ROLLER BLADE (1986) – They’re the Cosmic Order of the Roller Blade and they’re female Jedi Knights on roller skates. Well, sort of. Where does one begin when reviewing this film that is so beloved by all of us fans of bad movies? Let’s start with the setting and then tackle the characters as well as Roller Blade’s legendary director Donald G Jackson (R.I.P.).
This film is set in the future during The Second Dark Age, years after humanity’s “energy weapons” have unleashed an apocalypse which has left the world a ravaged mess of ruined cities yet immaculately maintained roads and highways. Go figure.
Amid the usual tableau of feral gangs and predatory mutants there stands a force for good dedicated to rebuilding the world: a religious order of warrior nuns called the Cosmic Order of the Roller Blade … Even though none of them wear actual roller blades, just regular roller skates.
“Skate or Die” is the ugly motto of the survivors in this kill or be killed future. That’s because the filmmakers absurdly pretend that traveling via roller skates or skateboards is the only way to move swiftly enough to have a chance of evading the dangerous gangs and mutants.
If you have any goods or supplies that you are taking with you the only way to transport them is in metal grocery carts that can roll along with you as you skate through the post-apocalyptic landscape. I’m not joking. This grocery cart nonsense is another idiotic element that the movie takes 100% seriously despite how inane it looks.
Our characters:
MOTHER SPEED (Katina Garner) – The Mother Superior of the Order of the Roller Blade. She is in a wheelchair yet still wears roller skates on her feet since such skates are part of the Order’s sacred garments. Mother Speed, like all the good guys in Roller Blade, speaks in grandiose faux-Shakespearean littered with “thees” and “thous” and “yea, verilies.” ESPECIALLY “yea, verilies.”
Making Mother Speed even more fun is the way she speaks with a weird accent that makes her sound like popular 1980s sex therapist Dr Ruth Westheimer. Continue reading
IDAHO TRANSFER (1973) – This film, directed by Peter Fonda and starring mostly unknowns, deals with time travel and post-apocalypse themes. It was retitled Deranged for its DVD release. I have no idea why. 
I WOKE UP EARLY THE DAY I DIED (1998) – Directed by Aris Iliopulos, this is the film that was made based on that notorious unproduced script written by THE Ed Wood, the master of badfilm behind Glen or Glenda, Plan 9 From Outer Space and more. 
There’s no dialogue, Easter Eggs regarding Wood’s various Golden Turkeys abound and excerpts from the actual screenplay appear on screen at times in case viewers are skeptical that the weirdness they’re witnessing really was in the original script. 
BEYOND THE UNIVERSE (1981) – Well, Balladeer’s Blog has come to the last film in the Anne Spielberg, Robert Emenegger and Allan Sandler batch. If you’re new to the Spielneggerdler oeuvre, various combinations of the trio churned out no less than TEN low-budget, mostly awful sci-fi films in 1980 and 1981. Yes, you read that right. Ten movies in just two years, with results about what you’d expect from that “quantity not quality” approach. 
THE SATAN KILLER (1993) – August of 1993 saw the release of this cop-on-the-edge movie crossed with a “Satanic serial killer at large” exploitation flick. Steve Sayre directed under the alias Stephen Calamari and starred as Police Detective James Stephen (not StephenS … Stephen. As in Stephen Calamari.) 
DETECTIVE JAMES STEPHEN (Steve Sayre) – James’ fiancee Christie (Cindy Healy) is abducted, tortured and murdered in a ritualistic way by a Norfolk area serial killer dubbed the Satan Slayer (not killer) by the local media. James has been working the case and media scavengers make a sideshow of his grief. Our hero copes by drinking heavily and slipping into the yellow shirt that he apparently plans to wear every day for the rest of his life. 
DREAM NO EVIL (1970) – This film, written and directed by schlockmeister John Hayes, made me wonder who I have to sue to make up for not having seen this gloriously bad movie before now. Dream No Evil is often pigeon-holed as a horror film but actually it combines a number of genres, none of which are well-represented. For a glib summary, let’s call it “A David Lynch film if all the David Lynch was drained from it.” 
EMPIRE OF ASH (1988) – Also released as Maniac Warriors, this post-apocalypse movie is, as you would expect, another of the 1980s’ countless imitators of The Road Warrior. In Empire of Ash our year is 2050 and our main location is an American settlement called New Idaho, with Canadian forests passing for the post-holocaust world. All cities have become uninhabitable so survivalists scrape by in woodland communities. 
GIZMO! (1977) – Though the exclamation point in the title makes this seem like it might be a stage musical, Gizmo! is actually an entertaining documentary about some of the oddest inventions you could possibly imagine. Some never made it anywhere close to actually working, while others worked but proved so hopelessly impractical that you’ll howl with laughter at the wasted effort. 
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