Regular readers of Balladeer’s Blog know how much I love bad and weird movies. Here are three out of the way films that are not good by any stretch of the imagination but which have a certain something that makes them bizarrely watchable.
DARKER THAN AMBER (1970) – Rod Taylor IS, for some reason, an Australian version of John D MacDonald’s detective Travis McGee. William “Big Bill” Smith plays the outrageously bleached-blonde villain Terry Bartlett and Theodore Bikel portrays McGee’s friend and idea man Meyer. McGee saves a woman (Suzy Kendall) from being forcibly drowned by her criminal associates only to see her get bumped off by them anyway.
Taylor’s odd “Crocodile” McGee runs a con to bring down the dead woman’s murderers. The novel’s Alabama Tiger, a millionaire who runs a non-stop party on his houseboat, became the Alabama Tigress in this movie and is played by THE Jane Russell. Robert Clouse of Enter the Dragon fame directed, with the highlight of this cult film being the supposedly real fight (in parts) between William Smith and Rod Taylor. Most video versions edit out much of this awkward battle but the unedited brawl can be viewed on YT. Continue reading
I WOKE UP EARLY THE DAY I DIED (1998) – Directed by Aris Iliopulos, this is the film that was made based on that notorious unproduced script written by THE Ed Wood, the master of badfilm behind Glen or Glenda, Plan 9 From Outer Space and more.
There’s no dialogue, Easter Eggs regarding Wood’s various Golden Turkeys abound and excerpts from the actual screenplay appear on screen at times in case viewers are skeptical that the weirdness they’re witnessing really was in the original script.
LATITUDE ZERO (1969) – Just as absence makes the heart grow fonder, the unavailability of certain movies over extended periods lends them a certain mystique that they can’t possibly live up to when they are finally released once again to the public. Recently Balladeer’s Blog dealt with this while reviewing the long locked-away movie Toomorrow, starring a young Olivia Newton John. Now it’s Latitude Zero‘s turn.
Unfortunately, it’s neither the “science fiction classic” nor the “so bad it’s good masterpiece” that it was hyped as during its period in video exile. A bathysphere containing two scientists and a newsman is rescued from destruction by a futuristic submarine and taken to an underwater utopia. Japan misleadingly marketed the movie as if it was a sequel to Atragon, oddly enough.
HAPPY FATHER’S DAY FROM BALLADEER’S BLOG! Over the years my review of the 2011 horror film Father’s Day has been the most controversial. Reader reaction has been split between requests that I run the review every single Father’s Day and requests that I never run it again. 
Representatives from film, literature, television, gaming, comic books and the arts will be there.
Recently I’ve gotten several requests to review Suburban Sasquatch, written and directed by Dave Wascavage. I’ve watched some of Wascavage’s flicks in response to those requests and I began to suspect that he is one of the faux-badfilm figures out there.