Recent movie news about the latest screen adaptation of The Odyssey happened to make me reflect on the lack of a big screen version of the poet Virgil’s epic The Aeneid. For newbies to the tale, I’m posting this very brief synopsis of the story – the first half a mythic voyage like Jason and the Argonauts and The Odyssey and the second half a tale of warfare as Aeneas leads his fellow survivors of fallen Troy in their mythic conquest of what would become Rome.
Previously, I covered neglected ancient Greek epics about the Trojan War, like Cypria, Aethiopis, Iliad Minor and The Sack of Troy. I mentioned the Trojan named Aeneas and how some Greek sources said he was killed and some said he and a fleet of other Trojans escaped the massacre and sailed away.
Roman legends written hundreds of years B.C. took over from there, linking Aeneas to the founding of Rome after a dangerous journey. Around 19 B.C. to 29 B.C. the poet Virgil wrote The Aeneid to give Rome its very own national epic.
ONE – Aeneas and his fleet search for the place prophesied to be the site of a new nation that the Trojan refugees will found. The goddess Juno (Roman equivalent of the Greek Hera) senses that the great people of this new nation will go on to destroy her beloved Carthage, so she throws assorted obstacles in their way. Continue reading
THE FOURTEEN-YEAR POKER GAME – This legendary poker game in all likelihood never really happened but has come to embody the early 20th Century wildness of Thurmond, WV. During America’s coal boom Thurmond attracted the wealthy including mine and railroad tycoons. It became such a hub of gambling, drinking, prostitution and partying that it’s been called the Las Vegas of its era. 
THE FEAST OF BRICRIU (Fled Bricrenn) – The Book of the Dun Cow version of this tale is dated to around the 700s A.D. and is considered the forerunner of the story of Sir Gawain and the Green Knight in British legends.
Having obtained the Golden Fleece, Jason, Orpheus and the rest of the Argonauts fled Colchis immediately on board the Argo. King Aeetes’ daughter Medea fled with them because she fell in love with Jason and defied her father to enable the theft of the Golden Fleece. 
King Aeetes had to break off pursuit so he and his crew could fish up the various fragments of his son’s corpse for proper funeral rites. 
As the Argo pulled into Colchis, King Aeetes and his family – including his daughter Medea – observed their arrival. The Royal Family was on hand because of a dream that the goddess Hera had sent to Aeetes regarding foreign forces that would take Medea across the seas. 
THE BAKARIDJAN KONE EPIC – Djeli, the poet-historians of the Bambara people for over 300 years, would often recite, chant and sing this epic myth while playing their stringed instruments called ngoni. 
With the Titaness Rhea placated by the funerary rites, libations and games that the Argonauts dedicated to her slain son Kyzikos, our heroes resumed their Quest for the Golden Fleece.
### After the Argonauts had feasted, they proceeded to the Argo and tried pulling it to the sea for launching. It was snagged on dry seaweed and refused to go further, so the Argonauts began losing their resolve. Remember, this is an Orpheus-centric version of the Quest for the Golden Fleece, so this wimpy loss of resolve was just an excuse for another Orphic lesson. 
THE VISION OF ADOMNAN – Dated to the late 600s A.D., This was a tale of the vision that Saint Adomnan supposedly had during his lifetime (c 679-704 A.D.). Several centuries before Dante’s Divine Comedy (Inferno, Purgatorio, and Paradiso), The Vision of Adomnan depicted the future saint being conducted through Heaven, Purgatory, and Hell so that he could share this “vision” with others. 
It’s been years since I’ve written about the Orphic variations of mainstream Greco-Roman mythology. For anyone who is not familiar with the Orphic Hymns, Zagreus, etc. these fascinating offshoots of the myths we all grew up with feature a variety of differences.This version of the tale of Jason and the Argonauts won’t always match the more popular rendition. 
THE ORPHIC ARGONAUTICA – To avoid being too boring I will omit all the arguments about the exact time period in which this variation on the epic was first written. At any rate, as the “Orphic” part of these writings would indicate, this look at the Quest for the Golden Fleece is told from the point of view of Orpheus the musician, poet and keeper of the Mysteries. 
Our famous lyre-player Orpheus is approached in his cave at Thrace by the hero Jason. The hero tells Orpheus how he has gathered a crew that will take to sea in the Argo, the first vessel built specifically for ocean voyages. NOTE: Yes, the Orphic Argonautica depicts the Argo as the first ship ever built for a long-range journey. Various allegorical meanings are read into this, but I’ll spare you the details. 
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