Tag Archives: book reviews

THE CLOCK: HIS FINAL ADVENTURES (1941-1944)

This weekend’s light-hearted, escapist superhero post wraps up the last of the 86 Golden Age stories about the neglected character the Clock. He debuted in 1936, so BEFORE Superman and Batman

CRACK COMICS Vol 1 #17 (Oct 1941)

Title: Killer Kale Dies Tonight

Villain: Killer Kale

Synopsis: Gangster Killer Kale is executed in the electric chair, but his thugs steal the corpse from the hearse and force a scientist named Dr. Jennir to use his new method for bringing the dead back to life. The Clock and his chauffer Pug Brady investigate when Kale murders Dr. Jennir. The pair find the new hideout of Killer Kale and his gang, burst in and defeat all the gangsters in a lengthy fight. Killer Kale is dead again by story’s end.  Continue reading

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ANCIENT SCIENCE FICTION: WITHIN AN ACE OF THE END OF THE WORLD (1900)

End of the worldWITHIN AN ACE OF THE END OF THE WORLD (1900) – Written by Robert Barr. No doubt about it, Barr was obsessed with the notion of humanity possibly bringing on its own demise through ill-considered scientific tampering. Recently Balladeer’s Blog reviewed another of his stories, The Doom of London, which mined the same creative territory.

This time around the tale is set in the “present” and the near future of 1903. In 1900 a scientist named Bonsel treats a crowd of VIPs to a lavish banquet, after which he announces that all of the food consumed was created artificially. This was done through his new process of drawing nitrogen from the atmosphere and combining it with other chemicals.

Thus the Great Food Corporation is launched, with many of the banquet’s attendees being its initial investors. The company thrives until 1903, when the Guildhall Banquet degenerates into a chaotic bacchanal and partial riot. Soon this “Guildhall Syndrome” spreads, with the most beastly aspects of human nature on display everywhere it manifests.  

John Rule, a British gentleman put off by the poor taste of it all, probes deeper and determines that the scandalous orgies and accompanying violence have been caused by an atmospheric imbalance. That imbalance was caused by the Great Food Corporation’s siphoning off of too much nitrogen from Earth’s atmosphere. Continue reading

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LADY JUSTICE

This weekend’s escapist, light-hearted superhero post from Balladeer’s Blog looks at the character Lady Justice.

LADY JUSTICE Vol 1 #1 (Sep 1995)

Title: Hope & Dread

Writer: C.J. Henderson

Synopsis: The disembodied female epitome of blind justice is revealed to be capable of endowing superpowers on suffering women. Those ladies can then use their greater than normal strength, enhanced hearing and smell, plus their uncanny skill with enchanted swords and/or guns to avenge themselves on those who wronged them.

NOTE: The concept is like an exclusively female version of the 1989 creation the Crow, but in this case the people temporarily animated by Lady Justice are not dead. In this debut story Janine Farrell, a woman in a wheelchair, is inhabited by Lady Justice to get revenge for the murder of her two brothers.

LADY JUSTICE Vol 1 #2 (Oct 1995)

Title: Stepp’d in Blood

Writer: C.J. Henderson

Synopsis: The incorporeal Lady Justice urges her formerly crippled avatar to now pursue the criminal bosses above the men behind the killing of her brothers and the innocent bystanders who got caught in the crossfire.

After leaving a pile of dead bodies in her wake, the avatar of Lady Justice resolves to follow the predatory chain of command all the way to the top of the particular organization she is currently at war with.  Continue reading

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RED SONYA AND DARK AGNES: ROBERT E. HOWARD’S FIGHTING REDHEADS

With the latest attempt at a Red Sonja movie having been released, here’s another Balladeer’s Blog look at Robert E. Howard’s actual Red Sonya PLUS his other fiery, sword-wielding woman warrior Dark Agnes. 

ROBERT E. HOWARD’S REAL RED SONYA

THE SHADOW OF THE VULTURE – This story by Robert E. Howard, the ONLY Howard story to actually feature Red Sonya, was first published in the January 1934 issue of Magic Carpet Magazine. As I’ve mentioned in many other reviews of old pulp characters, Howard’s REAL Red Sonya was indeed a warrior woman, but not one from his fictional Hyborian Age.

It was Marvel Comics who distorted Red Sonya into “Red Sonja” and placed her as a guest star in assorted Conan stories as well as her own series. That Red Sonja has more in common with female author C.L. Moore’s warrior woman Jirel of Joiry than she does with Robert E. Howard’s Red Sonya.

The Shadow of the Vulture is one of Howard’s historical adventures and it’s set during the 1520s, largely at the Siege of Vienna from September 27th to October 15th in 1529. Red Sonya of Rogatino is a Polish-Ukrainian woman who is more skilled than most men with swords and guns.

The storied red-haired woman has a personal grudge against Muslim Ottoman Sultan Suleiman the Magnificent, who was besieging Vienna with over 100,000 soldiers against Vienna’s 21,000. Red Sonya was glad to serve against Suleiman’s armies whenever she could.  Continue reading

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VENUS: MARVEL/ TIMELY’s 1948-1952 SUPERHEROINE

This weekend’s light-hearted, escapist superhero post from Balladeer’s Blog looks at the Marvel Comics heroine Venus, from back when they were known as Timely Comics.

VENUS

Created By: Stan Lee and Lin Streeter

Secret Identity: Vikki Starr

First Appearance: Venus #1 (August 1948) Her final Golden Age appearance came in 1952.

Origin: The Golden Age Venus was the alien ruler of the planet Venus. For centuries she ruled over a planetary paradise protected from human eyes by the perpetual cloud cover of that planet. Wearying of being revered, adored and obeyed she decided to start dividing her time between her home world and Earth, where she hoped to try leading a simpler but more challenging life.

She teleported to the Earth, where her beauty made her such a sensation that she was hired as a model and editor for Whitney Hammond’s fashion publication called Beauty Magazine. Venus had a series of adventures ranging from mild fantasy to world-saving as she learned Earth ways and battled sci-fi and horror menaces. Continue reading

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ANCIENT SCIENCE FICTION: THE DOOM OF LONDON (1892)

Doom of LondonTHE DOOM OF LONDON (1892) – Written by Robert Barr. In the “far future” of the mid-Twentieth Century the narrator of this tale looks back at the catastrophe that hit London in the 1890s.

The premise is that our narrator is outraged by a piece written by a Professor Mowberry in which the professor ventures the opinion that the destruction of London was an overall beneficial event. His reasoning is that it got rid of millions of unnecessary people. Pretty callous attitude, unless you’re talking about getting rid of the Kardashians.

At any rate we readers are informed that in the mid-Twentieth Century fog has been completely done away with (?), preventing what happened to London in the 1890s from ever happening again. It turns out that what started out seeming to be nothing but the usual London fog was actually deadly gases unleashed from deep in the Earth by careless mining. Continue reading

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ANCIENT SCIENCE FICTION: THE THAMES VALLEY CATASTROPHE (1884)

London in ruinsTHE THAMES VALLEY CATASTROPHE (1884) – Written by Grant Allen. The story is presented in the form of a memoir about the destruction of London as seen from “the futuristic” 20th Century.  

“Back” in 1884 a Londoner familiar with lava eruptions and flows that happened in the American West in the past tries – in what would become a trope of later disaster movies – to warn the authorities that danger lurks. Needless to say his warnings go unheeded and lava erupts in the Thames Valley. Continue reading

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DEATHLOK: HIS 1970s STORIES

This weekend’s escapist, light-hearted superhero post here at Balladeer’s Blog looks at Marvel’s short-lived dystopian sci-fi series Deathlok the Demolisher.

ASTONISHING TALES Vol 1 #25 (Aug 1974)

Title: A Cold Knight’s Frenzy

Villain: Simon Ryker

Synopsis: This was another of Marvel’s inventive but short-lived sci-fi series of the 1970s and it introduced the character Deathlok (spelled without the “c” for style points I guess). This was the original Deathlok, Colonel Luther Manning, a slain American army officer brought back to life as part-cyborg, part preserved corpse.

Manning is brought back in this tormented form by Simon Ryker, one of the oppressive rulers of 1990s America. Remember, in 1974 the 1990s were still in the future. The premise of this Deathlok series was that a failed corporate coup during the 1980s had caused America to splinter into rival factions, some ruled by the military, some by the C.I.A. and some by other groups we meet as the series progresses.

Luther Manning as Deathlok is an antihero fighting the many forces of evil in the dystopian America of his time period. He uses his military savvy, high-tech weapons and cyborg abilities in that struggle. Continue reading

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NORTHWEST SMITH: LIKE HAN SOLO IN THE UNIVERSE OF THE ALIEN FRANCHISE

Female author C.L. Moore’s space traveling smuggler of the 2500s A.D. – Northwest Smith – was like a 1930s forerunner of Han Solo but set in a forerunner of the Alien franchise’s gritty universe.

THE HERO: Space traveling anti-hero Smith was created by the female writer C.L. Moore in the 1930s. Four decades before Han Solo, Northwest Smith was a ruthless swashbuckling smuggler, thief and all-around mercenary. Smith’s less than sterling character made him a refreshing change from the usually wholesome pulp heroes of the time.  

THE STORIES: Northwest Smith’s adventures take place in the far future, when regular trade exists between Earth and the native inhabitants of Mars and Venus. The other planets in the solar system have been colonized by those Big Three worlds. Wielding a blaster like a six-gun and piloting his deceptively fast and maneuverable spaceship The Maid, Smith and his Venusian partner Yarol roam the solar system making a living by plying various illegal trades.

My reviews of their 13 stories from back in 2014:

SHAMBLEAU (1933) – While trying to lie low between smuggling runs, Northwest Smith stays in New Chicago, a dangerous Martian hotel with a deadly clientelle. Walking the nighttime streets, he saves an eerily seductive woman from a mob who want her dead for being one of the sinister race called the Shambleau. Can Yarol save Smith from himself as the Shambleau lures him into deeper and madder indulgences? Click HERE.   

BLACK THIRST (1934) – On Yarol’s home world Venus, he parties with old criminal associates while Northwest gets into trouble of his own. Smith gets on the bad side of the Mingas, a caste of glorified alien pimps who run their harems of biologically altered women from their Hutt-like lair Far-Thursa Castle. One of the genetically engineered temptresses wants Northwest to help her escape the Mingas, and Smith, thinking purely with his man-parts, tries to oblige. Click HERE. Continue reading

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RED NAILS (1936): MARVEL’S CLASSIC ADAPTATION OF THIS ROBERT E. HOWARD CONAN STORY

This weekend’s escapist superhero post from Balladeer’s Blog looks at Marvel’s 1970s adaptation of one of Robert E. Howard’s best Conan the Barbarian stories, published shortly after his suicide in 1936. 

RED NAILS – I always like to emphasize that – despite the way Marvel Comics’ 1970s and 1980s Conan stories kept the character’s name alive and introduced new generations to him – the Cimmerian was not a mere comic book figure. Iconic author Robert E. Howard introduced Conan on the printed page in his 1930s stories featuring the character. 

That being said, I acknowledge the excellent adaptations that Marvel did of many of Howard’s works. They also adapted REH’s King Kull and Solomon Kane. Previously Balladeer’s Blog examined the company’s version of Queen of the Black Coast and others.

And that brings us back to Red Nails. With Barry Windsor Smith’s art and Roy Thomas adapting the story, this three-part work originally appeared in the black & white Marvel magazine Savage Tales #2-3 (Oct 1973-Feb 1974). Full-color versions of the tale were later reprinted in the Conan Treasury and elsewhere. 

I. This first installment introduces readers to a blonde female pirate – Valeria of the Red Brotherhood. She is the only female pirate among them and is as notoriously deadly as the others. NOTE: Yes, this is the character that Sandahl Bergman played in the 1982 Conan the Barbarian film. That movie made her a standard thief instead of a pirate and – sadly – gave her the “ghostly return” scene that actually belonged to Conan’s true love Belit (Bay-LEET) from Queen of the Black Coast.

In the Stygian city of Sukhmet Valeria was in between seagoing adventures and was forced to use her sword to kill a powerful man who tried forcing himself on her. She fled to avoid arrest and Conan, already attracted by her beauty and fighting skill, rode after her. While following her he slew the brother of the man she killed to prevent him from avenging himself on Valeria. Continue reading

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