Here at Balladeer’s Blog I love sharing my enthusiasms. My blog posts where I provide contemporary slants to Ancient Greek Comedies to make them more accessible have been big hits over the years, so I’ve been trying it with operas, too. Previously I wrote about how Philip Wylie’s science fiction novel Gladiator could be done as an opera. Then I looked at how an opera version of the 1966 Spaghetti Western Django could be done and then an opera based on the novel Venus in Furs.
This blog post starts a look at how the original Dune novel could be done as an entire cycle of operas. If you’re not familiar with the story it is set over 20,000 years in the future, when humanity has colonized many Earth-like planets.
DUNE
LANGUAGE: Spanish. I’ve resigned myself to the fact that most of my fellow English-speakers find English-language operas to be silly. The prosaic nature of the forced rhymes in a language we are well-versed in does seem to rob opera of its mystique and its grandeur.
SINGERS: Two Baritones, two Bass-Baritones, two Sopranos, one Mezzo-Soprano, four Tenors, a contralto and a Bass.
ACTS: FOUR ACTS
STORY: My fellow Dune geeks may get annoyed with this change, but remember, adaptations for staged performances have to be made very tight. I would start out at the Arrakeen Great Hall as the family and court members of House Atreides have just arrived on Arrakis/ Dune, the desert planet. All the scenes that the book covered while the Atreides family were preparing to depart their home on Caladan would instead play out shortly after their arrival on their new planetary fiefdom. Continue reading
For Flashman Down Under, Flashman in the Opium War & Flashman and the Kings click 
The duo enjoy diving into the darker and more forbidden side of life where sex, booze and other diversions are concerned. Flashman happens to be with Burton in Egypt in early 1853 when the famous explorer begins his journey to Medina and Mecca disguised as a Muslim.
For Balladeer’s Blog’s review of the very first episode of this 1971-1973 series about London by Gaslight detectives from both the Victorian and Edwardian Ages you can simply click
Episode: THE SECRET OF THE FOXHUNTER (February 3rd, 1973)
Something I found interesting about the Duckworth Drew spy stories was the way that, despite their national chauvinism in which it is just assumed that Great Britain is “the good guy,” the rival powers of Germany, Russia and France are not depicted as devils incarnate. Certainly they’re never presented in truly sympathetic ways but since these stories were written before the World Wars and the Cold War, they’re comparatively restrained in dealing with Drew’s opposition.
ISLAND OF THE LOST (1967) – Directed by John Florea and written by Richard Carlson and Ivan Tors, this family adventure movie starred Richard Greene, known for playing Robin Hood in the 1950s television series and for playing Sir Denis Nayland Smith in a few of the Fu Manchu movies from the 1960s.
Richard Greene AND Richard Carlson? You know that with a couple of Dicks like them around we are in for some campiness and lame special effects that might have been acceptable in the 1950s … in black & white, not color.
MY COUSIN’S AIRSHIP, A TALE OF 1950 (1902) – Written by W.F. Alexander. Though written in 1902 this story is set in a fictional 1950 which has seen incredible scientific advances.
Projected Title: FLASHMAN ON THE GOLD COAST
In June the advance of the Ashanti was halted at Elmina and back in England Her Majesty’s Government made plans to send additional troops to the Gold Coast to deal with the situation. By August 13th General Garnet Wolseley was chosen to lead the army.
Dennis Quaid aka Furious DQ is the subject of this list of brief film reviews. Ignore Buzzfeed reports that Dairy Queen (DQ) is partnering with Balladeer’s Blog to sponsor a Dennis Quaid Film Festival in Rio. In fact, you should just ignore ALL Buzzfeed reports, period, at this point.
THE BIG EASY (1986)
GREAT BALLS OF FIRE (1989)
Episode: THE MISSING Q.Cs. (April 9th, 1973)
Charles has been dating Sir Revel’s daughter Milly (Celia Bannerman), a practicing nurse who keeps pressuring her beau to ask her father for her hand in marriage. Between his law career, his Cricket games and his sleuthing he just can’t seem to find the right moment for it, which causes periodic tensions between the two lovebirds.
MAUGRIS (AKA MALAGIGI) THE ENCHANTER, freed from his undersea prison by Princess Angelica of Cathay, arrived back in Paris to rejoin Charlemagne’s court. Angelica had liberated him only on the condition that he trick Reinold, the Paladin she loved under magic compulsion, into visiting her enchanted island so she could continue wooing him. 

ITEM: Claims are made that enigmatic power players managed to get the novel removed from bookstores. The claims are sometimes accompanied by insinuations that this was done because the book might have struck too close to reality with its “fake death” ending.