AMPHIBIAN MAN (1962) – This “mad scientist creates a man capable of living underwater” movie was made in the Soviet Union but frequently appeared in dubbed English on American television decades ago.
While not classically bad, Amphibian Man features plenty of those comfortable B-movie elements that prove schlock is fun to laugh at no matter the country of origin.
Many online reviewers accuse the makers of The Shape of Water of ripping off this 1962 movie that is based on a 1928 novel. Arguments can be made for that, but it’s important to remember that all sci-fi stories draw from the same general inheritance of tropes.
Amphibian Man itself bears similarities to the 1908 French novel The Man Who Could Live Underwater, in which a mad scientist creates a man-shark which he calls the Ichtaner. Coincidentally enough, in Amphibian Man the man-shark is named Ichtyandr, so this movie is not immune to rip-off accusations of its own. Plus, in both stories, the experimental man-shark is intended as merely the first of many.
This film’s characters:
ICHTYANDR SALVATOR (Vladimir Korenev) – A young Argentinean man whose scientist father prevented him from dying of a lung disease in childhood by grafting shark gills on to his body. Ichtyandr has been raised and educated in isolation and his father even designed a comical looking underwater suit for our hero to wear, complete with a shark fin. Continue reading
Regular readers of Balladeer’s Blog are familiar with my odd sense of humor. While searching for some more obscure films to watch and review, I came across this synopsis of the storyline for a 1974 Italian comedy. The movie in question is La Cugina (The Cousin), and the English translation of whatever the contributor actually wrote in Italian is … a bit garbled. Hilariously entertaining, but garbled nevertheless. 
PRAY FOR THE WILDCATS (1974) – That’s Wildcats as in the Baja Wildcats, the name given by the villainous Andy Griffith to himself and his fellow over the hill dirt bikers – William Shatner, Marjoe Gortner and Robert Reed! 
ADAM AND EVE VS THE CANNIBALS (1983) – Way back in 2014 I reviewed this quasi-peplum flick starring Mark Gregory, real name Marco De Gregorio. Instead of portraying Hercules or Maciste or Samson taking on monsters and human opponents, Mark played Adam taking on monsters and human opponents. 
THE CASSANDRA CROSSING (1976) – The Andromeda Strain meets the later Supertrain in this railroad version of the Airport movies. I’m sure we all know the formula of Disaster Movies, be they about natural disasters striking cities or manmade disasters striking mass transportation like airplanes, ships and trains. 
In general, the storyline involves a genetically engineered plague covertly developed by government functionaries (think of Anthony Fauci and his ilk) despite international agreements not to conduct such research. Terrorists who want to steal the plague for their own use botch a raid on the International Health Organization (a pastiche of the World Health Organization), which results in a shootout and in two of the terrorists being exposed to the plague. 
THE TERRORNAUTS (1967) – Simon Oates of Doomwatch fame stars as yet another maverick scientist in this effort from earlier in his career. Oates is running a British version of the SETI project and is forever trying to intercept signals from space … signals that might indicate intelligent life forms. 
Wild coincidences like that are just the tip of the iceberg in terms of this ridiculous movie’s plot holes, inconsistencies and lack of logic. 
SANTO VERSUS THE RIDERS OF TERROR (1970) – Called Santo Contra Los Jinetes del Terror in its native Mexico, this is one of my all-time favorite hidden gems among the wacked-out movies about the Mexican wrestler called El Santo. 
GOLEM (1980) – This science fiction film set in a post-World War Three dictatorship was made in Poland by director Piotr Szulkin and starred Marek Walczewski & Krystyna Janda. It uses the concept of a Golem as an allegory for the creation of artificial humans and examines the motives of those who would do the creating. 
When we first meet Pernat, who has a kind of “Phil Collins in Buster” look, he is being interrogated about a murder committed in his apartment block. We observe how easily subdued and fairly lacking in intelligence he is, but ultimately the authorities release him because they don’t have enough evidence and he is just one of the suspects. 
HITLER – DEAD OR ALIVE (1942) – You’ve heard of grindhouse movies? Well, you could consider this a GRINDE-HOUSE movie, because it was directed by Nick Grinde and produced by Charles House. 
Hitler – Dead or Alive starts out with a pair of stereotypical hungry reporters who bluff their way into a face-to-face meeting with eccentric, unorthodox, Howard Hughesesque tycoon Samuel Thornton. Thornton has just donated a million dollars worth of fighter planes to the war effort, and the snooping reporters ask if there’s any connection to the million-dollar reward he offered for Hitler a few months earlier. 
TWO THOUSAND MANIACS (1964) – For people who’ve never heard of Herschell Gordon Lewis, I’ll point out that he’s known as “the Godfather of Gore.” And not even GOOD gore, but the obviously fake kind that makes you laugh. Add to that the inept acting, bland dialogue and quickie production techniques like you’d get in old black & white flicks and you’ll understand the man’s Bad Movie magic. 
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