Category Archives: Ancient Greek Comedy

ANCIENT GREEK COMEDY: THE BANQUETERS (427 BCE)

 For background info on ancient Greek comedies and my previous reviews of them, click here (also features a list of my source books): https://glitternight.com/ancient-greek-comedies/

What Meet the Beatles was to the British Invasion, The Banqueters was to Attic Old Comedy. (Yes, I love silly comparisons) This play was the first comedy written by Aristophanes, the leading light of ancient Greek comedy, and was performed at the Lenaea festival of 427 BCE when Aristophanes was nineteen years old. The Banqueters won second prize, making it a very auspicious debut for the man often considered the greatest political satirist of the ancient world.

THE PLAY

The Banqueters is a comedy that once again lets us feel our shared humanity with the ancient Athenians, in this case over the perennial conflicts caused by Generation Gaps and the tension between pointlessly clinging to the past and pointlessly embracing new ideas just because they’re new, even though they may be just as flawed as the older ideas they replace. This is one of the many comedies of Aristophanes that survive in fragmentary form, not in their entirety. 

SYNOPSIS

An Athenian landowner with staid, old-fashioned views is hosting a lavish banquet in honor of Heracles. The attendees are the landowners’ Phratry- brothers (think of a cross between college fraternity brothers and social lodge brothers) and they are the title banqueters who make up the chorus of the play, offering wry commentary on the action of the comedy, often with jokes that break the fourth wall and address the audience directly.

The landowner is using the event to Continue reading

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ANCIENT GREEK COMEDY: ALCAEUS

Balladeer’s Blog has  examined 24 ancient Greek comedies so far in terms of their continuing relevance over 2,400 years later. This will be the fourth time I will focus on one of the ancient Greek comedians whose entire corpus is very, very fragmentary, touching briefly on all of their known works. For background info on ancient Greek comedy plus my previous reviews click here: https://glitternight.com/ancient-greek-comedies/ 

ALCAEUS – This comic playwright came along for the tail end of Attic Old Comedy. Alcaeus’ career ranged from approximately 405 BCE to the 380s BCE and we have fragmentary remains of eight comedies from an unknown total body of work.

1. TRAGI-COMEDY – This play gave comedic treatment to the traditional rivalry between comedy and tragedy on the ancient Athenian stage. The comedy had fun with the Continue reading

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ANCIENT GREEK COMEDY: LYSIPPUS

Balladeer’s Blog has examined 21 ancient Greek comedies so far in terms of their continuing relevance over 2,400 years later. This will be the third time I will focus on one of the ancient Greek comedians whose entire corpus is very, very fragmentary, touching briefly on all of their known works. For background info on ancient Greek comedy plus my previous reviews click here: https://glitternight.com/ancient-greek-comedies/ 

LYSIPPUS – This writer of Attic Old Comedy redefines the expression “fragmentary” because even less is known about his life than about shadowy figures like Susarion and Epicharmus. Lysippus came in 1st place with an unknown comedy at a Dionysia around 440 BCE. Fragmentary evidence survives from just three of his comedies out of an unknown total body of work so this will be my shortest blog post on ancient Greek comedy. 

We’ll start with my favorite random quote from Lysippus’ fragments. It displays his pride in Athens and reflects the city-state’s status as the combined New York, Rome and Tokyo of its era:  “If you have never come to Athens you are a fool. If you have come to Athens and not been captivated by her charms you are  ignorant. If you have been captivated by the charms of Athens and ever left her you are but a beast.” 

I. BACCHAE – Not to be confused with the various tragedies of the same title or the comedy by Diocles. Too little survives to tell if the play presented a comedic version of the tragic events depicted in other works titled Bacchae. The parabasis included the type of segment that would later be frequently repeated in Attic Old Comedy as Lysippus took shots at his competitors. That segment featured joking insults that break the fourth wall and Continue reading

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ANCIENT GREEK COMEDY: POLYZELUS

 Balladeer’s Blog has now covered 16 Attic Old Comedies, so readers have been treated to a nice assortment. Most recently I experimented with a new type of format for addressing in bulk those comedies which have survived in such fragmentary form they don’t merit a full-length review.

Instead of examining individual comedies in these posts, I will focus on those ancient Greek comedians whose entire corpus is very, very fragmentary, touching briefly on all of their known works. For background info on ancient Greek comedy plus my previous reviews click here: https://glitternight.com/ancient-greek-comedies/ 

POLYZELUS – Very little is known about this comic playwright except that his comedies came in first place an impressive four times at Lenaea festivals. His career spanned from approximately 410 BCE to 380 BCE and fragments from just five of his plays have come down to us out of an unknown total number of works.

Aside from the political satire Demos- Tyndareus his fragmentary comedies all fall under the subgenre of Attic Old Comedy known as mythological burlesques. And of those four mythological burlesques three are specifically birth comedies, in other words lampoons of the VERY odd circumstances that generally accompanied the conception and birth of the deities in Greek myths. Remember, this type of bawdy disrespect for the gods was tolerated only in the “anything goes” arena of the comedy performances.

I. DEMOS- TYNDAREUS (410 BCE) – The Tyndareus part of this political comedy’s title refers to the mythical figure who came back from the dead like Lazarus in Continue reading

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ANCIENT GREEK COMEDIES: PHILYLLIUS

Welcome to Balladeer’s Blog’s latest look at ancient Greek comedy. In previous posts I examined 8 individual comedies from classical Athens. Since so many of the Attic Old Comedies survive in very fragmentary form I will periodically be dealing with the plays too fragmentary for full-length reviews in the manner laid out in this blog post.

Instead of examining individual comedies in these posts, I will focus on those ancient Greek comedians whose entire corpus is very, very fragmentary, touching briefly on all of their known works. For background info on ancient Greek comedy plus my previous reviews click here: https://glitternight.com/ancient-greek-comedies/ 

PHILYLLIUS – This comic poet’s career seems to have spanned approximately from the 410’s BCE to 390 BCE. One of his comedies won 1st prize at a Lenaea festival in the 390’s and he won 1st prize at an unknown Dionysia. His fellow comedian Strattis credited him with being the first Attic Old Comic to use real torches on stage.

My favorite random line from his fragments: “The most important element of health is to breathe clean and unsullied air.”   

I. HERAKLES – This comedy combined mythological burlesque with a comical look at the institution of phratries in ancient Greece. Phratries were the forerunner of and partial inspiration for college fraternities and sororities as well as Continue reading

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ANCIENT GREEK COMEDY: PLUTOI (WEALTH GODS) C 429 BCE

“Their side’s billionaires are evil! Our side’s billionaires are wonderful!”

Balladeer’s Blog’s latest look at ancient Greek comedies deals with another work by Cratinus who, along with Aristophanes and Eupolis, constituted the Big 3 of Attic Old Comedy.

This time around I’ll examine the comedy Plutoi, aka Wealth Gods and the way in which it dealt with issues that are still relevant to us over 2,400 years later. 

 For more background information on the subject of ancient Greek comedies click here: https://glitternight.com/ancient-greek-comedies/

THE PLAY

This comedy opens as the audience is told Continue reading

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ANCIENT GREEK COMEDY: ORE MINERS (C 420’s BCE)

 I had planned on examining another comedy by Cratinus for my next Ancient Greek Comedy post here at Balladeer’s Blog. Understandably my sister Rosemary’s hospitalization has changed quite a few things. She is out of the hospital now but needs more assistance than usual for a while so with the limited time I have available right now I figured it was better to do a brief take on the VERY fragmentary remains of Pherecrates’ comedy Ore Miners AKA Metalles.

THE PLAY

A group of ore miners accidentally dig so deep underground that they stumble upon the Netherworld. While there they observe the automatist Utopia that Pherecrates depicts the souls of the dead as dwelling in.

Rivers flowed with porridge and soup instead of water and on the Continue reading

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ANCIENT GREEK COMEDY: PYTINE (423 BCE)

Cratinus as we all like to remember him

 Welcome to Balladeer’s Blog’s seventh post on ancient Greek comedies. If Pytine was an episode of Friends it would be titled The One Where Cratinus Fires Back At Aristophanes. This play is also known under English language titles like Wine Flask, Flagon, The Bottle, and others along those lines.

Cratinus, seen at left posing for the Attic Old Disco soundtrack album for Saturday Night Fever (Travolta stole all his moves from Cratinus, by the way) and galvanized by the tongue-in- cheek caricature that Aristophanes presented of a drunken, washed- up Cratinus in his previous year’s comedy The Knights, turned that caricature into the premise of his final comedy.

THE PLAY

From the fragments of Pytine that remain it seems Cratinus had an actor portraying himself (Cratinus) as the booze-soaked Grand Old Man of Attic comedy at the time. I always picture the character as a cross between Dudley Moore in Arthur and Tom Conti in Reuben, Reuben. Anyway, in the play Cratinus is Continue reading

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ANCIENT GREEK COMEDY: THE KNIGHTS (424 B.C.E.)

 In Balladeer’s Blog’s 6th installment on ancient Greek comedies I will examine The Knights by Aristophanes. For background info on ancient Greek comedies see my original post on the topic: https://glitternight.com/2011/09/22/at-long-last-my-ancient-greek-comedy-posts-begin/

In The Knights Aristophanes pioneered a new sub-genre of Attic Old Comedy: the  Demagogue Comedy. The villain of this masterpiece of political satire was a figure called the Paphlagonian, who was patterned on Cleon, a notorious Athenian politician of the time period. I’ll have Continue reading

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ANCIENT GREEK COMEDIES: DIONYSALEXANDROS (C: 430’s BCE)

For this 5th installment of my posts on Ancient Greek Comedies I’ll examine Dionysalexandros by Cratinus. For my post providing background info on ancient Greek comedies click here: https://glitternight.com/2011/09/22/at-long-last-my-ancient-greek-comedy-posts-begin/

Cratinus was one of the Big 3 in Attic Old Comedy along with Aristophanes and Eupolis, both of whom were much younger than he was. I chose Dionysalexandros as the first of his comedies to examine because it is a brilliant and, from the fragmentary evidence available on all non-Aristophanic comedies, a bold and possibly unique hybrid of Attic Old Comedy and traditional Satyr Plays.   

THE PLAY

In Dionysalexandros Cratinus pushed the envelope by Continue reading

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