Frontierado is celebrated the first Friday of every August, so this year it will be marked on August 4th. This holiday celebrates the myth of the old west, not the grinding reality. Here’s a seasonal post regarding my look at an opera version of the original Django spaghetti western from 1966, which strips the story down to its essentials, with no gold subplot.
DJANGO: AN OPERA – Here at Balladeer’s Blog I love sharing my enthusiasms. My blog posts where I provide contemporary slants to Ancient Greek Comedies to make them more accessible have been big hits over the years, so I’m trying it with operas. A little while back I wrote about how Philip Wylie’s science fiction novel Gladiator could be done as an opera. This time I’m addressing the 1966 original version of the Spaghetti Western titled Django.
IF YOU HATE OPERAS AND YOU’D RATHER JUST READ MY MOVIE REVIEW OF THE 1966 DJANGO, CLICK HERE
DJANGO
LANGUAGE: Spanish. I’ve resigned myself to the fact that most of my fellow English-speakers find English-language operas to be silly. The prosaic nature of the forced rhymes in a language we are well-versed in does seem to rob opera of its mystique and its grandeur.
I fall into that trap myself. I’ve noticed I can never lose myself in a Gilbert & Sullivan work like I can with La Forza del Destino or Tales of Hoffmann or any other opera sung in a less familiar language. At any rate, I’ve chosen Spanish for this opera because so much of the story takes place in Mexico during the war to dethrone Emperor Maximilian.
SINGERS: A Tenor, 2 Baritones, a Soprano, 3 Basses and a Mezzo-Soprano
For Django, I’m making it a two-act opera as opposed to the three-act format I used for Gladiator.
ACT ONE: MARCH 1867. A STRETCH OF BARREN DESERT ALONG THE US/ MEXICO BORDER.
Scene One: The opera would open with a stage version of one of the most iconic visuals from the 1966 film. Our title character, DJANGO, clad in his long blue jacket with his well-worn Union Army uniform underneath it, slowly, wearily drags a coffin behind him as he walks along singing his mournful song. He pulls the coffin via a rope slung across one shoulder.
The coffin symbolizes the burden of grief that Django has carried with him ever since his wife was killed during the U.S. Civil War by Confederate MAJOR JACKSON. Django has pursued his ideological and personal enemy across the west and now to this battle-scarred border town.
The vile Major Jackson and his former Confederate soldiers have turned into outright Klansmen. Jackson and his men are among the former Confederate military men who took up Emperor Maximilian’s offer of land and citizenship in Mexico (where slavery was still legal). In exchange they had to fight to help Maximilian retain his throne. Continue reading
THE CLONES (1973) – This neglected sci-fi item from the 70s was directed by Lamar Card & Paul Hunt, based on Hunt’s story. The Clones falls into that category of films that I always refer to as “X-Movies” because of the way they put one in mind of the paranoid and conspiratorial air of the best X-Files episodes. 
Gregory Sierra, best known to trivia buffs as “And Gregory Sierra” for the number of times he was credited like that in various television shows and movies, plays Nemo, a government agent tasked to keep the clone project a secret and bring in the escapee. 
THADDEUS KOSCIUSZKO (1746-1817) – As my last name makes clear, I’m of Polish American descent. Last 4th of July I made a blog post about
After receiving his education and military training in Europe, Kosciuszko sailed for America in June 1776. Unlike his fellow Pole Casimir Pulaski, he had missed out on serving in the Bar Uprising in Poland and was enthusiastic about fighting in the Revolutionary War. Poland’s long history of religious tolerance made Thaddeus feel a certain kinship with those who held similar sentiments in our emerging nation. 
ABRAHAM CLARK – Abraham’s two sons Aaron and Thomas were captured during the war and may have perished while captives of the British. Accounts vary and some sources even claim he had three sons die in the war. 
SPIDER-MAN Vol 1 #104 (January 1972) 
Back to the story, Spider-Man is saved from the quicksand by the timely arrival of 
A HONEYMOON IN SPACE (1900) – Written by George Chetwyn Griffith- Jones under the pseudonym George Griffith. Jones had worked as a sailor, a journalist and a teacher before writing a series of novels covering a broad range of topics. 
THE MAN FROM PAINTED POST (1917) – Here is another Douglas Fairbanks movie from the years before he became the film world’s premier swashbuckler. Unlike the pure comedy of Fairbanks’ 
OCTOBER 24th – Near Sandy Hook, NJ American rebel Captain Adam Hyler leads an unknown number of men in a clash with an unknown number of British Loyalists. Hyler takes 6 prisoners during the action.
NOVEMBER 1st-6th – At Gowen’s Fort, SC, Roebuck’s Battalion and civilian non-combatants were attacked and besieged by a combined force of British Loyalists and Chickamauga Indian allies of the British. On November 6th, the Americans surrendered after the Loyalist Captain William Bates guaranteed their safety. 
THE PURPLE DEATH (1895) – Written by William Livingston Alden. Presented in the first person this story is narrated by a British gentleman staying in Italy. He becomes friendly with his neighbor, a German M.D. and bacteriologist named Dr Schmidt. 
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