War of the Worlds instead. You have to wonder if the Marvel name would have motivated the filmmakers to keep the Killraven angle if the movie had been done AFTER Marvel became the dominant source for cinematic blockbusters that it is now.

At any rate, let’s dive into the very first appearance of Killraven in 1973: Continue reading →

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