Tag Archives: book reviews

KILLRAVEN NINETEEN: THE TWENTY-FOUR HOUR MAN

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

Killraven 24 hour manAMAZING ADVENTURES Vol 2 #35 (March 1976)

Title: The 24  Hour Man

Synopsis: The ruins of Atlanta, GA. October, 43 years in the future. Killraven and his Freemen continue their uprising against Earth’s alien conquerors. The rebels are walking through Oakland Cemetery overlooking the city and encounter a beautiful but crazed young woman in tattered garments kneeling beside the emaciated corpse of a green-skinned humanoid clad in gold armor and matching helmet.

24 hour manWe readers watch the Freemen through the eyes of a yet-unknown character named Emmanuel who has been watching them enter his domain from hiding. The crazed, kneeling woman is his mother. Narration tells us that her unhinged whimpering is the same noise she made when bringing Emmanuel into the world.

“But that was a lifetime ago … All seven hours of that lifetime.” (Remember the story’s title.) The insane woman finally notices the presence of Killraven and company. In a panic she says “Who is there? Not G’Rath! G’Rath must stay away!”

The woman looks over our heroes then says “Do I know you? Have you come to … to save me? Don’t you know it is too late! Too late to save me. You are too late, you see. I have borne G’Rath’s child! Yes, I have.” Lightning flashes overhead and thunder rumbles.

The woman’s frantic rant continues: “My body nurtured it, yes, and sustained it, yes, and gave it life … midnight life, yes. Because it WAS midnight, you know … midnight when G’Rath’s child left my womb! And now it is morning, yes. And the spawn of G’Rath and I will seek its OWN.” So saying the woman runs off through the cemetery and our heroes run after her.      Continue reading

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A FANTASTICAL EXCURSION INTO THE PLANETS (1839): ANCIENT SCIENCE FICTION

fantastical excursionA FANTASTICAL EXCURSION INTO THE PLANETS (1839) – Written by an unknown author. The anonymous narrator of this novel is taken on a visit to assorted planets and other celestial bodies. The figure who transports him is a winged, rainbow-colored sprite whose face and body constantly change slightly, allowing no lasting impression to be made out.   

MERCURY – The narrator discovers Mercury to be a sunny but not scorching planet of pleasantly aromatic meadows and trees. The inhabitants are beautiful, angelic creatures of indeterminate gender whose light-weight bodies permit them to virtually float around like feathers.

              masc chair and bottleThese beings devote all their time to frolicking, singing and making music on other-worldly stringed and wind instruments that the narrator compares to lyres and flutes. The closest thing to actual labor that the Mercurians do is to cultivate flowers then weave them into chaplets and garlands with which to adorn themselves.

VENUS – Next our narrator and his winged guide visit Venus. This planet is covered with roses, myrtles, amaranths and asphodels plus alien flowers flaunting colors unknown on Earth. The flatlands are all covered in short green grass which smells of lilies and violets. Continue reading

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KILLRAVEN EIGHTEEN: KILLRAVEN MEETS SPIDER-MAN

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

Killraven future shockMARVEL TEAM-UP Vol 1 #45 (May 1976)

Title: Future-Shock

NOTE: Killraven meets the time-traveling Spider-Man in this story. Team-up titles, like Marvel Two-In-One and Marvel Team-Up or DC’s The Brave and the Bold were often considered non-canonical by comic book fans.

              The purpose of such team-up books was largely promotional. A superstar of the respective publishing company – Spider-Man for Marvel Team-Up, the Thing for Marvel Two-In-One and Batman for The Brave and the Bold – would star in an often half-assed story. The high-profile character’s fame would, it was hoped, put more eyes on the less popular figure they were being teamed up with and increase that less popular figure’s sales.

              Another purpose was to retain copyrights on characters in Marvel or DC’s vast, increasingly overpopulated shared universes. A long unused figure not popular enough to carry their own comic book could be used in a one-shot team-up story, thus satisfying copyright law without the expense of trying to use the superhero in another failed title of their own.

              Given Killraven’s forever-struggling sales there’s little doubt this team-up story was done hoping Spider-Man’s fame would boost those sales.

Killraven cornerSynopsis: August, 43 years in the future. The story is set in the war-torn No Man’s Land on the outskirts of New York City. This of course makes no sense since Killraven and his Freemen were at this point in America’s Deep South. (KR even refers to recent events so you can’t say this tale is set during the 3 years when Killraven and his rebel group were headquartered on Staten Island.)

              Again, this reflects the “who cares about continuity” nature of many such team-up titles. 

REVISION: That’s why I would have this story set in Troy, Alabama, with the Freemen still lost and wandering through the biologically mutated jungle which now covers much of the American southeast.

Back to the unrevised story: Spider-Man is using Reed Richards’ copy of Dr Doom’s time machine to leave 1600s Salem, where he and assorted guest-stars had just had an adventure.

              Saddened that he could not save the victims of the Salem Witch Trials (well, duh), Spidey morosely tries to return to his own time, only to overshoot his mark and wind up in the New York of Killraven’s future. In that future, Earth is being ruled by its alien conquerors, Martians in the original story but Zetans in my revisions.       Continue reading

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THE DOMINION IN 1983 (1883): ANCIENT SCIENCE FICTION

Dominion in 1983THE DOMINION IN 1983 (1883) – Written by “Ralph Centennius,” the presumed pseudonym of an unknown author.

Oh, Canada! Our neighbors to the north hopped on the speculative science fiction bandwagon with this short story. The premise is that the author is looking back at the 100 years of Canadian “history” from 1883 to 1983.

In futuristic 1983 the population of Canada is 93 million, there are 15 provinces and the country is a model for the world in terms of peace, learning, arts and sciences. We readers are told that there was a period around 1885 when many Canadians supported the idea of Canada becoming part of the United States, but this movement faded after losing at the ballot box.

Mascot new lookCanadian technology leads the world, with rocketships that can fly at a mile per second and electric automobiles for ground transport. Electricity is the predominant energy source, and Electropolis, the first all-electric city, was recently completed. Continue reading

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ALEXANDRE DUMAS’ THE BLACK TULIP AS A SWASHBUCKLER

black tulip 2Regular readers of Balladeer’s Blog will remember my review of three neglected swashbuckler novels by Alexandre Dumas. (For those three – Georges, Captain Pamphile and La Dame de Monsoreau click HERE )

Regular readers will also recall my look at the way Dumas’ The Corsican Brothers is NOT really a swashbuckler story in the spirit of The Three Musketeers, The Count of Monte Cristo or The Man in the Iron Mask, but because it’s a Dumas tale it often gets adapted AS IF it’s an action-oriented sword and pistol saga. 

And that brings us to Dumas’ novel The Black Tulip set in the Netherlands’ city of Haarlem in the 1670s.

black tulip 3When I was a little boy thrilled with the Musketeers, Monte Cristo and Iron Mask I excitedly grabbed The Black Tulip to read, assuming it, too would feature derring-do and swordplay. Much to my disappointment the novel instead dealt with attempts to cultivate a black tulip, the mob-slaying of Netherlands politicians Johann and Cornelius  de Witt, romance and the redemption of personal honor.

Using the approach of the adaptors of The Corsican Brothers, let’s MAKE The Black Tulip a rousing swashbuckler just because it’s by Dumas.

THE BLACK TULIP (1850) – I would make it so that “the Black Tulip” was a masked and costumed identity adopted by the novel’s hero Dr Cornelius Van Baerle in order to pursue his crusade to redeem his family honor, tainted from the scandal following the grisly slaying of the de Witts (Insert your own Joyce de Witt joke here). Continue reading

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KILLRAVEN SEVENTEEN: A DEATH IN THE FAMILY

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

Killraven death in the familyAMAZING ADVENTURES Vol 2 #34 (January 1976)

Freemen: Killraven, M’Shulla (African-American), Old Skull (Big, bald and brawny), Hawk (Native American), Carmilla Frost (The scientist of the group) and Grok, Carmilla’s creation (Deathlok in my revisions) 

Title: A Death in the Family

NOTE: Despite the singular title, TWO Freemen are slain in this story.

Synopsis: The war-ravaged ruins of Chattanooga, TN. July, 43 years in the future. Killraven and his Freemen continue their uprising against Earth’s alien conquerors. (Zetans in my revisions, NOT the ridiculous Martians in the original comic book.)

Killraven on horseKillraven, M’Shulla and Carmilla Frost are using an old, abandoned horse-racing track to race each other on their separate mounts. KR is riding his usual pinkish-red serpent-stallion, while the other two ride similarly chimeric creatures spawned by residue of the bio-warfare agents unleashed 18 years earlier in Earth’s unsuccessful war against the alien invaders.

M’Shulla rides a two-legged ostrich-giraffe beast with cattle horns on its head. Carmilla rides a cougar-horse hybrid that sports a unicorn’s horn on its forehead. The Freemen have obviously been camping in the area for some time since the two new creatures are every bit as saddle-broken as Killraven’s reliable old serpent-stallion. Continue reading

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“THE RUSTIC” BY EPICHARMUS (ANCIENT GREEK COMEDY)

Greece and their western coloniesBalladeer’s Blog takes another look at an ancient Greek comedy. Most of my previous examinations of these verse plays dealt with Attic Old Comedy or on what little is known about Susarion, a revered pioneer of stage comedy.

Epicharmus lived from approximately the 530s B.C. to the 440s B.C. He was born in one of the Greek colonies in Sicily, with Megara-Hyblaea, Syracuse or the island of Cos being the three most widely accepted possibilities. 

Epicharmus is often credited with adding plots to the comedies but this is sometimes disputed by those touting Susarion instead. Other innovations possibly pioneered by Epicharmus were stock characters like spongers and naïve rustics plus comedic back-and-forth duels of insults or of competing arguments.

The chorus, so important to Attic Old Comedy, was not yet present on stage in Epicharmus’ time, but musical accompaniment was. 

Like so many other ancient Greek comedies, the plays of Epicharmus have survived only in very fragmentary form. 

THE RUSTIC (No year known) – The Eudemian Ethics refers to the use of rustic figures early on in stage comedies. As we’ve seen in other ancient Greek comedies these rustics were used in two different ways –

masc chair and bottle1) As the butts of jokes for their supposed inability to appreciate the sophisticated pleasures of city life and/or for their supposed lack of intelligence.

Or 2) As naïve yet endowed with a common-sense form of wisdom that lets them outmaneuver ill-intentioned city folks who try taking advantage of them or humiliating them. (Think No Time For Sergeants or Beverly Hillbillies B.C.) 

In The Rustic the title character is visiting a city and is receiving gymnastic/ athletic training from a menacing instructor called “Knuckles” (Kolaphos). The surviving fragments from this play are so few that even less of the potential plot can be gleaned than from many other ancient Greek comedies. Proceeding fragment by fragment:

“Knuckles moves like the wind.” The trainer is presumably a veritable dynamo, running swiftly, jogging in place, touching toes and other activities of a broadly-drawn athletic stereotype.

“You are making the city the country!” The Rustic is speculated to be failing – or refusing – to conform to citified ways of conducting himself and instead is refashioning metropolitan characteristics to match his rural interpretation of them. Think “SEE-ment pond” for swimming pool. Or maybe “You’re turning New York City into Mayberry!”

              Alternately, Laurentianus claimed that turning the city into the country instead referred to lawlessness. Think of a maverick cowboy treating a big city like it’s the Wild West. Or of Crocodile Dundee when he’s in New York. Continue reading

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THE PEOPLE OF THE MOON (1895): ANCIENT SCIENCE FICTION

People of the Moon biggerTHE PEOPLE OF THE MOON (1895) – Written by Tremlett Carter. An unnamed narrator, a scientist of some sort, sees a glowing 18 inch object floating in the sky. A bird who makes physical contact with the glowing orb is killed by the object’s electric charge.

Our narrator jury-rigs a means of grounding against the electricity and hauling the orb down to his laboratory. The object slowly reaches room temperature and ejects from its interior a book written in an unearthly alphabet.

The anonymous narrator’s friend Professor Hector Goss visits him in the midst of all this and excitedly tells our protagonist about a secret society that he belongs to. Goss and his fellow society members have been performing scientific research by directing the astral/ spiritual bodies of hypnotized human guinea pigs.

Before dying, their most recent test subject visited the moon in his astral body and saw a city on the dark side of Earth’s satellite. He also spotted life – humanoid AND dragon life. Professor Goss jumps to the conclusion that the unearthly book that Nameless Narrator holds came from the moon.

Conveniently, Nameless and Goss had previously devised a fool-proof system of deciphering any and all languages so they translate the mysterious book and learn all about the beings on the moon. Continue reading

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KILLRAVEN FIFTEEN: SING OUT LOUDLY … DEATH!

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

killraven sing out loudly death REALAMAZING ADVENTURES Vol 2 #33 (November 1975)

Title: Sing Out Loudly … Death!

NOTE: Another fill-in issue, this one with Bill Mantlo and Herb Trimpe substituting for the regular writer/ artist team of Don McGregor and Craig Russell. The number of ways that this story fails will leave you shaking your head. Bizarre decisions all the way through. 

REVISION: To make Killraven and his Freemen’s travels make geographic sense I skipped the Nashville story, but I’ll review it next time. It would make no sense for KR and his fellow rebels to go through Tennessee, THEN West Virginia, then BACK to Tennessee for the Chattanooga story. Last time around I had the Freemen in Ohio, so West Virginia and Sing Out Loudly … Death! would be the next logical installment.

Synopsis: May, 44 years from now. Killraven and his band of rebels continue their uprising against the alien conquerors of the Earth. (Zetans, NOT Martians in my revisions) Their attempt to shake off their most recent pursuers has led them into the mountains of West Virginia. Continue reading

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KILLRAVEN FOURTEEN: THE REBELS OF JANUARY AND BEYOND

FOR PART ONE OF BALLADEER’S BLOG’S EXAMINATION OF THIS OLD, OLD MARVEL COMICS STORYLINE CLICK HERE  The revisions I would make are scattered throughout the synopsis below.

Killraven rebels of januaryAMAZING ADVENTURES Vol 2 #30 (May 1975)

Title: The Rebels of January and Beyond

Freemen: Killraven, M’Shulla, Old Skull, Hawk, Carmilla Frost and her creation Grok (Deathlok in my revisions)

Synopsis: This is a story that provided a wealth of additional lore for the world inhabited by Killraven and his Freemen, especially regarding Killraven’s use of The Power, a pre-Star Wars version of The Force.

It is still April, 44 years in the future. The High Overlord (in my revisions Abraxas the High Overlord), executive leader of Earth’s alien conquerors, walks the streets of occupied Washington D.C. 

He is clad as always in his full-body suit of biochemical armor, complete with a Japanese feudal helmet like the kind Darth Vader would later wear. (This was published 2 years before Star Wars came out) The High Overlord’s armor, however, is steel-grey, not black like Vader’s. The sight of one of Killraven’s WANTED posters as he walks along annoys him more than it usually might.  Continue reading

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