Clower (right) with co-host Richard Malmos as “Film Vault Technicians First Class” on The Texas 27 Film Vault
Before MST3K there was THE TEXAS 27 FILM VAULT! Before Joel and Mike lovers of bad movies had Randy and Richard! Before Pearl there was Laurie Savino! Before Devil Dogs, Observers and Deep 13 there came Cellumites, giant rats and Level 31.
In the mid 1980’s The Texas 27 Film Vault was the show to watch on Saturday nights for wry mockery of Golden Turkeys preceded by episodes of vintage Republic Serials like Radar Men From The Moon and Canadian Mounties vs Atomic Invaders.
The Texas 27 Film Vault is one of the great unsung Movie Host shows of the 1980’s and I was thrilled to get this exclusive interview with Randy Clower, co-star and co-creator of this legendary cult show from the Dallas/ Fort Worth area. “The Film Vault Guys” as they were often called by us fans, or “Vaulties”, established the pattern that a few other Movie Hosts have since followed.
Clower, Richard Malmos and their friend Ken Miller put together a Public Access television show called The Trivia Guys and in a classic story of talent over budget the trio crafted the program with such care and detail it became a minor hit. The program had a very professional look for a Public Access production and its success prompted a PM Magazine feature on The Trivia Guys.
Management at Dallas television station KDFI, Channel 27 ( the “27” in The Texas 27 Film Vault ) saw the PM Magazine feature and were impressed with the high- dollar look that Clower, Malmos and Miller had put together on a flyweight budget. They approached the trio about hosting a late-night B-Movie show since the Dallas/ Ft Worth area had been without its own home- grown version of that local tv staple since the days of Greg Bransom’s show Professor Cerberus and the Museum of Horrors.
Warming to the idea, the soon-to-be Film Vault Guys decided that vampires, mad scientists and creepy castles had been done ad nauseum in Movie Host shows by then and ingeniously went in a different direction. Thus was born the Film Vault Corps, a fictional quasi- military organization that protected America’s schlock- culture heritage by safeguarding the bad, campy but loveable cinematic turkeys of the past. The men and women of the FVC carried out this task in various Film Vaults under every major city in the United States.
These vaults were Continue reading →
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