Category Archives: Halloween Season

THE BEST SILENT HORROR FILM SHORTS 1896 – 1909

masc graveyard smallerI’ve never made any secret out of the fact that I’m a hopeless silent movie geek. As we get closer to Halloween Balladeer’s Blog will examine the greatest silent horror films of all but for this little teaser I’ll take a look at the best silent horror shorts from 1896 to 1909.

THE HOUSE OF THE DEVIL (1896) – Unless an earlier example turns up this is the very first horror movie with a semblance of a story. This 3 minute film from THE Georges Melies features the Devil setting up housekeeping in a creepy mansion and conjuring up his infernal lackeys like witches, goblins and a living skeleton man to keep him company. Much as the early film world owes to Melies we all know if you’ve seen one of his flicks you’ve seen them all so this will be the last work by him that I cover for this list. His camera trickery and broad characters get old REALLY fast.

FAUST AND MEPHISTOPHELES (1898) – George A Smith, a British stage magician, presents this very brief depiction of Faust selling his soul to the devil named Mephistopheles.

THE MISER’S DOOM (1899) – Like an 1899 Twilight Zone episode this Walter Booth short features a clutching, grasping miser getting his comeuppance in the form of a fatal encounter with a woman’s ghost. 

THE FREAK BARBER (1905) – In a sort of “Extreme Sweeney Todd” story a mad barber decapitates his customers until the tables are turned and he himself gets his head chopped off in the finale. 3 minutes of weirdness.

THE THIRTEEN CLUB (1905) – A group of Continue reading

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HALLOWEEN READING: THE KING IN YELLOW (1895)

THE KING IN YELLOW

If you’re like me you’re sick to death of the flood of vampire and zombie stories in recent decades. It’s gotten unbelievably monotonous. When it comes to Goths in particular you just want to shake them and scream “There’s more to Gothic horror than just vampires!”

In that spirit and in keeping with my blog’s overall theme here’s a look at an 1895 work of Gothic horror that is among my favorite Halloween reading material, The King in Yellow by Robert W Chambers. This unjustly neglected book was praised by H.P. Lovecraft himself and has been called America’s most influential volume of horror between Poe and the moderns.

The King in Yellow is a collection of short stories in which a published but unperformed play, also titled The King in Yellow, brings madness and death to anyone who reads it. Daring to peruse the pages of this damnable drama also makes the reader susceptible to attacks from the sinister minions of the eponymous King, who rules over his own private Hell like Freddy Krueger rules over the Dream Dimension. Here, then, are the Continue reading

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THE TOP 11 NEGLECTED BAD MOVIE CLASSICS FOR HALLOWEEN

The less than frightening title menaces from Attack of the Beast Creatures (1983)

Laughing at bad movies is one of the greatest pleasures in life. Regular readers of Balladeer’s  Blog are very familiar with my Bad Movie page where I focus on various film flops that I feel deserve larger audiences because of how dementedly enjoyable they are. Since it’s the Halloween Season this list will present eleven of the most neglected bad horror movie classics, many of which deserve Plan 9- sized cult followings. These are short takes. For my full-length reviews of these and other cinematic turkeys see my Bad Movie page. https://glitternight.com/bad-movies/

MORE HALLOWEEN MOVIE TREATS: MEXICAN MONSTERS https://glitternight.com/2011/10/31/a-halloween-mexi-monster-bestiary/

BLAXPLOITATION HORROR: https://glitternight.com/2011/10/26/a-very-blaxploitation-halloween/

11. THE LIFT (1983) – A killer elevator is the unique menace in this joyously absurd horror film from the Netherlands. A heroic elevator repairman tries to stop the bloody reign of terror of a sentient elevator which the movie’s ads described as “the perfect killing machine”. (?)

10. ATTACK OF THE BEAST CREATURES (1983) – The surviving passengers and crew of a sunken luxury liner find themselves on an uncharted island full of ponds and streams that dissolve human flesh. The island is home to the Continue reading

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THE WEIRD, WEIRD WEST: HORROR FILMS WITH A WESTERN THEME

With Halloween approaching Balladeer’s Blog will be doing its usual holiday-themed posts. This time around I’ll give a brief synopsis of western-flavored horror flicks. In keeping with my blog’s theme of covering out of the way topics I won’t be examining movies that are too well known, like Billy the Kid vs Dracula, Jesse James Meets Frankenstein’s Daughter or The Terror of Tiny Town. Ditto for more recent movies like Sundown and Billy The Kid In Hell. As for West World and Welcome to Blood City, those are more science fiction than horror, so they aren’t included either.  

black noonBLACK NOON (1971) – Roy Thinnes stars as an old west preacher who falls in with a coven of witches in the town of Melas (Salem spelled backwards of course).

The witches tempt Thinnes into thinking he’s a prophet and healer, then use his vanity against him and his wife during their dark ritual of the Black Noon, which takes place during a mid-day eclipse.

CURSE OF THE HEADLESS HORSEMAN (1974) –  A medical student and his hippy friends try to renovate a dude ranch haunted by the Headless Horseman. No, it’s not the figure from the Washington Irving tale, but an old-west gunslinger who was unjustly hanged, losing his head in the process. The Horseman now roams the dude ranch by night looking for victims to frighten. SPOILER: The Continue reading

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HALLOWEEN OPERA: TALES OF HOFFMANN

Tales of Hoffmann

Tales of Hoffmann

Yes, as if I wasn’t boring enough already I’m also into opera! Now, I know traditionally “the” Halloween Opera has always been Don Giovanni , but I’ve never bought into that notion since there’s really only one scene in the whole opera that qualifies as spooky and supernatural. At this time of year I prefer Offenbach’s Tales Of Hoffmann.

Not only is it full of appropriately eerie and menacing elements, but it’s also the perfect opera for you to share with someone who’s seeing their very first opera.

One of the reasons for that is that it’s in short segments, surrounded by a wraparound opening and finale. Offenbach adapts short stories written by E.T.A. Hoffmann, who in real life was a pre-Edgar Alan Poe author of eerie short stories in his native Austria during the 1800s. At any rate since this opera’s in short segments novices to the artform won’t have time to Continue reading

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