DEATH GAME (1977) – Also released under the title The Seducers, this horror movie/ psychological thriller was filmed in 1974 but not released until 1977 due to assorted legal entanglements. Sondra Locke and cult queen Colleen Camp starred with Seymour Cassell in this thoroughly bizarre exploitation movie.
Death Game was remade decades later as Knock Knock starring Keanu Reeves. The 1970s original may have been a trippy exploitation flick which spotlighted titillation and violence but so was the Eli Roth remake. And the original actually feels more honest and less cringe because it lacks the corporate cinematic feel of the Keanu Reeves movie, despite Locke co-producing and Camp making a cameo appearance.
After the oft-invoked nonsense about the film being based on a true story Death Game begins.
Two predatory young women, Agatha Jackson (Sondra Locke) and Donna (Colleen Camp) insinuate themselves into the home of 40 year old George Manning (Seymour Cassell) on a rainy night when his wife and family are out of town. After seducing him they refuse to leave and behave in increasingly menacing and psychotic ways, subjecting him to physical and psychological abuse. Continue reading
CHROME AND HOT LEATHER (1971) THE Marvin Gaye made his big-screen debut in this relentlessly absurd example of the bad biker films of the 1960s and 1970s. 
THE AFTERMAN (1985) – Balladeer’s Blog’s Weirdness at the End of the World category of movies returns with this bizarre little honey. The Afterman also marks the return of my sub-category “Those Darn Belgians.” Yes, just like Rabid Grannies this flick was created in Belgium. 
The story opens up in the year 2011. For twenty years our lead character, called simply the Man, has been living in a high-tech bomb shelter. The shelter was stocked with plenty of aerosol spray-food from “futuristic” 1991, when the nukes fell. Elaborate security cameras and leftover news reels have been almost the only diversions the Man has had for two decades, aside from drawing sketches. 
IT’S A BIRD … IT’S A PLANE … IT’S SUPERMAN! (1975) – It’s the bomb that asks the musical question “How many Lembecks can you handle?” Even the most die-hard Superman fans would have a hard time forcing themselves to watch all of this made for tv movie version of the 1966 stage musical. 
Despite music by Charles Strouse, lyrics by Lee Adams and script by David Newman & Robert Benton this Superman musical was Broadway’s biggest flop in history as of the 1960s. It’s no great shakes in its televised form, either. 
BIG ZAPPER (1973) – Linda Marlowe stars as Harriet Zapper, a two-fisted private investigator, in this first of two Zapper movies directed by Balladeer’s Blog’s old friend Lindsay Shonteff. If they ever build a Museum of Britsploitation Films, Shonteff will have an entire wing dedicated to him. 
Often forgotten were the man’s pair of films about a virtual “Dirty Harriet” with sexy Linda Marlowe as the lead. I’ve read some reviews that bash Marlowe’s performance as Harriet Zapper but all I can say is those critics must never have seen Lindsay Shonteff’s other film projects. NO actor can come off looking talented under Shonteff’s direction. 
MR NO LEGS (1978) – Ted Vollrath, a Korean War veteran who lost his legs due to injuries he suffered during the conflict, became a multiple black belt in martial arts disciplines and established Martial Arts for the Handicapable Incorporated in 1971. In addition to appearing in a documentary titled Let Me Live In Your World he starred as a scene-stealing badass in Mr No Legs, which was also released under titles like Killers Die Hard, Pushers Die Hard, Dope Runners Die Hard and the much less descriptive Gun Fighter. 
Lou himself is deadly in or out of his chair, as he is highly skilled with knives and handguns, but his most dangerous trait is the way he can use his muscular, toned body to kick the butts of all comers in unarmed combat. Lou’s status as the enforcer and hit man for a Tampa drug lord has earned him big money and a buxom blonde lady who sees to his various needs. 
Our story begins with the villainous Madame Lee (Mari Honjo), the Asian field boss of a criminal empire, observing a demonstration of her outfit’s new martial arts assassins in action. Ron Marchini IS White Death Machine, Michael Chong brings to life Asian Death Machine and Joshua Johnson wows as Black Death Machine. That’s exactly how our title trio are listed in the credits, by the way. 
KID MONK BARONI (1952) – It’s not Rocky, it’s Spocky! Leonard Nimoy made his film debut in this half-assed, cliche-filled and trope-ridden mess of a movie. 
In lieu of prosthetic ears, Kid Monk Baroni finds Leonard sporting a prosthetic nose for a large part of the film, thus depicting the “ugliness” which drives his hostile urges. Paul Baroni has become a leader of sorts for his pack of juvenile delinquents called the Billy Goat Gang, an inferior imitation of Leo Gorcey and Huntz Hall’s Bowery Boys/ Dead End Kids/ Little Tough Guys and all the other names they used over the years. 
This review is dedicated to my beloved nephew Donny, who first introduced me to this movie years ago. 
Four Damon Runyon stories were blended into a 93 minute movie that was released to just one theater … missing a reel. PBS Playhouse gave this romantic comedy its widest exposure before it fell down the memory hole. As of this writing it has only 8 reviews at IMDb. 
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