It may be my fondness for mythology that makes me love to watch particular movies around particular holidays. I say that because many of the well- known myths were recited on ancient holidays when their subject matter was relevant to those holidays. The stories helped accentuate the meaning of the special events and that’s the way I use various movies.
At Christmas I watch countless variations of A Christmas Carol, around Labor Day I watch Matewan and Eight Men Out, at Halloween, naturally, horror films like the original Nightmare On Elm Street, Thanksgiving Eve I do Oliver! and for Frontierado (which is just a month away now) I do Silverado.
Since the actual 4th of July is loaded with activity I always show 1776 on the night before. It’s a great way to get in the mood for Independence Day. It’s a musical but with brilliant dialogue portions and the story involves the political maneuvering surrounding the Original Thirteen Colonies at last announcing their independence from Great Britain, more than a year after the shots fired at Lexington and Concord started the war.
The story is excellently conveyed and is moving, comical, invigorating and poignant all at once. As long as you know which parts of the tale are depicted accurately and which are complete b.s. it’s a terrific way to spend each 3rd of July evening. Continue reading
UNCLE SAM
Powers: This hero had Superman-level strength and invulnerability. He could fly in a sense by making enormous Hulk-sized leaps. He had a mystic ability to know where he would be needed. Due to his supernatural nature, Uncle Sam could not be photographed or filmed.
NATIONAL COMICS #1 (July 1940) 
The 4th of July is coming up soon so why not do another seasonal post? The format of my recent look at some 
MAY 15th, 1778 – George Rogers Clark and his troops seize the British base at Cahokia on the Mississippi River near what is now East Saint Louis, IL. This officially kicks off Clark’s campaign to take control of America’s northwest frontier (of the time) away from the British. The campaign was begun at the behest of Virginia’s Governor Patrick Henry. 
A FORCE OF ONE (1979) – Fresh off the success of Good Guys Wear Black, Chuck Norris starred in this action film directed by Paul Aaron in only his second directing effort. The prolific Ernest Tidyman wrote the screenplay.
With the 4th of July holiday fast approaching, here’s another seasonal post from Balladeer’s Blog. Since too many documentaries and books on the Revolutionary War focus on what seems like the same handful of battles I like focusing on a lot of the overlooked military clashes. This is another go-round. 
In the past Balladeer’s Blog has given shout-outs to various alcohol products that I feel go great with the now-global Frontierado Holiday on the first Friday of every August. Since this is, after all, a lifestyle blog (I’M KIDDING!), here is a shoutout for a brand of rum for the 4th of July celebrations. 
PRIME CUT (1972) – Directed by Michael Ritchie. Prime Cut was released less than 4 months after The Godfather but it’s difficult to think of two more different gangster films. And I say that as a good thing. Prime Cut is not trying for the epic, operatic scope of The Godfather, it’s just a fairly solid street-level gangster flick with a few admittedly silly action sequences. 
The Windy City mob sent a tough-guy “negotiator” to try leaning on the Kansas rebel only to have that Jayhawk State gangster take things to the next level by having the tough-guy killed, then literally ground into hot dog meat. Adding insult to injury the Kansas boss sent the hot dogs/ bodily remains of the negotiator back to Chicago in the package they were supposed to use to send their tribute money.
AIR WAVE 
A FANTASTICAL EXCURSION INTO THE PLANETS (1839) – By an unknown author. An advanced alien life form makes contact with the novel’s anonymous narrator and takes him on a guided tour of other planets in our solar system. Among other things he encounters angelic creatures on Mercury, warlike males and females on Mars, enormous humanoids on Jupiter and a pack of Lovecraftian horrors on Saturn. For my full review click 
WHAT’S NEW PUSSYCAT? (1965) – TWO PETERS, ONE WOODY should probably have been the title of this blog post. Peter O’Toole, Peter Sellers and Woody Allen starred in this brazen (for its day) sex comedy set in Paris during the Swinging Sixties. 
The end result is still hailed for its pioneering depiction of promiscuity in a major studio release. The relaxing of cinematic standards permitted What’s New Pussycat? to be bolder and kinkier than any pre-1965 production could have been. Compared to films of the past 55 years, however, it often seems as mild and self-consciously “zany” as an episode of Three’s Company, which was daring for television of the 1970s but certainly not today. 
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