SCROOGE & MARLEY (2012) – I am still very ill so here’s a rerun for this latest installment of Balladeer’s Blog’s Christmas Carol-A-Thon for 2017.
Scrooge & Marley is a gay-themed version of the Dickens classic. It’s also a musical, but unfortunately the songs struck me as being as blah as most of Leslie Bricusse’s output in Scrooge (1970).
Previously I’ve examined Ebbie, which is a business-woman themed version of the story, John Grin’s Christmas and Christmas is Comin’ Uptown, which are black-themed versions of the story and even See Hear Presents A Christmas Carol, a sign-language and spoken version aimed at the hearing impaired.
Scrooge & Marley is an openly and deliberately gay adaptation of the Dickens story. It often falls into the trap of using its gay narrative as a gimmick rather than a theme but that risk just goes with the territory when a creative team is locked into following a previously mapped-out storyline.
The film is set in the fairly present day and opens up at Ebenezer Scrooge’s gay nightclub called Screws. I was hoping it would be called Screwed, to be reminiscent of the porno version of A Christmas Carol titled Ebenezer Screwed.
At any rate Scrooge is, as usual, a tight-fisted (as it were) hand at the grindstone and treats his employees horribly. Hell, he even fires them if they tip delivery people out of their own pockets! Continue reading →