THE MEANEST MAN IN THE WORLD (1954) – This heavy-handed United Fund short was probably effective in its day. Back then people may have felt they were being too callous by openly laughing at the antics in this public service message.
Our central character, “Jim”, comes home late at night after a marathon work day. He startles his wife, who, in typical 50’s fashion sleeps in a separate bed. In fact he startles her SO much you get the impression she had a man on the side who may have left her bed a little too close to Jim’s homecoming for comfort.
Jim’s got even bigger problems, though. Money is tight, so tight that Jim tells his still-paniced wife that this year they won’t be able to afford their usual contribution to the United Fund. Our hero then falls asleep, while the disgusted narrator of this ham-fisted production sneers at his alleged callousness.
Now the real fun begins. This joyously tasteless production tries to equate being unable to afford a United Fund contribution to monumental acts of deliberate cruelty. Jim’s dream counterpart stalks up to a hospital and viciously KICKS THE CRUTCHES out from under a poor crippled boy, then STANDS THERE LAUGHING HYSTERICALLY while looking down at Continue reading





kaiju monster film market. (Their previous attempt decades earlier resulted in the equally laughable film Yongary, Monster From The Deep ) The story of the kidnapping and the filmmakers’ subsequent escape would have made a much better movie than this monster flick. 

CORPSE EATERS (1974) – No, not The Brain Eaters and not The Worm Eaters, both of which are real movies, but Corpse Eaters without any “the” in front. This 57 minute wonder actually manages to overstay its welcome, believe it or not, which is just as well because the similar low-budget film Children Shouldn’t Play With Dead Things did everything better than this film does. 

