Joe Namath started life as a Pennsylvania boy. Later in life he became the quarterback for the University of Alabama Crimson Tide under iconic football coach Paul “Bear” Bryant. After college he was signed by the New York Jets for what was then the highest-ever contract for a quarterback.
Before long, he earned a place in NFL history by leading the underdog Jets to a victory over the (then) Baltimore Colts in Superbowl III. Though the rest of his football career was – let’s be honest – less than impressive, Joe’s charisma and appeal to the ladies carried him into a minor career as a piece of kitsch-casting in movies and on television.
NORWOOD (1970) – The stunning sequel to True Grit. Okay, I’m kidding! I couldn’t resist since Norwood came out a year after True Grit, was based on another novel by the author of True Grit and starred Glen Campbell and Kim Darby, also from True Grit. Marguerite Roberts wrote the screenplay for both flicks, too.
Glen stars as one of the few Vietnam War veterans not depicted by Hollywood as PTSD-riddled. As Norwood Pratt, the returning vet winds up in a job transporting cars from Texas to New York City but soon learns he’s driving stolen merchandise.
Joe William Namath plays Joe William Reese, a friend of Norwood who sees him become a singing sensation. Also in the strange circle of friends are dwarf actor Billy Curtis and runaway bride Rita (Darby).
A scene in which Namath tosses a football back and forth with Billy Curtis deserves to stand alongside the football-tossing scenes in The Room. Plus there’s Dom Deluise, Carol Lynley, David Huddleston and Joann, the intelligent chicken. Continue reading
SHAKE, RATTLE AND ROCK! (1956) – Rocksploitation at its campiest! In this hilariously bad movie Rock and Roll music is blamed for the Juvenile Delinquency epidemic of the 1950s. 
Balladeer’s Blog’s Forgotten Television feature wraps up its look at 
MOONSHINE MOUNTAIN (1964) – An example of Hicksploitation. H.G. Lewis of all people wrote and SANG for this movie. A country western singer, tired of the artificial feel of mainstream Nashville music, spends some time with his North Carolina relatives to soak up some authentic atmosphere. 
IT’S HOT IN PARADISE (1960) – This is a film about hot nightclub ladies and their schmoozing manager getting stuck on an uncharted island after a plane crash. They learn that a now dead mad scientist made the place his lair and his experiments spawned dog-sized spiders whose bite transforms people into half-assed human-spider creatures. 
THE RETURN OF THE GIANT MAJIN (1966) – We fans of oddball cinema have long loved Majin, the often-ignored distant cousin of kaiju favorites like Godzilla and Gamera. Majin is a gigantic samurai statue that comes to life periodically in Japan of a few centuries back. 
UNTAMED FURY (1947) – A very early hicksploitation movie. This black & white movie’s stock footage is set in the swamps of the Deep South but everything else takes place on the usual cheap sets we all know and love from Producers Releasing Corporation. 
GODMONSTER OF INDIAN FLATS (1973) – From the maker of Alabama’s Ghost comes this tale of toxic gasses from beneath the Earth spawning a mutated sheep monster which walks erect and looks a little like Mr. Snuffleupagas and Joe Camel. The video cover looks nothing like the creature.
CURSE OF THE CRYING WOMAN (1963) – The Mexican horror film about La Llorona that got U.S. distribution and half-assed dubbing via K. Gordon Murray himself. I’ve reviewed this film in detail previously so for a quick recap for newbies to this flick it’s the old ghost story about an undead woman who sheds tears from her empty eye sockets while making with withering cries. 
THE NAKED WITCH (1961) – For starters, this is the Larry Buchanan film, NOT the Andy Milligan Naked Witch movie from a different year. As usual for Buchanan this was filmed in Texas, and is yet another variation of the tale about a witch who gets put to death but returns a century or more later to slay all the descendants of her killers. 
REEL WILD CINEMA (1996-1997) – This program is still beloved by us fans of Psychotronic movies and the So Bad It’s Good subculture. Reel Wild Cinema helped feed America’s growing appetite for bizarrely awful cinema, an appetite most recently whetted back then by Joel Hodgson’s Mystery Science Theater 3000. 
Similar to Jonathan Ross’ Incredibly Strange Film Show, Reel Wild Cinema also aired interviews with many cult figures from fringe cinema as well as campy trailers for vintage Golden Turkeys. Also like the Jonathan Ross show, Reel Wild Cinema featured an animated opening accompanied by catchy theme music. 
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