Here at Balladeer’s Blog I’ve always had a soft spot for the Resident Evil movies. I’m not implying that they’re good by any means, but as guilty pleasures I consider them pretty watchable in a Spaghetti Western sense. You don’t expect logic or well-maintained continuity in the original Django or Sartana series any more than you do from the Stranger or Hallelujah flicks or any of the other lower-level pulp series of Italo-Westerns.
To me the six Resident Evil movies (2002 – 2017) can be viewed the same way – as unpretentious B-movies with a kind of relaxing sameness and stories that are so unchallenging you can chit-chat with friends or loved ones while they’re on.
Seventies chop-socky films are another example. You might watch them but you sure as hell can’t defend them from criticism.
Milla Jovovich’s Alice is, to me, the main reason to watch these films. She’s believable in the action scenes and deserves recognition for the way she kicks post-apocalyptic butt in SIX movies as the same character. No other leading female figure has matched that feat in THEATRICAL RELEASE, English-language films. Not Lara Croft and not even Ellen Ripley. Continue reading
GIZMO! (1977) – Though the exclamation point in the title makes this seem like it might be a stage musical, Gizmo! is actually an entertaining documentary about some of the oddest inventions you could possibly imagine. Some never made it anywhere close to actually working, while others worked but proved so hopelessly impractical that you’ll howl with laughter at the wasted effort. 
The people of Fiji believed in an epic journey for the souls of the deceased. That journey is even more detailed than the Soul’s Journey envisioned by the Tupari of Brazil. 
For Balladeer’s Blog’s review of the very first episode of this 1971-1973 series about London by Gaslight detectives from both the Victorian and Edwardian Ages you can simply click 
Episode: THE SUPERFLUOUS FINGER (March 11th, 1973) 
Review: Professor Van Dusen (Douglas Wilmer) is engaged by his acquaintance, Doctor Prescott (Laurence Payne), to solve a mystery. A perfectly healthy woman (Veronica Strong) wanted the physician to amputate one of her fingers but refused to say why. 
Superheroes rule pop culture right now and as usual Balladeer’s Blog readers have been letting me know it’s been awhile since I ran a blog post on the subject. Will Eisner’s iconic superhero the Spirit – who debuted in June of 1940 – rose from the grave of his secret identity, Private Investigator Denny Colt, after his apparent death when he got saturated in some chemicals of the supervillain Doctor Cobra. 
Balladeer’s Blog takes another look at a political cartoon from Puck magazine (1871-1918), the famous humor magazine. For more Puck click 
Steven Spielberg’s sister Anne got her start as a producer for many of the cheapjack science fiction films of Robert Emenegger and Allan Sandler. She had worked with them – and Cameron Mitchell – as far back as 1975’s Death: The Ultimate Mystery. With apologies to fans of the original Doctor Who series, to me “E-Space” will always mean EMENEGGER SPACE, as in the Emenegger-verse of his series of movies in 1980 and 1981. 
WARP SPEED (1981) – Set in the far-off year 2013 (!) this movie features the crew of a spaceship sent to determine what happened to the vanished crew of a multi-year mission to Saturn. The organization they serve is called Starfleet, which serves as a reminder that by 1981 there was just the original Star Trek series, its cartoon version and one movie, not the enormous universe of spin-offs that we have today. Point being that the term Starfleet was apparently open for use by other creators. Starfleet features in another Spielberg/ Emenegger/ Sandler joint, too. 
OBJECT Z (1965) – Directed by Daphne Shadwell and written by Christopher McMaster, this was one of the many six-episode science fiction serials from British television of the 1950s and 1960s. The Quatermass serials are among the best remembered of those programs but there were also items like The Trollenberg Terror, a serial later adapted into the B-Movie The Crawling Eye. 
Here at Balladeer’s Blog I love sharing my enthusiasms. My blog posts where I provide contemporary slants to Ancient Greek Comedies to make them more accessible have been big hits over the years, so I’ve been trying it with operas, too. Previously I wrote about how Philip Wylie’s science fiction novel Gladiator could be done as an opera. Then I looked at how an opera version of the 1966 Spaghetti Western Django could be done and then an opera based on the novel Venus in Furs. 
For Flashman Down Under, Flashman in the Opium War & Flashman and the Kings click 
The duo enjoy diving into the darker and more forbidden side of life where sex, booze and other diversions are concerned. Flashman happens to be with Burton in Egypt in early 1853 when the famous explorer begins his journey to Medina and Mecca disguised as a Muslim. 
