Recently, Balladeer’s Blog examined the 1937 Jungle Jim serial as well as the first six Jungle Jim movies starring former Tarzan actor Johnny Weissmuller beginning in 1948. Here are the remaining ten Weissmuller films as the pre-Indiana Jones and pre-Crocodile Dundee, but post-Allan Quatermain hero.
JUNGLE MANHUNT (October 1951) – This seventh Jungle Jim feature film is one of the best examples of how the franchise combined fun escapism with outlandish “So Bad They’re Good” film antics. After rescuing female reporter Anne Lawrence (Sheila Ryan) when her boat overturns, Jungle Jim agrees to guide her on her search for Bob Miller – played by real-life football star Bob Waterfield, Jane Russell’s husband.
Football hero Miller’s plane vanished over the jungle years earlier and Anne is determined to enhance her career by finding him and writing up the story. It turns out that Miller has spent the time serving as a one-man Peace Corps, helping a remote village with engineering and other efforts.
During the expedition to find the missing football player/ pilot, Jungle Jim and company get mixed up in a battle between a shark and a large octopus IN AN INLAND BODY OF FRESH WATER! The shark wins and then Jim must kill that creature in a very unconvincing underwater battle.
Our hero and Anne also encounter dinosaurs – yes, dinosaurs – in the jungle region where Bob Miller’s plane went down. Much of it is stock footage from One Million B.C. but at one point, Jungle Jim clashes with an upright-walking, man-sized dinosaur who looks like the model for the Gorn Captain fought by Captain Kirk years later. Or maybe Barney the Dinosaur.
Dinosaurs not enough for ya? Well, there’s also Lyle Talbot as mad scientist Dr. Mitchell Heller, an industrial chemist with a bad accent and a method for using uranium to transform lesser stones into diamonds. Heller employs an army of men who sport body paint (really costumes) that makes them look like living skeletons. Continue reading
News of the disastrous reaction to screenings of the unwanted and unneeded fifth Indiana Jones movie, starring a 136-year-old Harrison Ford, caused me to reflect on the 1980s flood of Indiana Jones imitators. Studios even revived the old H. Rider Haggard character Allan Quatermain by casting Richard Chamberlin as Quatermain in a few movies.
JUNGLE JIM (1937) – This 12 episode serial from Universal starred Grant Withers as the title character in the pith helmet. The story involved Joan Redmond, a wealthy young heiress who disappeared in the African jungle with her parents years earlier.
Recently Balladeer’s Blog covered Robert E. Howard’s stories about his overlooked characters James Allison and Turlogh Dubh. This time around I’m taking a look at another neglected creation of Howard, best known for his Conan, Kull and Solomon Kane stories.
EL BORAK – This character’s real name was Francis Xavier Gordon, an old west gunfighter from El Paso, Texas, who wound up traveling much of the world outside of the United States. Gordon settled in Afghanistan where his prowess with swords and pistols made him a tolerated outsider and earned him the nickname El Borak.
THE DAUGHTER OF ERLIK KHAN – First published in the pulp magazine Top-Notch in December, 1934. El Borak was hired by a pair of scurvy Britishers to guide them to a nonexistent captive friend of theirs. They secretly plan to loot the treasure of Mount Erlik Khan in the city of Yolgan.
THE GREY GOD PASSES – This was technically the first appearance of Turlogh Dubh but the story was not published until long after Robert E. Howard’s suicide in 1936. That publication came in 1962’s Dark Mind, Dark Heart. The other two Turlogh stories were published in 1931.
Well, after last week’s
CONAN THE BARBARIAN Vol 1 #58 (January 1976)
This blog post will review the first meeting of Conan and Belit, then Marvel’s depiction of their first shared adventure (featuring an imaginative “fan theory” regarding why Conan was also called Amra) and finally, the sorrowful finale of the longest romance of our Cimmerian’s life.
The Marvel Comics run of stories based on Robert E. Howard’s Conan character from 1970-1993 helped maintain the character’s place in the public consciousness after the end of the Pulp Magazine era.
CONAN THE BARBARIAN Vol 1 #46 (January 1975)
Before long he passes through the village of Sfanol, where he sees the inhabitants about to burn at the stake a beautiful young woman named Stefanya.
Our hero saves Stefanya from this fate and learns she was being burned for her service to the late sorcerer Zoqquanor now that he is no longer alive to protect her. The panicked woman tells Conan that they must retrieve Zoqquanor’s body from the ruins of his castle, which was leveled by the same superstitious villagers who tried to burn her alive.
Mickey Spillane’s hard-boiled private “detective” Mike Hammer first appeared in the writer’s debut novel I, The Jury in 1947. Spillane filled the Hammer stories with scandalous – for the time period – violence and sex. Critics frowned on the hundreds of millions in book sales that followed but readers continue to make the many Mike Hammer novels a success to this very day.
MICKEY SPILLANE’S MIKE HAMMER (1954) – This was a failed pilot for what would have been the first Mike Hammer television series. Brian Keith starred as the title dick (as it were) while Blake Edwards wrote and directed, years before his Peter Gunn series.
THE MOST TERRIBLE TIME IN MY LIFE (1993 in Japan, 1994 in the U.S.) – Masatoshi Nagase IS Maiku Hama, the Japanese rendering of the name Mike Hammer. This unusual film, directed and co-written by Kaizo Hayashi, is in black & white for all but the final 20 minutes.
HELLSGARDE (1939) – Sadly, this is the last of C.L. Moore’s Jirel of Joiry adventures, but the character gets to go out on a high note. The handsome but treacherous Guy of Garlot ambushes twenty of Jirel’s soldiers and imprisons them in the dungeons of Castle Garlot.
QUEST OF THE STAR STONE (1937) – It’s crossover time! C.L. Moore decided to do a story in which her two most famous pulp creations –
THE DARK LAND (1936) – In her tower bedroom at Castle Joiry, Jirel lies in bed, mortally wounded while leading her men at the Battlefield of Sorrow. A pike wound in her side has grown infected and the weak, delirious warrior woman is surrounded by her chambermaids, all of them weeping over their lady’s condition.