Halloween Month rolls along. Here’s a tale set in Europe despite the title and involving a Mandragore, a She-Golem, a Barenhauter and Gypsy mysticism.
Isabella of Egypt is a very obscure 1812 Gothic Horror novella by Ludwig Achim Von Arnim. Under the more evocative title Alraune and the Golem it was to be filmed as a silent movie in 1919 but unfortunately it was never completed or is one of the countless silent films that have not survived to the present day (sources vary).
The story is set in the 16th Century and features the real-life Holy Roman Emperor Charles V, but in his teen years, right before he assumed the throne first of Spain and later of the H.R. Empire.
The novella is not a horror classic per se but is very eerie and features an odd variety of horrific supernatural figures in Monster Rally fashion. Continue reading
GANJA & HESS (1973) – Duane Jones, immortalized as “the black guy who got screwed over at the end of Night of the Living Dead“, also starred in this offbeat, artsy vampire film which was also released as Blood Couple and many other titles. 
THE SCARECROW (1972) – Gene Wilder, Blythe Danner, Nina Foch, Pete Duel and Will Geer starred in this Hollywood Television Theatre production that first aired January 10th, 1972. Long time readers of Balladeer’s Blog may recall my remarks on previous Halloweens about how underused I feel scarecrows still are in Halloween movies. 
Percy MacKaye stretched the story out and altered some of the themes, so The Scarecrow is an adaptation of Feathertop, not a faithful dramatization of it. Gene Wilder portrays the scarecrow.
EERIE TALES (1919) – Conrad “Major Strasser from Casablanca” Veidt is, in my opinion, the most neglected figure from silent horror films. In this German work Veidt co-stars with Reinhold Schunzel and Anita Berber. The three portray various characters throughout the film. 
THE WERE-WOLF (1896) – By Clemence Annie Housman. Halloween month continues at Balladeer’s Blog! This neglected story features a female author writing about a FEMALE WEREWOLF so that makes it a bit special right there.
This weekend’s light-hearted, escapist superhero post from Balladeer’s Blog looks at Cassie Hack, the horror superheroine who battles a long line of slashers as stylishly as Buffy fought vampires. 
HACK/ SLASH Vol 1 #1 (Apr 2004) 
Readers are now dropped into the main story, set years later when Cassie Hack has established herself as a roving heroine who battles living and undead slashers alongside her African American sidekick – the hulking, gasmask-wearing Vlad. He views Cassie like a daughter and wields meat cleavers and butcher’s knives in battle. 
POSSESSION (1981) – Halloween Month continues here at Balladeer’s Blog with a review of the thoroughly bizarre cult film Possession, from Polish director Andrzej Zulawksi. Because I review everything from mild horror films to extreme works, I’m offering my usual COURTESY WARNING for readers who prefer less transgressive movies. 
I’m far from alone in praising Possession to the Heavens, so my take on it may seem like a mere rehashing for those who are already passionate fans. However, in my opinion only the full 2 hour and 4-minute version is worth watching, not the trimmed-down versions. 
Halloween Month rolls along with this look at a very old British series of telefilms that presented some classic horror tales during Christmas Season. The tales themselves were NOT set around Christmas, so they make for nice Halloween Season viewing, too. 
THE STALLS OF BARCHESTER (Dec 24th, 1971) – Dr. Black (Clive Swift), a scholar cataloguing the book collection at Barchester Cathedral, comes across the diary of a former Archdeacon who murdered his predecessor so he could rise to the position. The killer was then haunted by ghostly figures in the form of the carvings on the cathedral’s choir stalls. Also starring Robert Hardy, Thelma Barlow and Will Leighton. 
Balladeer's Blog 