Category Archives: Bad and weird movies

NEIL SEDAKA R.I.P. – PLAYGIRL KILLER (1967)

PLAYGIRL KILLER (1967) – Oh, Canada! With the passing of Neil Sedaka I no longer had an excuse to put off reviewing this Canadian-made “horror” film which was Sedaka’s first, last and only thespian effort.

Though Playgirl Killer, also released as Decoy for Terror with unrelated footage edited in, is close to So-Bad-It’s-Good territory Neil Sedaka doesn’t have a very big role in the film. If he’s your only reason for checking out this movie you can quit right after Neil’s character rides off in a limo. He does get to sing, though!

Taking things from the top, William Kerwin from blood-soaked Herschell Gordon Lewis flicks like Two Thousand Maniacs is our star. He plays serial killer Bill wearing facial hair that makes him resemble William Campbell as a Klingon on the original Star Trek series.

We see Bill in the Canadian wilderness rowing a beautiful young lady in a boat while the French song Montage is heard, performed by female singer Andree Champagne. Playgirl Killer was filmed in and around Quebec, hence the French language song and some French signs here and there.   

Bill and his lovely lady pull up at a rock overlooking the lake and he starts trying to sketch her since he’s an artist. She’s not in the mood to sit still, though, and starts laughing at how bizarrely angry Bill gets about it.

Pssst! Bill! There are people called artist’s models who can be paid to sit still and let you paint them, buddy. Rather than pursue that common-sense solution, Bill grabs a handy harpoon gun (What the hell kind of fishing gets DONE at this lake?) and shoots her to death with it. Continue reading

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LLAMA WESTERNS: SPAGHETTI WESTERNS ABOUT INCAN TREASURE

Lost Treasure of the IncasBalladeer’s Blog takes a look at some neglected westerns. And when it comes to neglected it’s tough to top the tiny sub-genre of what is already a sub-genre: Spaghetti Westerns. I’m talking about Llama Westerns, the microscopic fraction of Italo-Westerns that deals with gunslingers in Peru shooting it out over Inca treasure instead of the usual gold or revenge.  

If Indiana Jones used a gun exclusively and thrived on riddling his adversaries with bullets in slow motion while blood squibs burst open THAT would resemble these Llama Westerns.

LOST TREASURE OF THE INCAS (1964) – Alan Steel, best known for Peplums like the Hercules or Maciste movies, plays an often-shirtless gambler/ gunfighter called Samson in this film.

He and his gunslinging pal Alan Fox (Toni Sailer) nip a frame-up job in the bud, then get caught up in a violence-filled race for the untouched treasure of a lost Incan city in the Palladi Mountains of Peru.   Continue reading

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ROBERT CARRADINE: R.I.P. – WAVELENGTH (1983)

With the passing of Robert Carradine, Balladeer’s Blog takes its usual approach of looking at one of his more obscure films, in this case one in which he costarred with THE Cherie Currie and Keenan Wynn. 

WavelengthWAVELENGTH (1983) – This is an unjustly neglected science fiction film that stars Robert Carradine, Cherie Currie and Keenan Wynn in a very unconventional love triangle: both Carradine and Currie are fighting over Wynn. (I’m kidding!)

Robert Carradine plays a moody musician suffering a career lull, Cherie Currie portrays a groupie who becomes a bona fide romantic partner for him and Keenan Wynn barks and snarls in his usual “grouch with a heart of gold” manner.

Cherie’s sensitive mind is open to alien brainwaves calling to her from a nearby (seemingly) abandoned government installation. Carradine and his neighbor Wynn help her try to find out what’s going on. Continue reading

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DAIGORO VS GOLIATH (1972) BAD KAIJU MOVIE

DAIGORO VS GOLIATH (1972) – This neglected kaiju (giant monster) film from Japan is one of the most obscure of them all in America. That’s odd since the movie was a joint project between the creators of Godzilla AND the creators of Ultraman, two very popular characters here in the west.

Sad to say, it’s not worth the effort of seeking it out. Daigoro vs Goliath is disappointing all around. Except maybe for very young children. Or very dumb children.

Not even the worst Gamera movies are as silly and pointless as this little honey is. Daigoro – who looks like a dog/ duck/ Billiken hybrid – is the offspring of a mop-topped mother monster who crashed on Earth from outer space and was killed while trying to trash Japan. She looked much cooler than her son but got killed off very quickly. Continue reading

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BAD MOVIE HOSTESS: MOONA LISA (1963-1975)


 My fellow movie host geeks and I are grateful to John L. for his better photographs of this lady as seen above. Moona Lisa (Lisa Clark in real life) was an active movie host for twelve years beginning in 1963.

Though Moona Lisa is most often associated with San Diego’s Science Fiction Theater, her longest-lasting show, she also hosted Moona’s Midnight Madness in St Louis for over a year and for eighteen months had even stepped in to replace one of the legends of the Movie Host world – Seymour AKA Sinister Seymour AKA Larry Vincent – as the host of Los Angeles’ iconic b-movie show Fright Night.

The slinky Moona Lisa hosted her programs from her personal Moon Base, often with the Earth seen in the lunar sky through a window, as in the above photo. When the Apollo astronauts landed on the moon in 1969 Lisa Clark employed a gimmick pioneered by the legendary movie host Zacherley the Cool Ghoul and inserted her Moona Lisa character into the footage, presenting her greeting the arriving astronauts.   Continue reading

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BAD MOVIE HOSTS: CHRISTOPHER COFFIN (1961-1967)

 Christopher Coffin, AKA Reed Pasternak AKA Reed Farrell, deserves to be mentioned with the biggest names in the history of B- Movie Hosts.

As you can see in the photo at left Coffin hosted his movies from a wheelchair and when you combine that with his wry, erudite sense of humor and his aristocratic manner I think the best way to describe him would be as a combination of Sheridan Whitehead in The Man Who Came to Dinner and Ghoulardi.  Or maybe I should make that  a pre- Ghoulardi version of Ghoulardi, depending on what year you accept for CC’s premier.

I want to address the ongoing debate over exactly what year his program debuted. The advocates of a Continue reading

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MARDI GRAS MASSACRE (1978) BAD MOVIE REVIEW

Mardi Gras MassacreMARDI GRAS MASSACRE (1978) – Category: A neglected Bad Movie classic, but its hard-core gore will prevent it from ever having a Plan 9-sized cult following

It takes a twisted sort of genius to make multiple disembowelment murders look boring, but that’s exactly what Jack Weis accomplishes in Mardi Gras Massacre! Today may be Fat Tuesday, but let’s rechristen it “Splat Tuesday” in honor of this late 70’s splatterfest. 

The actual “massacre” part of this movie is an incredible disappointment. An insane, hate-filled man with a knife is roaming around New Orleans during Mardi Gras targeting prostitutes as sacrificial offerings to the Aztec deities he worships.

That sounds promising for a horror film but the disembowelment ritual is reenacted word for word and movement for movement for EACH VICTIM! There is no variation and also no suspense because after the first killing we know exactly how all the subsequent sacrifices will play out. The only chills come from listening to the awful disco music that plays during the Continue reading

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GHOULARDI: BAD MOVIE HOST (1963-1966)

 From January of 1963 to December of 1966 Ernie Anderson, AKA Ghoulardi, ruled the Friday night airwaves in Cleveland with his b-movie show. To give you an idea of how popular his show was, Ghoulardi did what some of the top entertainers of their day consistently failed to do – HE BEAT JOHNNY CARSON’S TONIGHT SHOW IN THE RATINGS! Carson may have owned the rest of the country, but on Friday nights in Cleveland and vicinity Ghoulardi was the REAL king.

Ghoulardi, along with Vampira and Zacherley, is part of the Holy Trinity (or Trimurti if you prefer) of the early b-movie show hosts who proved so popular they ensured that the American folk art of hosting Grade Z films would not be just a passing fad. Those three pioneers (if you’re from Chicago you can add Mad Marvin) became pop culture icons and helped demonstrate how much fun bad movie culture can be.

In Ghoulardi’s case his catchphrases like “Stay sick” and  “Ova dey!” were the “Hikeeba!” of their day. Anderson’s look was iconic, too, and his green lab coat predated Doctor Madblood’s and Trace Continue reading

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THE DOBERMAN GANG MOVIES (1972-1980)

Balladeer’s Blog takes a look at the neglected Doberman Gang series of movies.

THE DOBERMAN GANG (1972) – I’m a lifelong dog lover, so let me point out that this was the very first film to carry the American Humane Association’s guarantee that “No animals were harmed in the making of this film.” Despite spawning a franchise, The Doberman Gang flies by the proverbial seat of its pants, and while it’s good to know that no dogs were harmed this flick features a few Doberman attacks on humans that seem too gritty.

This movie bounces erratically between Family Friendly and low-budget gimmick production. Eddie (Byron Mabe) leads his bank robber accomplices Sammy and JoJo (Simmy Bow and JoJo D’Amore) who idiotically screw up heists that seem like sure things.

Fed up with the way that human error keeps messing up his carefully planned capers, Eddie strikes upon the idea of using trained dogs to rob banks for him. That may sound like the premise of a light-hearted Disney movie from the 1970s but The Doberman Gang retains a low-life criminal air that’s too grimy at times. Continue reading

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CUCUMBER CASTLE (1970) THE BEE GEES, BLIND FAITH & LULU

CUCUMBER CASTLE (1970) – Eight years before the Bee Gees embarrassed themselves on the big screen with a horrible movie forcing a storyline to the Beatles album Sgt. Pepper’s Lonely Hearts Club Band they embarrassed themselves on the small screen forcing a storyline to their own album Cucumber Castle.

Well sort of. Mostly they just appropriated the title of their song and album Cucumber Castle and fixated on the word “castle” to provide the premise of this 54-minute film made for British television.

Lulu, Spike Milligan, Vincent Price and many more show up in the supporting cast. Sammy Davis, Jr.’s scenes were cut. Or were removed under threats from Sammy’s pal Frank Sinatra. Not so lucky was Eleanor Bron. I can say no more. (See what I did there?) 

The musical misfire was directed by Hugh Gladwish … the director of THE GHOST GOES GEAR (1966), reviewed last week here at Balladeer’s Blog. Barry and Maurice Gibb are the credited writers, however, so the “comedy” sketches are only sometimes as bad as those in the 1966 theatrical movie. 

Cucumber Castle is so awful that not being in it was presumably brother Robin Gibb’s greatest professional triumph. He had recently left the Bee Gees in a huff to try a solo career, and little Andy Gibb was only twelve years old, so Barry and Maurice, who also produced, were left holding the whoopie cushion bag.

In a fairytale land resembling Elizabethan England, a king (comedian Frankie Howerd) is on his deathbed. Barry Gibb plays Prince Frederick and Maurice plays Prince Marmaduke, the king’s sons.

Not only does Howerd resemble Mel Brooks but his intentionally hammy performance as the dying monarch would fit right into a Brooks comedy. And Peter Blythe’s opening narration contained a couple of reasonably funny jokes, so I briefly dared to hope that this telefilm might be better than its reputation.

That was The First Mistake I Made, to force in the title of a Bee Gees song. Continue reading

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