In the realm of pop culture it continues to be Marvel Comics’ world! Over the past few years Balladeer’s Blog has been reviewing some old, old, OLD Marvel stories from decades ago. From the research I’ve done, I feel the late 1960s through mid-1970s were Marvel’s creative height, with only the Uncanny X-Men title retaining consistent art and story-telling quality beyond that time period.
I’ve covered The Celestial Madonna Saga (1973-1975), which also contained The Avengers/ Defenders War and the original Thanos War within its own storyline. I’ve examined the 13-part Black Panther story titled Panther’s Rage (1973-1975), the original Kree-Skrull War (1970-1971) and, most recently, the 7-part Adam Warlock tale The Magus (1975-1976).
Readers requested more Marvel, so, since these are fun and light time-passers, here comes Killraven, the Warrior of the Worlds.
WAR OF THE WORLDS/ WARRIOR OF THE WORLDS/ KILLRAVEN: In the early 1970s Marvel was experimenting with hybrid titles combining the old and the new by fusing licensed properties with unique Marvel twists.
The most famous and longest-lasting example was Shang Chi, Master of Kung Fu. In 1973 Marvel licensed the use of Sax Rohmer’s Fu Manchu plus other characters from the Fu Manchu tales. Rather than just churn out a Fu Manchu comic book series “the House of Ideas” instead combined it with the Kung Fu craze of the time and created Shang Chi, the son of Fu Manchu.
Shang Chi, as a surrogate Bruce Lee, and Sir Denis Nayland-Smith, as a surrogate Braithwaite from Enter: The Dragon, were the core of the new series. Shang Chi started out as an operative of his evil father Fu Manchu, but realized the error of his ways and threw in with Sir Denis and his team to battle his father’s malevolent schemes.
In 1976 Marvel licensed the rights to do a comic book tie-in series with 2001: A Space Odyssey and ultimately incorporated their most popular character from that series – Mister Machine aka Machine Man – into the mainstream Marvel Universe.
The same year as Shang Chi – 1973 (so BEFORE Star Wars) – Marvel had worked similar “synergy” by taking their license to do a comic book series based on H.G. Wells’ War of the Worlds and combining it with sci-fi post-apocalypse action. The main character was Jonathan Raven, aka Killraven, a charismatic rebel leading an uprising against Earth’s 21st Century Martian conquerors.
Killraven’s use of a sword AND futuristic firearms in action set against a post-apocalyptic backdrop also brought a little John Carter of Mars appeal into the series. By 1976 the promising saga was canceled due to poor sales but gained a cult following in the decades since then.
Killraven’s influence could be seen in the original 1980s mini-series V, especially the element of humans being used as food by our alien overlords and the sentimental “heroic freedom fighters versus evil tyrants” appeal. Killraven writer Don McGregor incorporated similarly themed stories and characters into Sabre, his other post-apocalypse comic book series.
Even Star Wars reflected some aspects of Killraven’s tales: the Rebel Alliance against the bad guys, the armored badass (The High Overlord in Killraven’s case) and, of course, the way Killraven wielded enigmatic, more than human abilities called simply “the Power” in K.R.’s series. (PLEASE NOTE: Killraven’s use of The Power came years before Star Wars and The Force.) The young sword-wielding hero was slowly mastering the Power as the series went along, but cancellation cut short his development of his paranormal gifts.
And yes, I know that both Killraven and Star Wars drew on the same vast inheritance of sci-fi tropes but the close proximity of K.R. (1973-1976) to Luke Skywalker (1977 onward) makes the comparisons inevitable.
About fifteen years back, Tom Cruise was set to star as Killraven but eventually all K.R. elements were dropped from the project and Cruise starred in simply another remake of War of the Worlds instead. You have to wonder if the Marvel name would have motivated the filmmakers to keep the Killraven angle if the movie had been done AFTER Marvel became the dominant source for cinematic blockbusters that it is now.
At any rate, let’s dive into the very first appearance of Killraven in 1973: Continue reading
Block Books from centuries ago were a form of illustrated storytelling, most often associated with religious topics. Naturally in a period of limited literacy the graven woodblock picture- stories made theological tales even more popular with the masses. In approximately 1455 – 1480 these “proto- comic books” addressed the Antichrist and the End Times.
AT THE END OF THE RIVER – More Weirdness at the End of the World, this time with an adventure featuring Spain’s answer to Mad Max: Hombre himself. This character was created by Antonio Segura and Jose Ortiz in 1981 in the Spanish publication Cimoc. Hombre went on to appear in notably “adult” comic books and magazines around the world, including reprints in Heavy Metal here in America. 
The title character Hombre roams our post-apocalypse planet armed to the teeth and ready to kill or be killed on a daily basis. His first-person narration echoes the best aspects of hard-boiled Film Noir detective stories while the action and mis en scene combine the best elements of Spaghetti Westerns, Post-Apocalypse movies and Martial Arts flicks. Think Six-String Samurai but without the rock and roll samurai. 
Segura mostly avoided easy narratives and my least favorite storyline involved Atila, the badass woman warrior. The character was great, but the tale seemed very UN-Segura-like to me. I probably would have liked her in her own spin-off story but having two such nigh-indestructible figures in one tale put things too far into the realm of upbeat fictional tropes to me. I’m virtually alone on that, by the way, since most fans LOVE the Atila story. 
Thank you to readers who reminded me that I did not follow up my examination of the World War Two-era Justice Society of America stories with my usual collection of links. I always did that after similar items like The Celestial Madonna Saga, Panther’s Rage, The Kree-Skrull War and most recently Adam Warlock’s encounter with the Magus, Thanos and Gamora. 
THE FIRST MEETING OF THE JUSTICE SOCIETY OF AMERICA (December 1940)
FOR AMERICA AND DEMOCRACY (March 1941)
THE MYSTERIOUS MISTER X (June 1941) 
Adam Warlock, one of the Marvel Comics superheroes who are not that well known to the public at large right now, will probably be a household word soon like just about every other Marvel character who gets thrown at the big and small screens. 
PART ONE – ENTER: THE MAGUS – Includes my quick recap of Adam Warlock’s fictional history from 1967 to 1975, including his encounters with the Fantastic Four, Thor and the Incredible Hulk.
PART TWO: DEATH SHIP – Adam Warlock gains a new ally in Pip the Troll when he is taken captive by the Church’s starship The Great Divide. 
PART THREE: THE TRIAL OF ADAM WARLOCK – *** FIRST EVER APPEARANCE OF GAMORA *** Overcoming even more Black Knights of the Church and another battle with the Soul Gem, Warlock at last confronts the Matriarch, the worldly leader of the Universal Church of Truth. 
PART FOUR: ONE THOUSAND CLOWNS – Pip the Troll and Gamora, the most dangerous woman in the galaxy, try to free Adam Warlock from the Pit of the Sacred Palace. 
PART FIVE: THE INFINITY EFFECT – Face to face with the real form of the Magus, Adam Warlock learns the horrific fate that lies ahead for him as he will transform into the Church’s god while being tortured over a period of 5,000 years. 
PART SIX: THE REDEMPTION PRINCIPLE – While evading the Black Knights of the Church Adam, Gamora and Pip encounter the dying Matriarch. 
PART SEVEN: HOW STRANGE MY DESTINY – The story’s final mind-boggling developments unfold as Adam Warlock struggles to fight his fate. 
Concluding Balladeer’s Blog’s examination of another old, old, OLD Marvel Comics hit. 
PART SEVEN (Conclusion) 
Through that rift the Magus leads General Egeus and the entire army of the Black Knights of the Church, super-powered beings from countless planets never before featured in Marvel Comics up to this point. (This makes them forerunners of the Shi’Ar Imperial Guard over at The Uncanny X-Men.) 
We readers know from the end of the previous installment that the Magus suspected that Thanos wanted him to attack, since he had dropped Sanctuary‘s defensive shields. However, even if he’s playing into the Mad Titan’s hands, the Magus had no alternative but to attack since his viewscreens showed him that Thanos and Warlock were about to use a Time Probe to try and prevent the Magus from ever coming into being. 
As the Magus and his Black Knights pour through the teleportational rift the self-proclaimed god orders his knights to kill Thanos, Gamora and Pip the Troll but leave Adam Warlock to him. 
PART SIX 
PART FIVE 
Synopsis: We pick up immediately where we left off. Adam Warlock, Gamora and Pip the Troll have at last come face to face with the REAL form of Adam’s future self, the Magus, instead of the misleading “green like the Soul Gem” disguise he had been hiding behind. 
PART FOUR 
PART THREE 
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