Tag Archives: movie reviews

CHANGE OF HABIT (1969)

Change of Habit bCHANGE OF HABIT (1969) – This review is in honor of Elvis Presley’s birthday. Change of Habit is a movie that was practically MADE to be ridiculed. You’ve got Elvis Presley, never exactly a master thespian, his sideburns, which out-perform him in this flick and Mary Tyler Moore as a nun torn between her vows and her growing attraction to The King.

Elvis himself plays a doctor named John Carpenter (yes, like the horror film director), making his initials J.C., just like another famous Jewish carpenter … Jacob Cohen. Dr Elvis runs a practice in the ghetto, which should probably be rendered THE GHETTO instead, given the ham-fisted and stereotypical depiction of the neighborhood and its inhabitants.

Elvis’ character  – if you can make it out behind his usual one-note performance – is supposed to be the perfect made-for-film physician: good looking, compassionate and willing to buck the system in order to help his patients. … And, of course, he sings.

Mary Tyler Moore’s Sister Michelle is accompanied by her sister nuns Sister Barbara, played by Jane Elliott in the years before she was a Soap Opera queen, and Sister Irene, played by African-American actress and singer Barbara McNair.

The Catholic Action Committee sends the trio of nuns to help out at Dr Elvis’ clinic so they go “undercover” by hiding the fact that they’re nuns and instead dressing and acting like “regular people”. They do this because they’re convinced the patients will trust them more if they don’t know that the three are nuns. Continue reading

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SCREAMTIME (1984): FILM REVIEW

Screamtime 1Screamtime is one of the forgotten horror anthology films from the 1980s. Supposedly the three main horror tales were originally filmed as individual episodes of a British tv series. Depending on which source you use either the series was cancelled (or never picked up) OR the episodes were deemed to be of too poor a quality.

The trio of horror stories were then edited into movie format for theatrical release with a wraparound story set in New York City. The oddity of the hard-assed New Yorkers watching three veddy, veddy British horror tales is part of the fun of this lame but bearable film. VHS it ain’t. Hell, it’s not even Beta Continue reading

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PRIMER (2004): CREPE SYUZHET

primerPRIMER (2004) – Yes, I’m just childish enough to pat myself on the back for that play on words in the title of this blog post. With that out of the way I know I’m late to the game when it comes to Primer but my own skepticism about it made me keep it on the back burner in terms of priority movies to watch.

Since New Year’s Eve into the New Year is the closest any of us ever get to time travel I figured today was the perfect time to finally review this controversial film. Primer was made for just $7,000 (really) by Shane Carruth, who starred, wrote, directed, edited, arranged the music and pretty much did everything but wash the cars of his collaborators.

The film’s 2:1 film ratio has become legendary and decisively proved the benefits of having your cast repeatedly rehearse scenes before letting the cameras roll. Film stock ain’t cheap and anything an independent producer can do to save on it is pure gold.

primer-2Shane Carruth stars as Aaron and David Sullivan portrays Abe. The pair are engineers who – on the side – run a tech business out of Aaron’s garage. As a side effect of a project they are working on the two discover a means of time travel.

Don’t roll your eyes and assume that Primer is just another use of this well-worn concept. I made that mistake and put off watching this excellent and thought-provoking movie for far too long.

You can ignore reviews which claim the opening half of this 77 minute film is boring. Literally even the most casual exchanges of dialogue have bearing on the overall story. It’s not really a spoiler at this late date to point out that the very beginning of the film is NOT the “first run” of the events in the storyline, as a viewer discovers later. Continue reading

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BAD MOVIES 4 NEW YEAR’S EVE

Here at Balladeer’s Blog I’m very fond of cinematic turkeys that have seasonal tie-ins. In that spirit here’s a look at bad movies with a New Year’s Eve theme. As usual, full-length reviews of these films can be found on my Bad Movie page.

AKA Time Warp

AKA Time Warp

BLOODY NEW YEAR (1987) – Also released under the title Time Warp but it’s grisly enough for the more explicit title. A handful of British boaters who are fleeing a family of soccer hooligans (no, really) wind up on an island with a deserted hotel that’s been decorated for a New Year’s Eve party since the 1950s.

This Norman J Warren film stars nobody and borrows heavily from Sam Raimi’s original Evil Dead in terms of its imitation “Deadites” and its POV tracking shots. It also features a killer who emerges from a movie being watched, a monster who climbs out of a tablecloth, homicidal kitchen utensils, indoor snowfall, laughing shrubbery and living walls. All the chaos is being caused by hapless souls who have been trapped in limbo for decades and will do anything to get out or to drag others into their hellish undead existence with them.

Bloody New Year is a neglected bad movie classic that has all the Continue reading

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SCROOGE AND MARLEY (2012)

scrooge-marley-2012SCROOGE & MARLEY (2012) – MERRY CHRISTMAS! Balladeer’s Blog’s Christmas Carol-A-Thon for 2016 comes to a close with a look at this gay-oriented adaptation of the Dickens classic. It’s also a musical, but unfortunately the songs struck me as being as blah as most of Leslie Bricusse’s output in Scrooge (1970).

Previously I’ve examined Ebbie, which is a business-woman themed version of the story, John Grin’s Christmas and Christmas is Comin’ Uptown, which are black-themed versions of the story and even See Hear Presents A Christmas Carol, a sign-language and spoken version aimed at the hearing impaired. 

Scrooge & Marley is an openly and deliberately gay adaptation of the Dickens story. It often falls into the trap of using its gay narrative as a gimmick rather than a theme but that risk just goes with the territory when a creative team is locked into following a previously mapped-out storyline.  

The film is set in the fairly present day and opens up at Ebenezer Scrooge’s gay nightclub called Screws. I was hoping it would be called Screwed, to be reminiscent of the porno version of A Christmas Carol titled Ebenezer Screwed. At any rate Scrooge is, as usual, a tight-fisted (as it were) hand at the grindstone and treats his employees horribly. Hell, he even fires them if they tip delivery people out of their own pockets! Continue reading

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JOHN GRIN’S CHRISTMAS (1986)

john-grins-christmas

Wealthy John Grin and the Ghost of Christmas Future

JOHN GRIN’S CHRISTMAS (1986) – The 2016 edition of Balladeer’s Blog’s Annual Christmas Carol-A-Thon continues with this obscure item from the 1980s. My copy of John Grin’s Christmas was already barely watchable when I first tracked it down and it looks worse and worse each time I watch it. Still no DVD release, though, so I’ve decided to give up hoping for a clearer copy and will just review it as is.

Regular readers are familiar with the obsessive lengths I go to in order to track down the various out-of-the-way adaptations of A Christmas Carol. I’m afraid this time around the story is kind of dull – I bought John Grin’s Christmas from someone on E-Bay a few years back. They had taped it off television in 1986 and were selling that very faded and gargly-sounding VHS tape.

Renaissance Man Robert Guillaume directed and stars as the Ebenezer Scrooge stand-in John Grin, our title craftsman who makes a variety of collectibles. Many sources claim he only makes toys but that is not true, it’s just that as Christmas approaches most of his sales are toys. And, since the story is set around Christmas time … Continue reading

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SHORT FILMS FOR THE SHORTEST DAY OF THE YEAR

Yes, it’s December 21st once again! This time around Balladeer’s Blog presents a look at assorted short films to go with today’s “shortness” theme.

The United Fund

The United Fund

THE MEANEST MAN IN THE WORLD (1954) – This heavy-handed United Fund short was probably effective in its day. Back then people may have felt they were being too callous by openly laughing at the antics in this public service message.

Our central character, “Jim”, comes home late at night after a marathon work day. He startles his wife, who, in typical 50s fashion sleeps in a separate bed. In fact he startles her SO much you get the impression she had a man on the side who may have left her bed a little too close to Jim’s homecoming for comfort.

Jim’s got even bigger problems, though. Money is tight, so tight that Jim tells his still-paniced wife that this year they won’t be able to afford their usual contribution to the United Fund. Our hero then falls asleep, while the disgusted narrator of this ham-fisted production sneers at his alleged callousness.

Now the real fun begins. This joyously tasteless  production tries to equate being unable to afford a United Fund contribution to monumental acts of deliberate cruelty. Jim’s dream counterpart stalks up to a hospital and viciously KICKS THE CRUTCHES out from under a poor crippled boy, then STANDS THERE LAUGHING HYSTERICALLY while looking down at Continue reading

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A CHRISTMAS CAROL (1969)

Welcome back to Balladeer’s Blog’s Seventh Annual Christmas Carol-A-Thon!

I have several dozen video versions of the Charles Dickens classic and for years now I have filled the time between Thanksgiving and Christmas watching umpteen different adaptations of this epic myth of the Industrial Age. 

A CHRISTMAS CAROL (1969) – Air Programs International produced this fun animated version from Australia. There are books out there whose reviewers trash this version of A Christmas Carol but their reviews are so loaded with factual errors about this cartoon that I Continue reading

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AN AMERICAN CHRISTMAS CAROL (1979): REVIEW

An American Christmas Carol 2Christmas Carol-A-Thon 2016 continues!

At the height of Fonzie-mania in the 1970s Henry Winkler had so much pull he could have insisted on a side-deal in which he got to play every D’Ascoyne in a televised remake of Kind Hearts and Coronets if he had wanted to. Mercifully he instead chose to star in this adaptation of A Christmas Carol.   

Eric Till directed this telefilm which sets Dickens’ story in Depression- Era America. Winkler, so heavily made-up he looks like a zombie instead of an old man, portrays Benedict Slade, the Scrooge stand-in and R.H. Thompson plays Slade’s man-bitch Thatcher, the Bob Cratchit counterpart. Kenneth Pogue has the Jacob Marley role as Latham and Susan Hogan barely registers as the forever-irritating Belle stand-in. (Thank you to Garrett Kieran for catching an error – I accidentally listed David Wayne as the Marley stand-in.) 

“I’m not gonna pay a lot for this makeup job!” … Henry Winkler IS a zombie Scrooge in An Undead Christmas Carol.

This version of the Carol pulls the annoying maneuver of pretending the visits from Merrivale and the other ghosts are all a dream. There’s even an in-world reference to the Dickens novel A Christmas Carol.

On the plus side the visits of each of the Ghosts of Christmas Past, Present and Yet to Come are cleverly heralded by time period appropriate music and news broadcasts airing on Slade’s bedside radio. The old tight-wad is especially discomfited by the outre 1970s music blaring from the radio before the arrival of the black Ghost of Christmas Yet to Come.   Continue reading

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TWELVE HUNDRED GHOSTS (2016): CHRISTMAS CAROL-A-THON CONTINUES

Heath – one of Balladeer’s Blog’s long-time readers – has done a Supercut version of A Christmas Carol. The video runs 53 minutes and is sheer genius! Plus the rest of the videos on Heath’s channel are worth checking out as well! This is a great addition to Christmas Carol-A-Thon 2016:

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